The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


¡Presente! The Young Lords in New York.

Loisaida Inc. presents

¡Presente! The Young Lords in New York.

Dates : July 30th – October 10th

Now extended through December 1st, 2015

*NEW HOURS*

Tuesday & Thursday (12:00 pm – 7:00 pm)  Saturday (12:00 pm – 3:00 pm) All other days are by appointment only. For more information please email info@loisaida.org or call (646) 757-0522

Loisiada Inc. will focus on the Young Lords’ founding and impact in the Lower East Side—displaying rarely seen photographs, posters, and audio and video recordings of live performances.  The exhibit begins with the announcement of the founding of the New York Chapter of the Young Lords at Tompkins Square Park on Saturday, July 26, 1969. The exhibition will feature lesser-known perspectives of the Young Lords legacy within the Lower East Side, and their cultural impact upon New York’s cultural scenes.  Some highlights include the organizing efforts of the Gay and Lesbian Caucus, the transgender activism of Sylvia Rivera, and innovative “artivism” generated by Eddie Figueroa, the founder of the New Rican Village, an influential multidisciplinary and cross-disciplinary art space once located at 101 Avenue A.

by: Maximo Colon
Felipe Luciano and Tato Laviera in pre-production planning of the 1st Festival de Loiza Aldea in the LES. Photo by  Máximo Colón.

The exhibition is co-curated by Libertad Guerra and Wilson Valentín-Escobar and features many un-published photographs by Máximo Colón and Hiram Maristany, as well as poster art by Sandra Maria Esteves, and rare live video and audio recordings of some of the leading salsa and Latin jazz musicians, plus an art installation commissioned specifically for this exhibition by contemporary artist Adrian “Viajero”Román.

The overall collection of materials depict the critical role that YL members played in the environment that lead to Loisaida becoming a safe refuge for a community struggling for respect, belonging, political power, and public legitimacy.

 


“I was involved with the Young Lords… it was a time of initiation -into ourselves, into the history of our people, and into the deep images of our culture”.

-Eddie Figueroa, Founder New Rican Village


 

ylp-web-banner-long

¡PRESENTE! The Young Lords in New York is co-organized by El Museo del Barrio (July 22 – October 17), Bronx Museum of the Arts (July 2 – October 15) and Loisaida Inc. (July 30 – October 10). The multi-venue exhibition is accompanied by an ambitious range of programs and events to build awareness of the Young Lords’ innovative contributions to the struggle for civil rights and influence on contemporary artists, and to spark conversations about grassroots community activism today. For a limited time only, the first 1000 visitors at each partnering organization will receive a commemorative button, inspired by the Young Lords. Collect them all! For more info, please visit our featured items page.


At Loisaida Inc. ¡PRESENTE! The Young Lords in New York was made possible with support from:


About the Curators:

Wilson Valentín-Escobar, Ph.D. is an Associate Professor of American Studies and Sociology at Hampshire College. He holds a Ph.D. in American Studies and an M.A. in Sociology from the University of Michigan, and a B.A. in Sociology and Puerto Rican/Latin@ and Latin American Studies Studies from Fordham University. He was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University in 2011-2012. A Brooklyn New York-native, Dr. Valentín-Escobar is currently completing his forthcoming book, Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press). The book examines the cultural activism, or “artivism,” of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. His scholarship, which he regularly presents at national and international conferences, has been published in various academic journals and anthologies, and has received funding from the Andrew W. Mellon Foundation, among several others. He, along with the late Dr. Juan Flores, co-edited a special two-volume issue on Puerto Rican music for the Puerto Rican Studies journal, Centro. Dr. Valentín-Escobar currently Chairs the Five College Consortium Program in Latin@, Caribbean, and Latin American Studies.

Libertad O. Guerra is an urban anthropologist, educator, social researcher/historian, independent curator and environmental activist. Her academic research and publications have focused on Puerto Rican, Latino and Latin American social-artistic movements and cultural activism in urban immigrant settings. Publications include Uncommon Commonalities: Aesthetic Politics of Place in the South Bronx in Journal of Aesthetics and Protest, (2011); and ‘Building the Aura: a social aesthetics of placement in-the-making.’ in New York / Berlin: Kulturen in der Stadt, (2008). Ms. Guerra has organized numerous local and international exhibitions, panels and conferences among them:
Loisaida: the Visible/Invisible Body of Puerto Ricans sectors on the Lower East Side to the Downtown scene, PRSA Biennial Conference, (2010).
Spanic Attack: Living, Making, and Reading the Latin/o American City, LASA Conference, Rio de Janeiro, (2009).
Re- Membering Loisaida: Lure of the Retro Lens, and Visualizing Hindsight, sponsored by Council Member Rosie Méndez and The Center for Puerto Rican Studies, (2009).
Noricua: Performing the Living City, The House of World Cultures, Berlin, (2007).
Going Down for Real: Imagining the Estate of our Town, NYU’s Center for Latino and Caribbean Studies, (2006).
Constructivismo 2006, Clemente Soto Vélez Cultural Center, (2006).
La Marginal, Centro Cultural España (CCE) Lima, (2004).
She is Artistic Director of Loisaida Inc., and current curator/event planner of the Loisaida Festival since 2014.


