The Poetics of Live Writing / Escritura-Acto

Eventbrite - The Poetics of Live Writing / Escritura-Acto

Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!

Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.

For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter

The Poetics of Live Writing / Escritura-Acto

Eventbrite - The Poetics of Live Writing / Escritura-Acto

Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!

Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.

For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter

en casa afuera

en casa afuera

June 12- 19

Opening Reception and Performances June 12 at 6:00 pm.

A live exhibit which will bring together new young artists— Mckenzie Angelo, Anthony Rosado, Jonathan Gonzalez, Yoira Santos, Adam Echahly, Lamar Stephens, Adam Rhodes, Chazz Bruce, and Stephanie Mota.

 

Curatorial Statement 

en casa afuera –

Think gentrification is completely erasing the hirstory and identities of native New York residents? Think again. Amidst new developments, increasing rents, empty storefronts, newcomers in LES, Crown Heights, Washington Heights, Harlem, & Bushwick, artists are finding ways to claim their stake in the areas, tethering the old soul of these communities. A group of such artists are coming to Loisaida, Inc.’s Center, one of the remaining physical spaces serving the LES and NYC Latino and independent community, to present a series of interactive works paying tribute to the Home(s).

en casa afuera, a live exhibit which will run from June 12th to June 19th, brings together new young artists from the metropolitan New York and New Jersey region spanning the ages of mid 20’s-30’s.— Mckenzie Angelo, Anthony Rosado, Jonathan Gonzalez, Yoira Santos, Adam Echahly, Lamar Stephens, Adam Rhodes, Chazz Bruce, and Stephanie Mota. They came together to investigate the intersections of home and displacement, as well as the potential for art making to reflect and revision these relations. Loisaida Inc., as the performance hub, may then be the home or shelter that localizes this web of creative results.

The process of what initially began as a series of conversations on the shifting dynamics of New York City, the forces that will it, and what is authentic in these urban amalgamations, developed into a need to generate around these lofty queries – what is home? and what remains as the physical departs from what we know it to be? (whether by a stripping of possession or decay.) Lastly, what does this process of transition look like, feel like, for us?

Visitors and members of the community, old and new, are encouraged to the engage in and think about the daily rituals of Home(s). The series of installations range from the symbolic to the banal. One of the works, a collage in the main hallways shows a Nuyorican’s response to gentrification while another shares with audiences the everyday objects our communities use to pamper themselves. Together, all works zoom in and out of the experience of a changing neighborhood.

en casa afuera represents and shines light onto the complex process of change and gentrification in NYC, and celebrates the histories that are passed on from generation to generation and carried everywhere. Above all, they encourage artists and guests to preserving our stories and our communities will follow.

When asked what Loisaida means for them the group responded:
“Loisaida has been an iconic place-maker for both its residents and the world at large. It architecturally houses the pride and cultural breadth of a community, while transcending the energetic embodiment of LES – a location/identity in flux. These dynamics are at the heart of our creative interests and explorations en casa afuera.”

 

2015, Events, Festival, Music, Performance, Plenatorium, Storytelling, Visual Art

Invisible Loisaida – Ideas City

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IDEAS CITY

Part of the Street Program 12:00 -6:00pm

Loisaida Inc: Invisible Loisaida

The booth by Loisaida, Inc. will play with the visible and invisible tensions of rescued social spaces, their cultural output, and their lack of inclusion in the mainstream story line of the Lower East Side. Through a collaborative installation by resident artists Edgardo Tomás Larregui and Alejandro Epifanio, the booth will recreate the vernacular architecture of “seclusion” and social gathering elements of the traditional casita or urban community garden. Our casita also involves a strategy to render visible the reality of Loisaida, Inc., a social-cultural-artistic community (Latino/Puerto Rican Lower East Side), whose contributions to New York City and the downtown scene have usually remained unacknowledged, absent, and invisible to the hegemonic artistic and cultural narratives of New York City’s creative myth. The presentation will feature a listening station of oral histories by Laura Zelasnic, performances by ongoing Loisaida Center collaborators and projects: the Salvage Project; Flux Theater Ensemble; the Plenatorium, which nurtures and documents the “plena universe”; and Edwin Torres, a Nuyorican poet, performer, and downtown icon, who will explore the nonappearance of “No-isaida.”

