Walled Worlds

Loisaida Inc. and Atomic Culture are proud to present:

Walled WorldsBorder Publics, Cultural Activism and Urban Planning.


Panel: Thursday, February 9th at 6:00 pm.
Loisaida Inc. – 710 East 9th Street New York, NY 10009

Renowned scholars, artists, cultural activists and critics–Ricardo DominguezTeddy CruzFonna Forman and Ed Morales–ccome together to discuss their distinct yet cross-cultural perspectives on the intersections of arts and culture, activism and policy, and forced migration and community building, utilizing examples of neighborhoods including the Lower East Side.

We will consider how might our cultural activism, advocacy, and participatory planning begin working to create stronger collaborative movements and build solidarity within and beyond our multiple communities?

In the face of political uncertainties, we will also consider what tactics and strategies work to strengthen cultural equity advocacy, to influence policy and to advance equity principles as part of what should be enshrined in NYC’s cultural plan. A report-back on the discussion will be included as a set of recommendations to the New York City Council’s 10 year Cultural Plan.

FREE

Please RSVP, limited capacity!


Ours to Lose: When Squatters Became Homeowners in New York City

Loisaida Inc. and the Greenwich Village Society for Historic Preservation are proud to present:

Ours to Lose: When Squatters Became Homeowners in New York City


The Lower East Side in the 1980s and 90s was home to a radical squattingmovement that
blended urban homesteading and European-style squatting in a way never before seen in the
United States.

Ours to Lose takes a close look at a diverse group of Lower East Side squatters who occupied abandoned city-owned buildings in the 1980s, fought to keep them for decades, and eventually began a long, complicated process to turn their illegal occupancy into legal cooperative ownership.

In this multimedia event Starecheski will use oral histories to explore the complicated
relationships between homesteading and squatting on the Lower East Side, and in American
history.


Amy Starecheski is co-director of the Oral History Master of Arts program at Columbia
University. She received a PhD in cultural anthropology from the CUNY Graduate Center, where
she was a Public Humanities Fellow. In 2016 she was awarded the “Will the Next Margaret
Mead Please Stand Up?” Prize for public anthropological writing.


Check out video of the talk below:



War in the Neighborhood: Gentrification and Graphic Art

War in the Neighborhood: Gentrification and Graphic Art

with Seth Tobocman

Music by Eric Blitz, Andy Laties and Joe Merolla.


Tuesday, November 15th, 6:30 – 8:00 p.m.


Published in 1999, Seth Tobocman’s War in the Neighborhood remains one of the most relevant graphic novels exploring housing and community issues. Called a “masterpiece of gentrification” and “the comic book version of Rent,” War in the Neighborhood is a riveting first-hand account of radical neighborhood transformations in late 80’s and early 90’s New York.

With nuance and candor, Tobocman tells the tales of courageous communities built from rubble while exploring the moral complexities inherent in any movement, and the struggles against displacement that continue in varied forms today.

To coincide with the republishing of this classic novel by Ad Asta Comix, Tobocman will lead an illustrated discussion of his experiences, his art, and how the two intersect.

Seth Tobocman co- founded the magazine World War 3 Illustrated and is the author of many graphic books including his latest, Len, A Lawyer in History, about civil rights attorney Leonard Weinglass. His illustrations have appeared in The New York Times, the Village Voice, The Museum of Modern Art, The New Museum of Contemporary Art, posters, banners, murals, patches and tattoos by people’s movements all over the world.

This event is co-sponsored with GVSHP.


Below there is video documentation of the event for those who missed it.


Tale of 4 Schools

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Visit The Greenwich Village Society for Historical Preservation.


Tale of Four Schools

FREE. Reservation required. All ages welcomed, bilingual friendly (Spanish, English). Thurs. Sept. 22 – 6:30pm to 9:00pm. Wheelchair accessible.