 

¡Presente! The Young Lords in New York. (CLOSING)

Loisaida Inc. presents

¡Presente! The Young Lords in New York.

Date: December 1st, 2015

Exhibition Closes

Loisiada Inc. will focus on the Young Lords’ founding and impact in the Lower East Side—displaying rarely seen photographs, posters, and audio and video recordings of live performances.  The exhibit begins with the announcement of the founding of the New York Chapter of the Young Lords at Tompkins Square Park on Saturday, July 26, 1969. The exhibition will feature lesser-known perspectives of the Young Lords legacy within the Lower East Side, and their cultural impact upon New York’s cultural scenes.  Some highlights include the organizing efforts of the Gay and Lesbian Caucus, the transgender activism of Sylvia Rivera, and innovative “artivism” generated by Eddie Figueroa, the founder of the New Rican Village, an influential multidisciplinary and cross-disciplinary art space once located at 101 Avenue A.

by: Maximo Colon
Felipe Luciano and Tato Laviera in pre-production planning of the 1st Festival de Loiza Aldea in the LES. Photo by  Máximo Colón.

The exhibition is co-curated by Libertad Guerra and Wilson Valentín-Escobar and features many un-published photographs by Máximo Colón and Hiram Maristany, as well as poster art by Sandra Maria Esteves, and rare live video and audio recordings of some of the leading salsa and Latin jazz musicians, plus an art installation commissioned specifically for this exhibition by contemporary artist Adrian “Viajero”Román.

The overall collection of materials depict the critical role that YL members played in the environment that lead to Loisaida becoming a safe refuge for a community struggling for respect, belonging, political power, and public legitimacy.

 


“I was involved with the Young Lords… it was a time of initiation -into ourselves, into the history of our people, and into the deep images of our culture”.

-Eddie Figueroa, Founder New Rican Village


 

ylp-web-banner-long

¡PRESENTE! The Young Lords in New York is co-organized by El Museo del Barrio (July 22 – October 17), Bronx Museum of the Arts (July 2 – October 15) and Loisaida Inc. (July 30 – October 10). The multi-venue exhibition is accompanied by an ambitious range of programs and events to build awareness of the Young Lords’ innovative contributions to the struggle for civil rights and influence on contemporary artists, and to spark conversations about grassroots community activism today. For a limited time only, the first 1000 visitors at each partnering organization will receive a commemorative button, inspired by the Young Lords. Collect them all! For more info, please visit our featured items page.


At Loisaida Inc. ¡PRESENTE! The Young Lords in New York was made possible with support from:


About the Curators:

Wilson Valentín-Escobar, Ph.D. is an Associate Professor of American Studies and Sociology at Hampshire College. He holds a Ph.D. in American Studies and an M.A. in Sociology from the University of Michigan, and a B.A. in Sociology and Puerto Rican/Latin@ and Latin American Studies Studies from Fordham University. He was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University in 2011-2012. A Brooklyn New York-native, Dr. Valentín-Escobar is currently completing his forthcoming book, Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press). The book examines the cultural activism, or “artivism,” of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. His scholarship, which he regularly presents at national and international conferences, has been published in various academic journals and anthologies, and has received funding from the Andrew W. Mellon Foundation, among several others. He, along with the late Dr. Juan Flores, co-edited a special two-volume issue on Puerto Rican music for the Puerto Rican Studies journal, Centro. Dr. Valentín-Escobar currently Chairs the Five College Consortium Program in Latin@, Caribbean, and Latin American Studies.

Libertad O. Guerra is an urban anthropologist, educator, social researcher/historian, independent curator and environmental activist. Her academic research and publications have focused on Puerto Rican, Latino and Latin American social-artistic movements and cultural activism in urban immigrant settings. Publications include Uncommon Commonalities: Aesthetic Politics of Place in the South Bronx in Journal of Aesthetics and Protest, (2011); and ‘Building the Aura: a social aesthetics of placement in-the-making.’ in New York / Berlin: Kulturen in der Stadt, (2008). Ms. Guerra has organized numerous local and international exhibitions, panels and conferences among them:
Loisaida: the Visible/Invisible Body of Puerto Ricans sectors on the Lower East Side to the Downtown scene, PRSA Biennial Conference, (2010).
Spanic Attack: Living, Making, and Reading the Latin/o American City, LASA Conference, Rio de Janeiro, (2009).
Re- Membering Loisaida: Lure of the Retro Lens, and Visualizing Hindsight, sponsored by Council Member Rosie Méndez and The Center for Puerto Rican Studies, (2009).
Noricua: Performing the Living City, The House of World Cultures, Berlin, (2007).
Going Down for Real: Imagining the Estate of our Town, NYU’s Center for Latino and Caribbean Studies, (2006).
Constructivismo 2006, Clemente Soto Vélez Cultural Center, (2006).
La Marginal, Centro Cultural España (CCE) Lima, (2004).
She is Artistic Director of Loisaida Inc., and current curator/event planner of the Loisaida Festival since 2014.


 

¡Presente! The Young Lords in New York.

Loisaida Inc. presents

¡Presente! The Young Lords in New York.