A– ONGOING programming throughout the day:

1. Display and live screen-printing of the templates and prints developed and produced through our workshop: Building Community Through the Arts, a partnership with Hester Street Collaborative.

2. Listening Station featuring oral histories focused on local Latino cultural and community organizations such as CHARAS and Loisaida, Inc., by Laura Zelasnic.

3. Visual Collaborative Installation(s) between artist collaborators of the Loisaida Center. The entire booth will act as an installation and visual collaboration between visual artist’s Alejandro Epifanio and Edgardo Larregui with the support of Urban Garden Center NYC.

B– SCHEDULED programming by time-slots:

3:00 pm – The Salvage Project: 

Story circles facilitated by the Loisaida Center’s artistic residents Flux Theater Ensemble where community members will share the stories of a precious object and have their stories transformed by professional playwrights into short monologues.

http://www.fluxtheatre.org/2015/02/flux-announces-art-residency-loisaida-center/

4:00 pm – Edwin Torres:

“Nuyorican” (New York-Puerto Rican) poet-performer-sound artist and downtown icon will present work based on the Invisible Loisaida theme. Torres’s work bridges numerous downtown and Loisaida traditions and scenes, from the Poetry Project at St. Mark’s Church to the Nuyorican Poets Cafe and beyond. http://en.wikipedia.org/wiki/Edwin_Torres_(poet)

5:00pm – PLENATORIUM:

A project initiative of the Loisaida Center focused on the nurturing and documentation of the practice of Puerto Rican plena, a genre of popular traditional music, song and dance native to the island of Puerto Rico, but related to similar Afro-diasporic expressions throughout the Caribbean and commonly present within the casita/community garden culture.

Planetarium means a space for the plena-universe of activities such as forums, workshops, performances, and other forms of plena-focused sociocultural participation.

http://loisaida.org/plenatorium/

Invisible Loisaida was made possible by: 9C Community Garden – Northeast Avenue C & 9 Street

 

NuyoCuba: Poetics & Diaspora

Tuesday, April 21, 2015, 6:00pm – 8:00pm.
2 hrs ·

(a panel plus performance)

featuring Alberto Abreu Arcia, Aja Monet, and Rich Villar, moderated by Urayoán Noel.

Born in 1961 in Cardenas, Matanzas province, a heartland of African culture in Cuba, Alberto Abreu is a novelist, essayist, and social critic on such topics as race and identity and LGBT issues. He is a member of ARAAC, the Cuban civil rights organization. He was coordinator of Virgilio Piñera Narrative Workshop, held in the city of Matanzas. In 1988, he published a volume of short stories The big world. His essay Virgilio Piñera: a man, an island received in 2000 the Enrique José Varona UNEAC Prize. His La Gaceta de Cuba (2003) received mention in the X Prize . He organized the selection and preparation of Zero hour, an anthology of Matanzas stories which was released in 2005. That same year his book The Writing Games received the Dador Award from the Cuban Book Institute . He also received the Casa de las Américas Prize in 2007. (from http://www.afrocubaweb.com/abreu.htm)
——

Aja-Monet is a Cuban-Jamaican poet originally from East NY, Brooklyn. At 19 years old, she was the youngest to ever win the Grand Slam Champion title of the Lower East side’s legendary Nuyorican Poet’s Café in 2007. Her work is classically surrealist, engaging altogether Hip Hop, Soul, and literary audiences.

She dedicates her time and energy working with inner-city adolescence, providing performance poetry workshops and opportunities. Aja Monet received her B.A. from Sarah Lawrence College and an MFA in Creative Writing from the School of the Art Institute of Chicago.

Aja Monet’s first book of poems, The Black Unicorn Sings, was independently published with Penmanship books (2010). She recently collaborated with poet/musician Saul Williams to edit a book of poetry due out on MTV Books/Simon & Schuster Publishing in Fall 2012 called, Chorus. She is currently working on a book of science-fiction and new music. (from https://www.facebook.com/poetajamonet/info?tab=page_info)
—–

Rich Villar is a writer, performer, editor, activist, and educator originally from Paterson, New Jersey. His first collection of poems, Comprehending Forever, won the Editor’s Choice from the Willow Books Literature Awards in 2013, and it was published by Willow the following year. He is a two-time Pushcart Prize nominee for both his prose and his poetry, and his work has been published in several journals, including Beltway Poetry Quarterly, Rattapallax, and Black Renaissance Noire.