Architect CBJ Snyder was a prolific designer of New York public school buildings, completing more than 350 schools in the late 19th and early 20th centuries. A graduate of Cooper Union, Snyder had big ideas about design, too – he believed that public school buildings should be civic monuments to a better, brighter future. Snyder’s innovative buildings included progressive solutions for light, air, fireproofing, and classroom size. How can we better care for our community resources facilitate adaptive reuse, and what can we still learn from Snyder’s century-old philosophies? Professor Jean Arrington, who has researched Snyder’s work and legacy in New York, will share her insights and Simeon Bankoff, Executive Director of the Historic Districts Council, will moderate a discussion with stakeholders of four Snyder projects – a demolished Bronx landmark, two former Harlem schools aiming to serve as community anchors, and an East Village building with an uncertain future.

Co-sponsored by Loisada, Inc., the Historic Districts Council, East Village Community Coalition and Lower East Side Preservation Initiative.

Register Here!

GUARDIANS OF LOISAIDA

Loisaida Inc. is proud to present:

Marvel writer Edgardo Miranda-Rodriguez

Opening Saturday, May 28th 2015 from 1:00PM to 5:00PM.

Miranda-Rodriguez brings an exhibition of original artwork from his best-selling debut comic book Guardians of the Lower East Side from the anthology series Marvel’s Guardians of Infinity.

Guardians of Infinity by MARVEL
Guardians of Infinity by MARVEL

Join Edgardo for a book signing and art talk. Miranda-Rodriguez and his Marvel team will discuss comic book making and how traditional art techniques and digital technologies come together to create today’s comic world heroes. The art talk is part of El LOOP, Loisaida Inc.’s new fair for Latinos in Innovation.

*Exhibition dates are May 31st, 2016 through July 28th, 2016. Gallery is open to the public by appointment and for special tours Monday to Friday 12:00PM – 5:00PM.

Follow Edgardo on Twitter: @MrEdgardoNYC

GuardiansOfLoisaid_KeyArt (2)

Arts Path to Leadership

Loisaida Inc. presents

Arts Path to Leadership with Maria Dominguez


FREE for Ages 15-19

When: 4 Thursdays, April 7, 14, 21, and 28 from 6:30PM – 8:00PM (4 days, 1.5 hours)


Eventbrite - Arts Path to Leadership


Overview:

Maria Dominguez (visual artist, muralist, educator) will use Object Based learning with Loisaida, Inc’s 2015 acclaimed !Presente! Exhibit. While adhering The New York States Department of Education Standards the workshop will lead students to gain access into the contribution of the Puerto Rican community’s cultural, political history while engaging them in a hands-on art project. This exposure can lead students to make global community connections. One that is imperative to the development of young students as they form their character and identity.


ADRIAN_VIAJERO_PRESENTE_03Pedagogy of Object Based Learning:

1. Provides a direct link with a topic or ‘the past’ and can really enhance young people’s interest
in and understanding of a good topic/subject.

2. Encourage learners to use all their senses – especially touch, sight and smell.

3. Helps to develop the important skill of drawing conclusions based on an examination of evidence, together with an understanding of the limitations and reliability of evidence.

4. Ideal for generating group and class discussion.

5. Promote the value of museums and encourage young people to visit museums and galleries with their families to further their learning.


About Maria:

Dominguez Is a Loisaida native who graduated from the School of Visual Arts in 1985 and went on to establish her career as a muralist by achieving an internship with CITYarts Org., a public art organization. This 30 year trajectory in public art making lead to her commission by The Metropolitan Transportation Authority in NYC with a permanent glass installation “El –Views”in 2002. She has exhibited locally, nationally and internationally in numerous solo and group shows, and has received awards from The National Endowment for the Arts, New York State Council for the Arts and New York Foundation for the Arts. Currently, scholars are surveying her early murals and personal professional documents are being archived by The Center for Puerto Rican Studies at Hunter College in NYC.