Dates : July 30th – October 10th

Now extended through December 1st, 2015

*NEW HOURS*

Tuesday & Thursday (12:00 pm – 7:00 pm)  Saturday (12:00 pm – 3:00 pm) All other days are by appointment only. For more information please email info@loisaida.org or call (646) 757-0522

Loisiada Inc. will focus on the Young Lords’ founding and impact in the Lower East Side—displaying rarely seen photographs, posters, and audio and video recordings of live performances.  The exhibit begins with the announcement of the founding of the New York Chapter of the Young Lords at Tompkins Square Park on Saturday, July 26, 1969. The exhibition will feature lesser-known perspectives of the Young Lords legacy within the Lower East Side, and their cultural impact upon New York’s cultural scenes.  Some highlights include the organizing efforts of the Gay and Lesbian Caucus, the transgender activism of Sylvia Rivera, and innovative “artivism” generated by Eddie Figueroa, the founder of the New Rican Village, an influential multidisciplinary and cross-disciplinary art space once located at 101 Avenue A.

by: Maximo Colon
Felipe Luciano and Tato Laviera in pre-production planning of the 1st Festival de Loiza Aldea in the LES. Photo by  Máximo Colón.

The exhibition is co-curated by Libertad Guerra and Wilson Valentín-Escobar and features many un-published photographs by Máximo Colón and Hiram Maristany, as well as poster art by Sandra Maria Esteves, and rare live video and audio recordings of some of the leading salsa and Latin jazz musicians, plus an art installation commissioned specifically for this exhibition by contemporary artist Adrian “Viajero”Román.

The overall collection of materials depict the critical role that YL members played in the environment that lead to Loisaida becoming a safe refuge for a community struggling for respect, belonging, political power, and public legitimacy.

 


“I was involved with the Young Lords… it was a time of initiation -into ourselves, into the history of our people, and into the deep images of our culture”.

-Eddie Figueroa, Founder New Rican Village


 

ylp-web-banner-long

¡PRESENTE! The Young Lords in New York is co-organized by El Museo del Barrio (July 22 – October 17), Bronx Museum of the Arts (July 2 – October 15) and Loisaida Inc. (July 30 – October 10). The multi-venue exhibition is accompanied by an ambitious range of programs and events to build awareness of the Young Lords’ innovative contributions to the struggle for civil rights and influence on contemporary artists, and to spark conversations about grassroots community activism today. For a limited time only, the first 1000 visitors at each partnering organization will receive a commemorative button, inspired by the Young Lords. Collect them all! For more info, please visit our featured items page.


At Loisaida Inc. ¡PRESENTE! The Young Lords in New York was made possible with support from:


About the Curators:

Wilson Valentín-Escobar, Ph.D. is an Associate Professor of American Studies and Sociology at Hampshire College. He holds a Ph.D. in American Studies and an M.A. in Sociology from the University of Michigan, and a B.A. in Sociology and Puerto Rican/Latin@ and Latin American Studies Studies from Fordham University. He was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University in 2011-2012. A Brooklyn New York-native, Dr. Valentín-Escobar is currently completing his forthcoming book, Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press). The book examines the cultural activism, or “artivism,” of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. His scholarship, which he regularly presents at national and international conferences, has been published in various academic journals and anthologies, and has received funding from the Andrew W. Mellon Foundation, among several others. He, along with the late Dr. Juan Flores, co-edited a special two-volume issue on Puerto Rican music for the Puerto Rican Studies journal, Centro. Dr. Valentín-Escobar currently Chairs the Five College Consortium Program in Latin@, Caribbean, and Latin American Studies.

Libertad O. Guerra is an urban anthropologist, educator, social researcher/historian, independent curator and environmental activist. Her academic research and publications have focused on Puerto Rican, Latino and Latin American social-artistic movements and cultural activism in urban immigrant settings. Publications include Uncommon Commonalities: Aesthetic Politics of Place in the South Bronx in Journal of Aesthetics and Protest, (2011); and ‘Building the Aura: a social aesthetics of placement in-the-making.’ in New York / Berlin: Kulturen in der Stadt, (2008). Ms. Guerra has organized numerous local and international exhibitions, panels and conferences among them:
Loisaida: the Visible/Invisible Body of Puerto Ricans sectors on the Lower East Side to the Downtown scene, PRSA Biennial Conference, (2010).
Spanic Attack: Living, Making, and Reading the Latin/o American City, LASA Conference, Rio de Janeiro, (2009).
Re- Membering Loisaida: Lure of the Retro Lens, and Visualizing Hindsight, sponsored by Council Member Rosie Méndez and The Center for Puerto Rican Studies, (2009).
Noricua: Performing the Living City, The House of World Cultures, Berlin, (2007).
Going Down for Real: Imagining the Estate of our Town, NYU’s Center for Latino and Caribbean Studies, (2006).
Constructivismo 2006, Clemente Soto Vélez Cultural Center, (2006).
La Marginal, Centro Cultural España (CCE) Lima, (2004).
She is Artistic Director of Loisaida Inc., and current curator/event planner of the Loisaida Festival since 2014.


 

¡Presente! The Young Lords in New York.

Loisaida Inc. presents

¡Presente! The Young Lords in New York.