He served as a founding director, host, and co-curator for Acentos, a grassroots project fostering the Latino/a voice in American letters. From 2003-2012, through its workshops, panels, reading series, and public programming, Acentos allowed Latino/a poets at all skill levels to connect with multicultural audiences as well as their peers, in the one of the most historic Latino enclaves in the nation, the South Bronx. He has been quoted on Latino/a literature and culture by HBO, The New York Times, and the Daily News. On the radio, he has been heard on WBAI 99.5 FM in New York, and on the long-running NPR newsmagazine “Latino USA.”

Since 2008, he has served as a curator for La Casita at Lincoln Center Out Of Doors, appearing twice as the show’s emcee. He has been a frequent performer, host, and curator at the iconic Nuyorican Poets’ Cafe, and he has contributed poems and performances to various theater spaces, including Actors Stock NYC, and Luna Stage in West Orange, NJ. (from https://literatiboricua.wordpress.com/about/)

2015, Events, Performance, Residencies, Theater

*SALVAGE WORLD PREMIERE* 04/10/2015

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photograph / graphic design by Isaiah Tanenbaum

The Loisaida Center & Flux Theatre Ensemble presents:

SALVAGE

by August Schulenburg
directed by Heather Cohn

featuring the debut of Flux’s LIVING TICKET

WORLD PREMIERE

OPENING NIGHT FRIDAY, APRIL 10 – 8:00pm

PREVIEWS APRIL 8 & 9 – 8:00pm

NO PERFORMANCES APRIL 15 OR APRIL 24

Flux Theatre Ensemble will present the World Premiere of August Schulenburg’s (Jane the Plain with Flux) Salvage, April 8 – 25 at The Loisaida Center (710 E 9th St on Ave C). The production will be directed by Heather Cohn (NYIT Award-nominated production of Sans Merci with Flux) with Assistant Director Emily Hartford (Jane the Plane with Flux) and will feature Sol Crespo (DEINDE with Flux), Rachael Hip-Flores (Once Upon A Bride There Was a Forest with Flux), Mike Mihm* (Ajax in Iraq with Flux), and Isaiah Tanenbaum* (Jane the Plain with Flux). The creative team will include Sound Design by Janie Bullard (2014 USITT/LDI Rising Star Award Winner, NY Theatre Now 2013 Person of the Year; 2014 NYIT Nominee for Jane the Plain), Scenic Design by Will Lowry (Once Upon a Bride There Was a Forest with Flux), Costume Design by Becky Byers (asst. on Jane the Plain, Sans Merci, and Honey Fist with Flux), Lighting Design by Kia Rogers (2014 NYIT Award for Jane the Plain), and Props Design by Alisha Spielmann (Jane the Plain with Flux). The Production Stage Manager will be Jodi M. Witherell.

*Appears courtesy of Actors’ Equity Association.

Salvage is a drama about Noma and Akiko, two government officials searching for precious objects through what’s left of a post-catastrophe New York City. When their manager Dennis hires Mandy, a veteran from America’s many wars, the searchers discover things that make them question their mission, and whether it’s time to let their city go.

Salvage will be presented by Flux Theatre Ensemble at The Loisaida Center (710 East 9th St on Ave C) April 8 – 25, Monday through Saturday at 8pm, with no performances on Wednesday April 15 or Friday April 24.

Beginning with Salvage, no financial transaction is required to attend a Flux performance. Instead, Flux will use a “Living Ticket.” In their commitment to financial transparency, Flux will share their operating budget and leave it to each audience member to donate as they see fit.

Get Tickets Now!

photograph / graphic design by Isaiah Tanenbaum

AUGUST SCHULENBURG (Playwright) is a founding Creative Partner of Flux and current Artistic Director.  With Flux, he directed Ajax in Iraq (NYITA nomination), A Midsummer Night’s Dream, and the Food:Souls Goldsboro and Volleygirls.  As an actor with Flux, he has played Dr. X in Hearts Like Fists, Ezekiel in 8 Little Antichrists (NYITA nomination), and the Professor in Rue. As a playwright, his work with Flux includes Riding the Bull, Rue, Other Bodies, The Lesser Seductions of History, Jacob’s House, DEINDE and Honey Fist.

