Please click on promotion above to RSVP for this workshop.
at The Loisaida Center
With The Wonderful Musical Duo:
with: Jeca Rodríguez and Sandralis Ginés
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Screening of:
1. Paper Puppet Creations with Rojo Coquí Robles (El Kibutz del deseo) (2hrs)
2. Upcycling Arts with Visiones Culturales
3. Bilingual Storytelling with Maestra Coral Nogueras Ortiz
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Headliner Concert by:
Come join us! Purchase tickets below. Only $5 for one ticket or $15 for 4 tickets!
Caborca has been selected to present the new bilingual version of their play as part of Encuentro 2014, the largest national festival of Latino theatre in more than two decades in Los Angeles, CA. Caborca Theatre developed their bilingual version of ZOETROPE as part of the Art Residency Program @ Loisaida Center.
They will present both the bilingual and English version of Zoetrope: Part 1 completely FREE!
Join us for a delightful evening of drama and theater.
Long Island City, NY 11101
Tito Matos is one of the most impressive requinto players of the plena tradition. He plays other percussion instruments: bomba barrels, congas, among others. He is the founder and director of Viento de Agua. He has previously recorded, played and toured with: Eddie Palmieri, David Sánchez, Miguel Zenón and Ricky Martin among many others. He is still a member of New York’s iconic bomba and plena ensemble Los Pleneros de la 21. Tito is the founder of Plenazos Callejeros a movement that takes plena to street corners in different Puerto Rican towns.
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Plenazos Callejeros is a documentary about a movement that revolutionized Afro Puerto Rican musical genre: plena. Every month a bunch of pleneros would gather at a street corner to play and talk about music. The video takes viewers on a journey through the last 30 years of the plena tradition.
Director: Mariana Reyes Angleró
Producers: Mariana Reyes and Tito Matos for Viento de Agua Inc.
Editor: Juan C. Álvarez Lara
Poet and scholar Urayoán “Ura” Noel, an Assistant Professor of English and Spanish at NYU, presented his new book InVisible Movement: Nuyorican Poetry from the Sixties to Slam (University of Iowa Press, 2014), the first book-length critical study of Nuyorican poetry.
Discounted copies of the book are still available for sale.“A crucial contribution to our literary history, In Visible Movement charts the evolution of an increasingly visible movement in the literary arts, shedding light on many related poetries of the past six decades in the process. Noel proposes ‘an understanding of poetry performance as revisionism: operating across and along page and stage,’ an understanding that proceeds from the poets themselves.”
—Aldon Lynn Nielsen, author, Integral Music: Languages of African American InnovationAbout the author:
Urayoán Noel is a poet, performer, scholar, and translator who is currently an Assistant Professor of English at SUNY Albany and Visiting Assistant Professor of English at NYU. His books include the poetry collections Kool Logic/La lógica kool (Bilingual Press, 2005), Boringkén (Ediciones Callejón/La Tertulia, Puerto Rico, 2008), Hi-Density Politics (BlazeVOX, 2010), and Los días porosos (Catafixia Editorial, Guatemala, 2012), and the critical study In Visible Movement: Nuyorican Poetry from the Sixties to Slam(University of Iowa Press, forthcoming). His other works include the performance DVD Kool Logic Sessions(Bilingual Press, 2005, with Monxo López), the multimedia project The Edgemere Letters (2011, with Martha Clippinger), and, as translator, the chapbooks ILUSOS by Edwin Torres (Atarraya Cartonera, Puerto Rico, 2010) and Belleza y Felicidad (Belladonna, 2005). He has been a fellow of CantoMundo, the Bronx Council on the Arts, and the Ford Foundation, and his creative and critical writings have appeared in Latino Studies, Contemporary Literature, Small Axe, Bomb, Fence, and in numerous national and international anthologies. Originally from San Juan, Puerto Rico, Urayoán Noel earned his B.A. from the University of Puerto Rico, Río Piedras, his M.A. from Stanford, and his Ph.D. from NYU. He lives in the Bronx.