Dates : July 30th – October 10th

Now extended through December 1st, 2015

*NEW HOURS*

Tuesday & Thursday (12:00 pm – 7:00 pm)  Saturday (12:00 pm – 3:00 pm) All other days are by appointment only. For more information please email info@loisaida.org or call (646) 757-0522

Loisiada Inc. will focus on the Young Lords’ founding and impact in the Lower East Side—displaying rarely seen photographs, posters, and audio and video recordings of live performances.  The exhibit begins with the announcement of the founding of the New York Chapter of the Young Lords at Tompkins Square Park on Saturday, July 26, 1969. The exhibition will feature lesser-known perspectives of the Young Lords legacy within the Lower East Side, and their cultural impact upon New York’s cultural scenes.  Some highlights include the organizing efforts of the Gay and Lesbian Caucus, the transgender activism of Sylvia Rivera, and innovative “artivism” generated by Eddie Figueroa, the founder of the New Rican Village, an influential multidisciplinary and cross-disciplinary art space once located at 101 Avenue A.

by: Maximo Colon
Felipe Luciano and Tato Laviera in pre-production planning of the 1st Festival de Loiza Aldea in the LES. Photo by  Máximo Colón.

The exhibition is co-curated by Libertad Guerra and Wilson Valentín-Escobar and features many un-published photographs by Máximo Colón and Hiram Maristany, as well as poster art by Sandra Maria Esteves, and rare live video and audio recordings of some of the leading salsa and Latin jazz musicians, plus an art installation commissioned specifically for this exhibition by contemporary artist Adrian “Viajero”Román.

The overall collection of materials depict the critical role that YL members played in the environment that lead to Loisaida becoming a safe refuge for a community struggling for respect, belonging, political power, and public legitimacy.

 


“I was involved with the Young Lords… it was a time of initiation -into ourselves, into the history of our people, and into the deep images of our culture”.

-Eddie Figueroa, Founder New Rican Village


 

ylp-web-banner-long

¡PRESENTE! The Young Lords in New York is co-organized by El Museo del Barrio (July 22 – October 17), Bronx Museum of the Arts (July 2 – October 15) and Loisaida Inc. (July 30 – October 10). The multi-venue exhibition is accompanied by an ambitious range of programs and events to build awareness of the Young Lords’ innovative contributions to the struggle for civil rights and influence on contemporary artists, and to spark conversations about grassroots community activism today. For a limited time only, the first 1000 visitors at each partnering organization will receive a commemorative button, inspired by the Young Lords. Collect them all! For more info, please visit our featured items page.


At Loisaida Inc. ¡PRESENTE! The Young Lords in New York was made possible with support from:


About the Curators:

Wilson Valentín-Escobar, Ph.D. is an Associate Professor of American Studies and Sociology at Hampshire College. He holds a Ph.D. in American Studies and an M.A. in Sociology from the University of Michigan, and a B.A. in Sociology and Puerto Rican/Latin@ and Latin American Studies Studies from Fordham University. He was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University in 2011-2012. A Brooklyn New York-native, Dr. Valentín-Escobar is currently completing his forthcoming book, Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press). The book examines the cultural activism, or “artivism,” of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. His scholarship, which he regularly presents at national and international conferences, has been published in various academic journals and anthologies, and has received funding from the Andrew W. Mellon Foundation, among several others. He, along with the late Dr. Juan Flores, co-edited a special two-volume issue on Puerto Rican music for the Puerto Rican Studies journal, Centro. Dr. Valentín-Escobar currently Chairs the Five College Consortium Program in Latin@, Caribbean, and Latin American Studies.

Libertad O. Guerra is an urban anthropologist, educator, social researcher/historian, independent curator and environmental activist. Her academic research and publications have focused on Puerto Rican, Latino and Latin American social-artistic movements and cultural activism in urban immigrant settings. Publications include Uncommon Commonalities: Aesthetic Politics of Place in the South Bronx in Journal of Aesthetics and Protest, (2011); and ‘Building the Aura: a social aesthetics of placement in-the-making.’ in New York / Berlin: Kulturen in der Stadt, (2008). Ms. Guerra has organized numerous local and international exhibitions, panels and conferences among them:
Loisaida: the Visible/Invisible Body of Puerto Ricans sectors on the Lower East Side to the Downtown scene, PRSA Biennial Conference, (2010).
Spanic Attack: Living, Making, and Reading the Latin/o American City, LASA Conference, Rio de Janeiro, (2009).
Re- Membering Loisaida: Lure of the Retro Lens, and Visualizing Hindsight, sponsored by Council Member Rosie Méndez and The Center for Puerto Rican Studies, (2009).
Noricua: Performing the Living City, The House of World Cultures, Berlin, (2007).
Going Down for Real: Imagining the Estate of our Town, NYU’s Center for Latino and Caribbean Studies, (2006).
Constructivismo 2006, Clemente Soto Vélez Cultural Center, (2006).
La Marginal, Centro Cultural España (CCE) Lima, (2004).
She is Artistic Director of Loisaida Inc., and current curator/event planner of the Loisaida Festival since 2014.


 

¡Presente! The Young Lords in New York.

Loisaida Inc. presents

¡Presente! The Young Lords in New York.