August’s plays include Carrin Beginning, Kidding Jane, Rue, Riding the Bull, Good Hope, Other Bodies, Honey Fist, Dark Matter, Jacob’s House, DEINDE, Dream Walker, Denny and Lila, Dark Matter, Jane the Plain and The Lesser Seductions of History. His plays have been produced and developed at the Lark Play Development Center, Bay Area Playwrights Festival, Ensemble Studio Theatre, Chelsea Playhouse, Theater for the New City, Portland Stage Company, Dayton Playhouse, Colonial Players, Pennsylvania Shakespeare Festival, Contemporary Stage Company, Abingdon Theater Company, Gideon Productions, New Amerikan Theatre, Penobscot Theatre, Impetuous Theater Group, Decades Out, Soundtrack Series, Reverie Productions, Wolf 359, Blue Box Productions, Piper McKenzie, Boomerang Theatre Company, Adaptive Arts, Hall High School, Nosedive Productions,  MTWorks, Purple Repertory, Valley Repertory Company, The Brick Theater, CAPS LOCK Theatre, Chameleon Theatre Circle, Retro Productions, Elephant Run District, and TheatreLAB and Flux Theatre Ensemble. He is a member of the Propulsion Lab for Mission to (dit)Mars. His work has also been published in the New York Theater Review, Stage and Screen, Indie Theater Now, Midway Journal, NoPassport Press and in two issues of Carrier Pigeon. He also writes for film and television with MozzleStead Productions.

Visit him online at augustschulenburg.wordpress.com

HEATHER COHN (Director) is a co-founder and Producing Director of Flux Theatre Ensemble. Directing credits for Flux include: Kristen Palmer’s Once Upon A Bride There Was a Forest, Johnna Adams’ Sans Merci (NYITA nomination, Best Original Script), August Schulenburg’s DEINDE, Erin Browne’s Menders, August Schulenburg’s The Lesser Seductions of History (nominated for Outstanding Direction, NYITA) and Other Bodies (FringeNYC Excellence Award for Direction) and numerous staged readings. Outside of Flux: Assistant Director to Austin Pendleton on Johnna Adams’ Gidion’s Knot (59E59); David Stallings’ Dark Water (MTWorks – NYITA for

Outstanding Original Script; nomination for Outstanding Production) and The Stranger to Kindness (Outstanding Overall Production of a One-Act, Planet Connections Theatre Festivity Awards, also nominated for Outstanding Direction Award); Mariah MacCarthy’s For the Good of the Child (Gideon Productions); Rosie The Retired Rockette and Blood (EstroGenius Festival); and numerous staged readings for companies such as: Rattlestick, The Lark, Cherry Lane, The Brick, Mission to Ditmars, On the Square Productions, MTWorks, Resonance Ensemble, Jewish Plays Project, The Platform Group and CAPS LOCKS THEATRE. Member – Women’s Project Producers’ LAB (2008-2010). Heather is a graduate of Vassar College.

FLUX THEATRE ENSEMBLE produces transformative theatre that explores and awakens the capacity for change. As an ensemble-artist driven company, Flux believes that long-term collaboration and rigorous creative development can unite artists and audiences to build a creative home in New York.

Flux is the proud recipient of two NYC Fringe Festival Awards (2007 Village Voice Audience Favorite Award for Riding the Bull; 2008 Outstanding Direction Award for Other Bodies) and an eighteen-time New York Innovative Theatre Award nominee between 2008-2014, including wins for The Angel Eaters Trilogy, Ajax in Iraq, and Jane the Plain. In 2011 The New York Innovative Theatre Awards also awarded the prestigious Caffé Cino Fellowship Award to Flux for “consistently producing outstanding work.” Flux received a Citation for Excellence in Off-Off Broadway Theatre from the Independent Theater Bloggers Association and was named one of nytheatre.com’s 2014 “People of the Decade.”

www.fluxtheatre.org

Bilingual, Dance/Movement, Festival, Partners, Partnerships, Performance, Residencies, Theater, Workshops

2015 Artists in Residence – FLUX Theatre Ensemble

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photograph / graphic design by Isaiah Tanenbaum

The Loisaida Center is proud to announce

2015 Theater Co. Residency Recipient:

Flux Theatre Ensemble

Time frame of Residency @ Loisaida: February 24th 2015 to April 25th 2015

Proposed project for the residency:

Flux Sundays:

Are you an actor, playwright or director?