WHERE
The Loisaida Inc. Center – 710 East 9th Street, New York, NY 10009 – View Map

Meet and Greet – Johnny Colón

Loisaida Inc. presents:

The Johnny Colón School of Music @ Loisaida Inc. Center


Eventbrite - Johnny Colon School of Music at Loisaida


Music theory lessons for the younger set by the boogaloo music legend Johnny Colon. Divided into three groups ages; 8-10, 11-14 & 15-18. Bilingual friendly (Spanish, English)


Latin music legend and renown music teacher Johnny Colón revives the tradition of his famous uptown music school, now downtown at the Loisaida Center. An dynamic hands-on weekly series of ongoing music classes focused on Latin rhythms and sounds directly under the instruction of vocalist, multi-instrumenatlist, arranger and musical director Johnny Colón.

About Johnny Colón

Johnny Colón, was born in New York City to parents of Puerto Rican heritage. He is the director of the Johnny Colon Orchestra, founder of the legendary East Harlem Music School and widely recognized as a major and legendary contributor to the popular boogaloo sound of the 1960s. 

Colón, a versatile vocalist, multi-instrumenatlist, arranger and musical director, became one of Latin music’s leading impresarios at the forefront of the new “Latin Boogaloo” sound when he formed the first Johnny Colon Orchestra in the mid 1960’s. He first found success in the world of salsa with his 1966 debut album”Boogaloo Blues” in 1966, which became a classic, selling over 3,000,000 copies worldwide, and which continues to be an anthem for this period on Latin music history. Colón’s hit “Boogaloo Blues” came out during a time of transition in the Latin music scene of New York years before there was such a thing as “salsa,” when the mambo craze was over and Puerto Ricans were coming of age in the city and the “Nuyorican” culture was emerging. As many of their peers went off to fight in Vietnam, some of New York’s younger Puerto Ricans were losing interest in Latin music and beginning to identify more with R&B hits in English than with the music of their roots. Johnny recorded several other notable tunes over the years, releasing five albums over the period 1967-72.

In 1968, with public funding and much of his own money, Colón founded the East Harlem Music School and offered free lessons to the community. His impact as a music instructor for more than three decades may be even greater than the effect of his recordings. Students like the singer Tito Nieves, percussionists Jimmy Delgado and Robin Loeb, bass player Rubén Rodríguez, and singer Marc Anthony would all go on to become stars in salsa and contemporary Latin music. By the mid-1990s, Colón was struggling to secure funding to maintain the school open. In 2004, unable to keep a permanent space for his school, Colón was given the opportunity to bring his brand of music education to New York City public schools. Today, as well as teaching in schools around the city, Colón has begun giving music classes to patients at drug treatment centers. He’s found a new location for his school at The Loisaida Inc. Center.

– Meet and Greet on Saturday, March 19 at Loisaida Inc. 710 East Ninth Street, New York, NY 10009

Stay tuned!


 

The New Rican Spirit

photo by: Jose Carrero
New Rican Village Alumni Reunion, Round-Table and Reception
(celebrating the Young Lords cultural legacy to the Lower East Side)

The purpose of this activity is to:

1. Recognize the Lower East Side neighborhood legacy of the Young Lords Party.

2. Honor the 25th anniversary of the passing of Eddie Figueroa, the founder of the New Rican Village Cultural Arts center, whose battle with cancer ended in 1990.

3. Offer an opportunity for peer organizations to celebrate a community instrumental in creating an innovative Latin@ arts spirit and institution within New York City.
The New Rican Spirit-A Celebration of the New Rican Village Cultural Arts Center, Eddie Figueroa, and ¡Presente! The Young Lords in New York

Starting with the Young Lords Party’s (YLP) official announcement at Tompkins Square Park in 1969, the ¡Presente! exhibition highlights the important activism spearheaded by the YLP as it operated within the context of the Lower East Side.