Dates : July 30th – October 10th

Now extended through December 1st, 2015

*NEW HOURS*

Tuesday & Thursday (12:00 pm – 7:00 pm)  Saturday (12:00 pm – 3:00 pm) All other days are by appointment only. For more information please email info@loisaida.org or call (646) 757-0522

Loisiada Inc. will focus on the Young Lords’ founding and impact in the Lower East Side—displaying rarely seen photographs, posters, and audio and video recordings of live performances.  The exhibit begins with the announcement of the founding of the New York Chapter of the Young Lords at Tompkins Square Park on Saturday, July 26, 1969. The exhibition will feature lesser-known perspectives of the Young Lords legacy within the Lower East Side, and their cultural impact upon New York’s cultural scenes.  Some highlights include the organizing efforts of the Gay and Lesbian Caucus, the transgender activism of Sylvia Rivera, and innovative “artivism” generated by Eddie Figueroa, the founder of the New Rican Village, an influential multidisciplinary and cross-disciplinary art space once located at 101 Avenue A.

by: Maximo Colon
Felipe Luciano and Tato Laviera in pre-production planning of the 1st Festival de Loiza Aldea in the LES. Photo by  Máximo Colón.

The exhibition is co-curated by Libertad Guerra and Wilson Valentín-Escobar and features many un-published photographs by Máximo Colón and Hiram Maristany, as well as poster art by Sandra Maria Esteves, and rare live video and audio recordings of some of the leading salsa and Latin jazz musicians, plus an art installation commissioned specifically for this exhibition by contemporary artist Adrian “Viajero”Román.

The overall collection of materials depict the critical role that YL members played in the environment that lead to Loisaida becoming a safe refuge for a community struggling for respect, belonging, political power, and public legitimacy.

 


“I was involved with the Young Lords… it was a time of initiation -into ourselves, into the history of our people, and into the deep images of our culture”.

-Eddie Figueroa, Founder New Rican Village


 

ylp-web-banner-long

¡PRESENTE! The Young Lords in New York is co-organized by El Museo del Barrio (July 22 – October 17), Bronx Museum of the Arts (July 2 – October 15) and Loisaida Inc. (July 30 – October 10). The multi-venue exhibition is accompanied by an ambitious range of programs and events to build awareness of the Young Lords’ innovative contributions to the struggle for civil rights and influence on contemporary artists, and to spark conversations about grassroots community activism today. For a limited time only, the first 1000 visitors at each partnering organization will receive a commemorative button, inspired by the Young Lords. Collect them all! For more info, please visit our featured items page.


At Loisaida Inc. ¡PRESENTE! The Young Lords in New York was made possible with support from:


About the Curators:

Wilson Valentín-Escobar, Ph.D. is an Associate Professor of American Studies and Sociology at Hampshire College. He holds a Ph.D. in American Studies and an M.A. in Sociology from the University of Michigan, and a B.A. in Sociology and Puerto Rican/Latin@ and Latin American Studies Studies from Fordham University. He was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University in 2011-2012. A Brooklyn New York-native, Dr. Valentín-Escobar is currently completing his forthcoming book, Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press). The book examines the cultural activism, or “artivism,” of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. His scholarship, which he regularly presents at national and international conferences, has been published in various academic journals and anthologies, and has received funding from the Andrew W. Mellon Foundation, among several others. He, along with the late Dr. Juan Flores, co-edited a special two-volume issue on Puerto Rican music for the Puerto Rican Studies journal, Centro. Dr. Valentín-Escobar currently Chairs the Five College Consortium Program in Latin@, Caribbean, and Latin American Studies.

Libertad O. Guerra is an urban anthropologist, educator, social researcher/historian, independent curator and environmental activist. Her academic research and publications have focused on Puerto Rican, Latino and Latin American social-artistic movements and cultural activism in urban immigrant settings. Publications include Uncommon Commonalities: Aesthetic Politics of Place in the South Bronx in Journal of Aesthetics and Protest, (2011); and ‘Building the Aura: a social aesthetics of placement in-the-making.’ in New York / Berlin: Kulturen in der Stadt, (2008). Ms. Guerra has organized numerous local and international exhibitions, panels and conferences among them:
Loisaida: the Visible/Invisible Body of Puerto Ricans sectors on the Lower East Side to the Downtown scene, PRSA Biennial Conference, (2010).
Spanic Attack: Living, Making, and Reading the Latin/o American City, LASA Conference, Rio de Janeiro, (2009).
Re- Membering Loisaida: Lure of the Retro Lens, and Visualizing Hindsight, sponsored by Council Member Rosie Méndez and The Center for Puerto Rican Studies, (2009).
Noricua: Performing the Living City, The House of World Cultures, Berlin, (2007).
Going Down for Real: Imagining the Estate of our Town, NYU’s Center for Latino and Caribbean Studies, (2006).
Constructivismo 2006, Clemente Soto Vélez Cultural Center, (2006).
La Marginal, Centro Cultural España (CCE) Lima, (2004).
She is Artistic Director of Loisaida Inc., and current curator/event planner of the Loisaida Festival since 2014.


 

¡Presente! The Young Lords in New York.

