Ferguson/Ayotzinapa: CantoMundo Poets Read and Respond

The Loisaida Center

Monday, December 15, 6-8pm


Ferguson/Ayotzinapa: CantoMundo Poets Read and Respond

featuring: Yesenia Montilla, Darrel Alejandro Holnes, Rosebud Ben-Oni, and Urayoán Noel

This event brings together New York-based current and former fellows of the national Latina/o poets workshop CantoMundo (cantomundo.org/) to read from their work in solidarity with ongoing protests and mobilizations in and around Ferguson, Missouri, and the College of Ayotzinapa in Iguala, Mexico.Many of the poets reading are also participating in #CantoMundoLongestNight, a social-media offering of poems in honor of the countless black and brown bodies slain by state-sanctioned violence.

Darrel Alejandro Holnes is from Panama City and the former Canal Zone of Panamá. His poetry has been published in Poetry Magazine, The Best American Experimental Writing, Callaloo, The Caribbean Writer, The Potomac, MEADE, Lambda Literary, Assaracus, Weave Magazine, The Feminist Wire, The Paris American, Kweli, featured on The Best American Poetry blog, and elsewhere in print and online. He is the co-author of PRIME: Poetry & Conversations (Sibling Rivalry Press, 2014). He is a proud CantoMundo and Cave Canem fellow. darrelholnes.com

Yesenia Montilla is a New York City poet with Afro-Caribbean roots & CantoMundo Fellow. Her poetry has appeared in the literary journals: 5 AM, Adanna, Wideshore and others. She received her MFA from Drew University in Poetry and Poetry in Translation. Her first collection of poetry The Pink Box is forthcoming from Willow Books in Fall 2015.

Born to a Mexican mother and Jewish father, Rosebud Ben-Oni is a CantoMundo Fellow and the author of SOLECISM (Virtual Artists Collective, 2013). Her work is forthcoming or appears in POETRY, The American Poetry Review, Arts & Letters, Bayou, Puerto del Sol, among others. Rosebud is an Editorial Advisor for VIDA: Women in Literary Arts (vidaweb.org). Find out more at 7TrainLove.org

CantoMundo fellow Urayoán Noel is the author of the critical study In Visible Movement: Nuyorican Poetry from the Sixties to Slam (University of Iowa, 2014) and several books of poetry in English and Spanish, including EnUncIAdOr (Editora Emergente, 2014) and the forthcoming Buzzing Hemisphere/Rumor Hemisférico (University of Arizona). Born in San Juan, Puerto Rico, he lives in the Bronx and teaches at NYU.

 


*The views and opinions expressed on this event are soley those of the participating poets, scholars and other contributors. These views and opinions do not necessarily represent those of Loisaida Inc., Acacia Network and staff, and/or any/all contributors to this event.

 

Plena Workshop with Tito Matos in amity of Bomplenazo

The Loisaida Center presents:

Tito Matos

founder of: Viento de Agua

2014 Latin Grammy Awards Nominee.

Tito Matos is one of the most impressive requinto players of the plena tradition. He plays other percussion instruments: bomba barrels, congas, among others. He is the founder and director of Viento de Agua. He has previously recorded, played and toured with: Eddie Palmieri, David Sánchez, Miguel Zenón and Ricky Martin among many others. He is still a member of New York’s iconic bomba and plena ensemble Los Pleneros de la 21. Tito is the founder of Plenazos Callejeros a movement that takes plena to street corners in different Puerto Rican towns.


 

[add_eventon_list number_of_months=”1″ event_count=”1″ ft_event_priority=”yes” only_ft=”yes” fixed_month=”10″ fixed_year=”2014″ ]

 1:00pm – 3:00pm

Taller de Plena

tito_matos

Master percussionist Tito Matos teaches a basic plena workshop suitable for all levels. The Puerto Rico native has traveled the world playing plena, an Afro Rican musical genre. Students will learn basic rithmic patterns from the traditional to the contemporary style of playing the hand held drum known as pandereta. 
 

Eventbrite - Plena Workshop with Tito Matos in amity of Bomplenazo

Bring your own Drum or Pandero.
 
All ages Welcomed!
 

3:00pm – 5:00pm

Screening of Plenazos Callejeros

logo_plenazos

Documentary, followed by Q&A with producers and musicians

Plenazos Callejeros is a documentary about a movement that revolutionized Afro Puerto Rican musical genre: plena. Every month a bunch of pleneros would gather at a street corner to play and talk about music. The video takes viewers on a journey through the last 30 years of the plena tradition.

Director: Mariana Reyes Angleró

Producers: Mariana Reyes and Tito Matos for Viento de Agua Inc.

Editor: Juan C. Álvarez Lara

 

InVisible Movement: Nuyorican Poetry from the Sixties to Slam

InVisible Movement:

Nuyorican Poetry from the Sixties to Slam


 

 ¡Gracias to all who joined us for the book release!

September 17th, 2014 @ 7 PM

Poet and scholar Urayoán “Ura” Noel, an Assistant Professor of English and Spanish at NYU, presented his new book InVisible Movement: Nuyorican Poetry from the Sixties to Slam (University of Iowa Press, 2014), the first book-length critical study of Nuyorican poetry.

Discounted copies of the book are still available for sale.
 

 

unoel_bookcover

“A crucial contribution to our literary history, In Visible Movement charts the evolution of an increasingly visible movement in the literary arts, shedding light on many related poetries of the past six decades in the process. Noel proposes ‘an understanding of poetry performance as revisionism: operating across and along page and stage,’ an understanding that proceeds from the poets themselves.”

—Aldon Lynn Nielsen, author, Integral Music: Languages of African American Innovation

 

About the author:

Urayoán Noel is a poet, performer, scholar, and translator who is currently an Assistant Professor of English at SUNY Albany and Visiting Assistant Professor of English at NYU. His books include the poetry collections Kool Logic/La lógica kool (Bilingual Press, 2005), Boringkén (Ediciones Callejón/La Tertulia, Puerto Rico, 2008), Hi-Density Politics (BlazeVOX, 2010), and Los días porosos (Catafixia Editorial, Guatemala, 2012), and the critical study In Visible Movement: Nuyorican Poetry from the Sixties to Slam(University of Iowa Press, forthcoming). His other works include the performance DVD Kool Logic Sessions(Bilingual Press, 2005, with Monxo López), the multimedia project The Edgemere Letters (2011, with Martha Clippinger), and, as translator, the chapbooks ILUSOS by Edwin Torres (Atarraya Cartonera, Puerto Rico, 2010) and Belleza y Felicidad (Belladonna, 2005). He has been a fellow of CantoMundo, the Bronx Council on the Arts, and the Ford Foundationand his creative and critical writings have appeared in Latino Studies, Contemporary LiteratureSmall AxeBombFence, and in numerous national and international anthologies. Originally from San Juan, Puerto Rico, Urayoán Noel earned his B.A. from the University of Puerto Rico, Río Piedras, his M.A. from Stanford, and his Ph.D. from NYU. He lives in the Bronx.