2016 Plenatorium Ensemble Workshops

Loisaida Inc. presents:

Plenatorium Ensemble Workshops (Pandero, Güiro & Plena Dance)


Register today: Eventbrite - Plenatorium Ensemble Workshops


Package includes: 4 Sessions, 1 Final presentation – 1pm, Four Saturdays, One Friday March 5 – March 26, 2016. at Loisaida Inc. Center. Transgenerational (ages 15+), bilingual friendly (Spanish, English)


Workshop schedule as follows:

Saturday, March 5th: Class 1
one (1) hour of pandero instruction (basic seguidor, punteador & requinto),
one (1) hour of güiro instruction (basic rhythm & technique)
and one (1) hour of plena ensemble.

Saturday, March 12th: Class 2
one (1) hour of pandero accompaniment instruction (seguidor, punteador & requinto for ensemble),
one (1) hour of güiro accompaniment instruction (rhythm & technique for ensemble)
and one (1) hour of plena ensemble.

Saturay, March 19th: Class 3
one (1) hour ensamble and
one (1) hour of basic plena dance instruction

Friday, March 25th: Class 4
two (2) hours of ensamble and
two (2) hours of plena dance instruction

Saturday, March 26th: FINAL
plena Dance/Social with live plena ensemble


 

The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Look of Sovereignity

Sept. 24th, 2015 – “The Look of Sovereignity: Style and Politics in the Young Lords”

+++++++++++++++++++++++++++++++++++++++++++++++++

Frances Negrón-Muntaner
Filmmaker, writer, and scholar.

Her work is focused on a comparative exploration of coloniality, primarily in Puerto Rico and the United States, with special attention given to the intersections between race, ethnicity, gender, sexuality and politics. She is an associate professor of English and Comparative Literature and Director of the Center for the Study of Ethnicity and Race at Columbia University in New York City. She has also contributed to the Huffington Post, El Diario/La Prensa, and 80 Grados, and since 2008 has served as a Global Expert for the United Nations Rapid Response Media Mechanism. She is one of the best-known Puerto Rican lesbian artists currently living in the United States.

We refused to cave In

Sept. 24th, 2015 – “We refused to cave In”: Gender, Race, Class, and Decolonial Intersectionality in the Young Lords’ Liberation Politics

+++++++++++++++++++++++++++++++++++++++++++++++++

Darrel Wanzer-Serrano
Assistant Professor, The University of Iowa

Based on a chapter from The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015), this talk engages the process by which the Young Lords shifted from an organization rooted in the idea that “machismo” could be “revolutionary” to one that rejected machismo as a product of a racist/sexist/imperialist/capitalist system. The Young Lords advanced a nuanced and cutting-edge critique of the intersectionality of oppression and extended their analysis from the internal workings of the organization to society at large. The transformation ushered in by this “revolution within the revolution” was not instantaneous, however. Rather, there was significant struggle within the organization that first led to policy and leadership changes. Once the Young Lords advanced the rejection of machismo in their official platform, it opened space for the emergence of a gay and lesbian caucus and coalitional politics with lesbian, gay, and trans* activists, like Sylvia Rivera. Their intersectional perspective was central, I argue, to a kind of decolonial critical politics that eschewed a focus on rights in preference for attentiveness to and claims for liberation. In this framework, which is also advanced by most scholars of de/coloniality, liberation is an alternative to emancipation—the latter of which relies on claims to recognition that fortify the legitimacy of the modern/colonial system. Liberation, then, seeks a liberty delinked from classical liberalism, mindful of affiliations and fraternal connections, and guided by an ethic of decolonial love, even as colonial wounds can never fully heal.

About the book:

The book summary and a blurb by Andrés Torres can be found on the Temple Press website here: http://www.temple.edu/tempress/titles/2346_reg.html

The publicity manager at Temple is Gary Kramer and can be reached at gkramer@temple.edu.

Author/Speaker Long Bio:

Darrel Wanzer-Serrano (PhD, Indiana University) is Assistant Professor of Rhetoric and Public Advocacy in the Department of Communication Studies, and founding member of the Latina/o Studies Minor Advisory Board, at the University of Iowa. His research is focused on the intersections of race, ethnicity, and public discourse, particularly as they relate to formations of coloniality and decoloniality in the United States. He recently completed a project on the New York Young Lords with the first scholarly monograph on the organization, The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015). He also edited The Young Lords: A Reader (New York University Press, 2010), a sourcebook of primary texts on the group; and he has published numerous articles on the organization and other topics. Darrel is currently working on a new book project, tentatively titled Possession: Crafting Americanity in Congressional Debates over Puerto Rico’s Status, which examines the formation of coloniality and the rhetoric of Americanity within the first twenty years of US entanglement with Puerto Rico.


We refused to cave In

Sept. 24th, 2015 – “We refused to cave In”: Gender, Race, Class, and Decolonial Intersectionality in the Young Lords’ Liberation Politics

+++++++++++++++++++++++++++++++++++++++++++++++++

Darrel Wanzer-Serrano
Assistant Professor, The University of Iowa

Based on a chapter from The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015), this talk engages the process by which the Young Lords shifted from an organization rooted in the idea that “machismo” could be “revolutionary” to one that rejected machismo as a product of a racist/sexist/imperialist/capitalist system. The Young Lords advanced a nuanced and cutting-edge critique of the intersectionality of oppression and extended their analysis from the internal workings of the organization to society at large. The transformation ushered in by this “revolution within the revolution” was not instantaneous, however. Rather, there was significant struggle within the organization that first led to policy and leadership changes. Once the Young Lords advanced the rejection of machismo in their official platform, it opened space for the emergence of a gay and lesbian caucus and coalitional politics with lesbian, gay, and trans* activists, like Sylvia Rivera. Their intersectional perspective was central, I argue, to a kind of decolonial critical politics that eschewed a focus on rights in preference for attentiveness to and claims for liberation. In this framework, which is also advanced by most scholars of de/coloniality, liberation is an alternative to emancipation—the latter of which relies on claims to recognition that fortify the legitimacy of the modern/colonial system. Liberation, then, seeks a liberty delinked from classical liberalism, mindful of affiliations and fraternal connections, and guided by an ethic of decolonial love, even as colonial wounds can never fully heal.

About the book:

The book summary and a blurb by Andrés Torres can be found on the Temple Press website here: http://www.temple.edu/tempress/titles/2346_reg.html

The publicity manager at Temple is Gary Kramer and can be reached at gkramer@temple.edu.

Author/Speaker Short Bio:

Darrel Wanzer-Serrano is an assistant professor of communication studies at the University of Iowa.