Loisaida Inc. presents

¡Presente! The Young Lords in New York.

Dates : July 30th – October 10th

Now extended through December 1st, 2015

*NEW HOURS*

Tuesday & Thursday (12:00 pm – 7:00 pm)  Saturday (12:00 pm – 3:00 pm) All other days are by appointment only. For more information please email info@loisaida.org or call (646) 757-0522

Loisiada Inc. will focus on the Young Lords’ founding and impact in the Lower East Side—displaying rarely seen photographs, posters, and audio and video recordings of live performances.  The exhibit begins with the announcement of the founding of the New York Chapter of the Young Lords at Tompkins Square Park on Saturday, July 26, 1969. The exhibition will feature lesser-known perspectives of the Young Lords legacy within the Lower East Side, and their cultural impact upon New York’s cultural scenes.  Some highlights include the organizing efforts of the Gay and Lesbian Caucus, the transgender activism of Sylvia Rivera, and innovative “artivism” generated by Eddie Figueroa, the founder of the New Rican Village, an influential multidisciplinary and cross-disciplinary art space once located at 101 Avenue A.

by: Maximo Colon
Felipe Luciano and Tato Laviera in pre-production planning of the 1st Festival de Loiza Aldea in the LES. Photo by  Máximo Colón.

The exhibition is co-curated by Libertad Guerra and Wilson Valentín-Escobar and features many un-published photographs by Máximo Colón and Hiram Maristany, as well as poster art by Sandra Maria Esteves, and rare live video and audio recordings of some of the leading salsa and Latin jazz musicians, plus an art installation commissioned specifically for this exhibition by contemporary artist Adrian “Viajero”Román.

The overall collection of materials depict the critical role that YL members played in the environment that lead to Loisaida becoming a safe refuge for a community struggling for respect, belonging, political power, and public legitimacy.

 


“I was involved with the Young Lords… it was a time of initiation -into ourselves, into the history of our people, and into the deep images of our culture”.

-Eddie Figueroa, Founder New Rican Village


 

ylp-web-banner-long

¡PRESENTE! The Young Lords in New York is co-organized by El Museo del Barrio (July 22 – October 17), Bronx Museum of the Arts (July 2 – October 15) and Loisaida Inc. (July 30 – October 10). The multi-venue exhibition is accompanied by an ambitious range of programs and events to build awareness of the Young Lords’ innovative contributions to the struggle for civil rights and influence on contemporary artists, and to spark conversations about grassroots community activism today. For a limited time only, the first 1000 visitors at each partnering organization will receive a commemorative button, inspired by the Young Lords. Collect them all! For more info, please visit our featured items page.


At Loisaida Inc. ¡PRESENTE! The Young Lords in New York was made possible with support from:


About the Curators:

Wilson Valentín-Escobar, Ph.D. is an Associate Professor of American Studies and Sociology at Hampshire College. He holds a Ph.D. in American Studies and an M.A. in Sociology from the University of Michigan, and a B.A. in Sociology and Puerto Rican/Latin@ and Latin American Studies Studies from Fordham University. He was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University in 2011-2012. A Brooklyn New York-native, Dr. Valentín-Escobar is currently completing his forthcoming book, Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press). The book examines the cultural activism, or “artivism,” of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. His scholarship, which he regularly presents at national and international conferences, has been published in various academic journals and anthologies, and has received funding from the Andrew W. Mellon Foundation, among several others. He, along with the late Dr. Juan Flores, co-edited a special two-volume issue on Puerto Rican music for the Puerto Rican Studies journal, Centro. Dr. Valentín-Escobar currently Chairs the Five College Consortium Program in Latin@, Caribbean, and Latin American Studies.

Libertad O. Guerra is an urban anthropologist, educator, social researcher/historian, independent curator and environmental activist. Her academic research and publications have focused on Puerto Rican, Latino and Latin American social-artistic movements and cultural activism in urban immigrant settings. Publications include Uncommon Commonalities: Aesthetic Politics of Place in the South Bronx in Journal of Aesthetics and Protest, (2011); and ‘Building the Aura: a social aesthetics of placement in-the-making.’ in New York / Berlin: Kulturen in der Stadt, (2008). Ms. Guerra has organized numerous local and international exhibitions, panels and conferences among them:
Loisaida: the Visible/Invisible Body of Puerto Ricans sectors on the Lower East Side to the Downtown scene, PRSA Biennial Conference, (2010).
Spanic Attack: Living, Making, and Reading the Latin/o American City, LASA Conference, Rio de Janeiro, (2009).
Re- Membering Loisaida: Lure of the Retro Lens, and Visualizing Hindsight, sponsored by Council Member Rosie Méndez and The Center for Puerto Rican Studies, (2009).
Noricua: Performing the Living City, The House of World Cultures, Berlin, (2007).
Going Down for Real: Imagining the Estate of our Town, NYU’s Center for Latino and Caribbean Studies, (2006).
Constructivismo 2006, Clemente Soto Vélez Cultural Center, (2006).
La Marginal, Centro Cultural España (CCE) Lima, (2004).
She is Artistic Director of Loisaida Inc., and current curator/event planner of the Loisaida Festival since 2014.


 

¡Presente! The Young Lords in New York.