One of the institutions that came out of this era was the New Rican Village Cultural Arts Center (NRV) established by Lower East Young Lord member, Eddie Figueroa. The NRV, is an overlooked and under-appreciated Loisaida cultural arts institution that was as an aesthetic laboratory for a working-class, Puerto Rican/Latin@ avant-garde arts community since it opened in 1976 through its closing in 1979 (it continued to exist in other locations throughout New York City).

This art collective’s goals fostered a social surrealism that sought to transform both aesthetic forms and neighborhoods. The inter-arts community of musicians, poets, painters, actors, dancers, sculptors, and visual artists at the New Rican Village envisioned the importance of building community art spaces and political sovereignty by establishing and building an independent, community-based arts institution and also contributing to a Latin@ cultural arts scene within New York City, helping establish a Latin@ Cultural Left that was emerging among various Puerto Rican/Latino cultural arts centers at the time. Finally, the NRV helped to foster a New Rican Renaissance that celebrated a marginalized identity, and also translate the zeitgest of resistance and aesthetic and intellectual exploration into various art forms.

This event would not be possible without the co-sponsorship support of: Lower Eastside Girls Club, AllCare Provider Services, Inc.Clemente Soto Velez Cultural and Education Center,Latino Studies Department at Fordham UniversityCarlos Aponte, Lisa Baltazar, Arnaldo Cruz-Malavé,Pepe Flores, Libertad Guerra, Ana Ramos,Wilson Valentín-Escobar.

We refused to cave In

Sept. 24th, 2015 – “We refused to cave In”: Gender, Race, Class, and Decolonial Intersectionality in the Young Lords’ Liberation Politics

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Darrel Wanzer-Serrano
Assistant Professor, The University of Iowa

Based on a chapter from The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015), this talk engages the process by which the Young Lords shifted from an organization rooted in the idea that “machismo” could be “revolutionary” to one that rejected machismo as a product of a racist/sexist/imperialist/capitalist system. The Young Lords advanced a nuanced and cutting-edge critique of the intersectionality of oppression and extended their analysis from the internal workings of the organization to society at large. The transformation ushered in by this “revolution within the revolution” was not instantaneous, however. Rather, there was significant struggle within the organization that first led to policy and leadership changes. Once the Young Lords advanced the rejection of machismo in their official platform, it opened space for the emergence of a gay and lesbian caucus and coalitional politics with lesbian, gay, and trans* activists, like Sylvia Rivera. Their intersectional perspective was central, I argue, to a kind of decolonial critical politics that eschewed a focus on rights in preference for attentiveness to and claims for liberation. In this framework, which is also advanced by most scholars of de/coloniality, liberation is an alternative to emancipation—the latter of which relies on claims to recognition that fortify the legitimacy of the modern/colonial system. Liberation, then, seeks a liberty delinked from classical liberalism, mindful of affiliations and fraternal connections, and guided by an ethic of decolonial love, even as colonial wounds can never fully heal.

About the book:

The book summary and a blurb by Andrés Torres can be found on the Temple Press website here: http://www.temple.edu/tempress/titles/2346_reg.html

The publicity manager at Temple is Gary Kramer and can be reached at gkramer@temple.edu.

Author/Speaker Long Bio:

Darrel Wanzer-Serrano (PhD, Indiana University) is Assistant Professor of Rhetoric and Public Advocacy in the Department of Communication Studies, and founding member of the Latina/o Studies Minor Advisory Board, at the University of Iowa. His research is focused on the intersections of race, ethnicity, and public discourse, particularly as they relate to formations of coloniality and decoloniality in the United States. He recently completed a project on the New York Young Lords with the first scholarly monograph on the organization, The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015). He also edited The Young Lords: A Reader (New York University Press, 2010), a sourcebook of primary texts on the group; and he has published numerous articles on the organization and other topics. Darrel is currently working on a new book project, tentatively titled Possession: Crafting Americanity in Congressional Debates over Puerto Rico’s Status, which examines the formation of coloniality and the rhetoric of Americanity within the first twenty years of US entanglement with Puerto Rico.