Loisaida Inc. presents

¡Presente! The Young Lords in New York.

Dates : July 30th – October 10th

Now extended through December 1st, 2015

*NEW HOURS*

Tuesday & Thursday (12:00 pm – 7:00 pm)  Saturday (12:00 pm – 3:00 pm) All other days are by appointment only. For more information please email info@loisaida.org or call (646) 757-0522

Loisiada Inc. will focus on the Young Lords’ founding and impact in the Lower East Side—displaying rarely seen photographs, posters, and audio and video recordings of live performances.  The exhibit begins with the announcement of the founding of the New York Chapter of the Young Lords at Tompkins Square Park on Saturday, July 26, 1969. The exhibition will feature lesser-known perspectives of the Young Lords legacy within the Lower East Side, and their cultural impact upon New York’s cultural scenes.  Some highlights include the organizing efforts of the Gay and Lesbian Caucus, the transgender activism of Sylvia Rivera, and innovative “artivism” generated by Eddie Figueroa, the founder of the New Rican Village, an influential multidisciplinary and cross-disciplinary art space once located at 101 Avenue A.

by: Maximo Colon
Felipe Luciano and Tato Laviera in pre-production planning of the 1st Festival de Loiza Aldea in the LES. Photo by  Máximo Colón.

The exhibition is co-curated by Libertad Guerra and Wilson Valentín-Escobar and features many un-published photographs by Máximo Colón and Hiram Maristany, as well as poster art by Sandra Maria Esteves, and rare live video and audio recordings of some of the leading salsa and Latin jazz musicians, plus an art installation commissioned specifically for this exhibition by contemporary artist Adrian “Viajero”Román.

The overall collection of materials depict the critical role that YL members played in the environment that lead to Loisaida becoming a safe refuge for a community struggling for respect, belonging, political power, and public legitimacy.

 


“I was involved with the Young Lords… it was a time of initiation -into ourselves, into the history of our people, and into the deep images of our culture”.

-Eddie Figueroa, Founder New Rican Village


 

ylp-web-banner-long

¡PRESENTE! The Young Lords in New York is co-organized by El Museo del Barrio (July 22 – October 17), Bronx Museum of the Arts (July 2 – October 15) and Loisaida Inc. (July 30 – October 10). The multi-venue exhibition is accompanied by an ambitious range of programs and events to build awareness of the Young Lords’ innovative contributions to the struggle for civil rights and influence on contemporary artists, and to spark conversations about grassroots community activism today. For a limited time only, the first 1000 visitors at each partnering organization will receive a commemorative button, inspired by the Young Lords. Collect them all! For more info, please visit our featured items page.


At Loisaida Inc. ¡PRESENTE! The Young Lords in New York was made possible with support from:


About the Curators:

Wilson Valentín-Escobar, Ph.D. is an Associate Professor of American Studies and Sociology at Hampshire College. He holds a Ph.D. in American Studies and an M.A. in Sociology from the University of Michigan, and a B.A. in Sociology and Puerto Rican/Latin@ and Latin American Studies Studies from Fordham University. He was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University in 2011-2012. A Brooklyn New York-native, Dr. Valentín-Escobar is currently completing his forthcoming book, Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press). The book examines the cultural activism, or “artivism,” of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. His scholarship, which he regularly presents at national and international conferences, has been published in various academic journals and anthologies, and has received funding from the Andrew W. Mellon Foundation, among several others. He, along with the late Dr. Juan Flores, co-edited a special two-volume issue on Puerto Rican music for the Puerto Rican Studies journal, Centro. Dr. Valentín-Escobar currently Chairs the Five College Consortium Program in Latin@, Caribbean, and Latin American Studies.

Libertad O. Guerra is an urban anthropologist, educator, social researcher/historian, independent curator and environmental activist. Her academic research and publications have focused on Puerto Rican, Latino and Latin American social-artistic movements and cultural activism in urban immigrant settings. Publications include Uncommon Commonalities: Aesthetic Politics of Place in the South Bronx in Journal of Aesthetics and Protest, (2011); and ‘Building the Aura: a social aesthetics of placement in-the-making.’ in New York / Berlin: Kulturen in der Stadt, (2008). Ms. Guerra has organized numerous local and international exhibitions, panels and conferences among them:
Loisaida: the Visible/Invisible Body of Puerto Ricans sectors on the Lower East Side to the Downtown scene, PRSA Biennial Conference, (2010).
Spanic Attack: Living, Making, and Reading the Latin/o American City, LASA Conference, Rio de Janeiro, (2009).
Re- Membering Loisaida: Lure of the Retro Lens, and Visualizing Hindsight, sponsored by Council Member Rosie Méndez and The Center for Puerto Rican Studies, (2009).
Noricua: Performing the Living City, The House of World Cultures, Berlin, (2007).
Going Down for Real: Imagining the Estate of our Town, NYU’s Center for Latino and Caribbean Studies, (2006).
Constructivismo 2006, Clemente Soto Vélez Cultural Center, (2006).
La Marginal, Centro Cultural España (CCE) Lima, (2004).
She is Artistic Director of Loisaida Inc., and current curator/event planner of the Loisaida Festival since 2014.


 

¡Presente! The Young Lords in New York.

Loisaida Inc. presents

¡Presente! The Young Lords in New York.

Dates : July 30th – October 10th

Now extended through December 1st, 2015

*NEW HOURS*

Tuesday & Thursday (12:00 pm – 7:00 pm)  Saturday (12:00 pm – 3:00 pm) All other days are by appointment only. For more information please email info@loisaida.org or call (646) 757-0522

Loisiada Inc. will focus on the Young Lords’ founding and impact in the Lower East Side—displaying rarely seen photographs, posters, and audio and video recordings of live performances.  The exhibit begins with the announcement of the founding of the New York Chapter of the Young Lords at Tompkins Square Park on Saturday, July 26, 1969. The exhibition will feature lesser-known perspectives of the Young Lords legacy within the Lower East Side, and their cultural impact upon New York’s cultural scenes.  Some highlights include the organizing efforts of the Gay and Lesbian Caucus, the transgender activism of Sylvia Rivera, and innovative “artivism” generated by Eddie Figueroa, the founder of the New Rican Village, an influential multidisciplinary and cross-disciplinary art space once located at 101 Avenue A.

by: Maximo Colon
Felipe Luciano and Tato Laviera in pre-production planning of the 1st Festival de Loiza Aldea in the LES. Photo by  Máximo Colón.

The exhibition is co-curated by Libertad Guerra and Wilson Valentín-Escobar and features many un-published photographs by Máximo Colón and Hiram Maristany, as well as poster art by Sandra Maria Esteves, and rare live video and audio recordings of some of the leading salsa and Latin jazz musicians, plus an art installation commissioned specifically for this exhibition by contemporary artist Adrian “Viajero”Román.

The overall collection of materials depict the critical role that YL members played in the environment that lead to Loisaida becoming a safe refuge for a community struggling for respect, belonging, political power, and public legitimacy.

 


“I was involved with the Young Lords… it was a time of initiation -into ourselves, into the history of our people, and into the deep images of our culture”.

-Eddie Figueroa, Founder New Rican Village


 

ylp-web-banner-long

¡PRESENTE! The Young Lords in New York is co-organized by El Museo del Barrio (July 22 – October 17), Bronx Museum of the Arts (July 2 – October 15) and Loisaida Inc. (July 30 – October 10). The multi-venue exhibition is accompanied by an ambitious range of programs and events to build awareness of the Young Lords’ innovative contributions to the struggle for civil rights and influence on contemporary artists, and to spark conversations about grassroots community activism today. For a limited time only, the first 1000 visitors at each partnering organization will receive a commemorative button, inspired by the Young Lords. Collect them all! For more info, please visit our featured items page.


At Loisaida Inc. ¡PRESENTE! The Young Lords in New York was made possible with support from:


About the Curators:

Wilson Valentín-Escobar, Ph.D. is an Associate Professor of American Studies and Sociology at Hampshire College. He holds a Ph.D. in American Studies and an M.A. in Sociology from the University of Michigan, and a B.A. in Sociology and Puerto Rican/Latin@ and Latin American Studies Studies from Fordham University. He was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University in 2011-2012. A Brooklyn New York-native, Dr. Valentín-Escobar is currently completing his forthcoming book, Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press). The book examines the cultural activism, or “artivism,” of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. His scholarship, which he regularly presents at national and international conferences, has been published in various academic journals and anthologies, and has received funding from the Andrew W. Mellon Foundation, among several others. He, along with the late Dr. Juan Flores, co-edited a special two-volume issue on Puerto Rican music for the Puerto Rican Studies journal, Centro. Dr. Valentín-Escobar currently Chairs the Five College Consortium Program in Latin@, Caribbean, and Latin American Studies.

Libertad O. Guerra is an urban anthropologist, educator, social researcher/historian, independent curator and environmental activist. Her academic research and publications have focused on Puerto Rican, Latino and Latin American social-artistic movements and cultural activism in urban immigrant settings. Publications include Uncommon Commonalities: Aesthetic Politics of Place in the South Bronx in Journal of Aesthetics and Protest, (2011); and ‘Building the Aura: a social aesthetics of placement in-the-making.’ in New York / Berlin: Kulturen in der Stadt, (2008). Ms. Guerra has organized numerous local and international exhibitions, panels and conferences among them:
Loisaida: the Visible/Invisible Body of Puerto Ricans sectors on the Lower East Side to the Downtown scene, PRSA Biennial Conference, (2010).
Spanic Attack: Living, Making, and Reading the Latin/o American City, LASA Conference, Rio de Janeiro, (2009).
Re- Membering Loisaida: Lure of the Retro Lens, and Visualizing Hindsight, sponsored by Council Member Rosie Méndez and The Center for Puerto Rican Studies, (2009).
Noricua: Performing the Living City, The House of World Cultures, Berlin, (2007).
Going Down for Real: Imagining the Estate of our Town, NYU’s Center for Latino and Caribbean Studies, (2006).
Constructivismo 2006, Clemente Soto Vélez Cultural Center, (2006).
La Marginal, Centro Cultural España (CCE) Lima, (2004).
She is Artistic Director of Loisaida Inc., and current curator/event planner of the Loisaida Festival since 2014.