Join Flux Theatre Ensemble’s unique play development process and vibrant artist community for their weekly workshop, Flux Sundays. Once a week, up to 30 theatre artists gather for three hours in the afternoon to lightly stage new scenes from playwrights in the community. Not a theatre artist, but want to get involved? Feel free to join us for the final hour of Flux Sundays, where we share all of the scenes, and see plays in their earliest stages of development brought to vivid life by a welcoming community of artists.

Official Dates for Flux Sundays: 2/15, 2/22, 3/1 and 3/15 from 4:00pm – 6:00pm
Email Flux Sundays to learn more about how you can participate.

The Salvage Project:

Behind every special object we keep, there’s something even more important: a story.

Flux Theatre Ensemble’s The Salvage Project is a series of story-circles where communities come together to share stories about the precious objects of their lives. Through the sharing of these stories, we’ll learn what matters most to the people with whom we share this city and why. The Salvage Project culminates in a free, full-length production of the world premiere play Salvage, which imagines a band of searchers looking for precious objects left behind in a post-catastrophe NYC. Interested participants in The Salvage Project will have the option of sharing their object as part of the scenic design of the production, as well as opportunities to have their stories transformed by professional playwrights into short monologues. Stories and objects may also shared as part of The Salvage Project blog.

Email Sol Crespo to learn more and participate in The Salvage Project.

The Salvage Project WORLD PREMIER: Thursday, April 10th 2015 at 8:00pm

About Flux Theatre Ensemble:

Since 2006, Flux has produced 20 productions and countless readings and developmental projects. The ensemble is made up of eleven Creative Partners composed of actors, directors, playwrights, and designers. Flux is the proud recipient of the 2011 Caffe Cino Fellowship Award, presented annually to an Off-Off-Broadway theatre company that consistently produces outstanding work. The company’s productions of Hearts Like Fists and Ajax in Iraq were chosen as “New York Times Critics’ Picks” and in 2008, nytheatre.com chose Flux Theatre Ensemble as one of their “People of the Year” saying “This rising theatre company had a hit in the New York International Fringe Festival with Other Bodies, written by artistic director August Schulenburg, and then went on to mount the fall’s most ambitious indie show, Johnna Adams’ The Angel Eaters Trilogy.” Over the years, Flux has received New York Innovative Theatre Award nominations for their productions of Jane the Plain, Sans Merci, Hearts Like Fists, Ajax in Iraq, The Angel Eaters Trilogy, The Lesser Seductions of History and Dog Act.

Flux Theatre Ensemble is a member of the Alliance of Resident Theatres/NY, the Network of Ensemble Theaters and the League of Independent Theatres.

Website: Click here.

2014, Events, Music, Photography, Residencies, Theater, Visual Art

La TRIFECTA – Loisaida Trimester Benefit Party

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La T R I F E C T A

6:00pm

(M)others’ Politics Performances: A documentation of Jeca Rodríguez-Colón’s maternal characters captured by Ricardo Alcaraz, Ben Lundberg, Marlène Ramirez- Cancio, Linda Duvall, Mariángel Gonzales and Deborah Dudley. Curated by Alejandro Epifanio.

8:00pm

ZOETROPE: Excerpts of Part 1 and 2 by: Caborca Theatre Co. A glimpse of Caborca’s most recent work -developed here at Loisaida Center during our Theater Company. residency program.

9:00pm

Buscabulla (Spanish slang for troublemaker) is the music project of Puerto Rican designer and Brooklyn resident, Raquel Berrios and Luis Alfredo Del Valle.Heavily influenced by vintage Latin music like salsa gorda, Cuban psych and ’80s Argentinian rock, the project combines both electronic and live instrumentation.

DJ sets by: Gabo Lugo

Turning-Life-backFFFF

Exhibition will open at 5:30pm. Entrance is FREE before 7:30pm. 

Admission is $12 after 9:00pm. Keep your receipt for the after-party…

2014, Bilingual, Caribbean, Central America, Education, Latin America, Performance, Poetry, Politics

Ferguson/Ayotzinapa: CantoMundo Poets Read and Respond

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The Loisaida Center

Monday, December 15, 6-8pm

Ferguson/Ayotzinapa: CantoMundo Poets Read and Respond

featuring: Yesenia Montilla, Darrel Alejandro Holnes, Rosebud Ben-Oni, and Urayoán Noel

This event brings together New York-based current and former fellows of the national Latina/o poets workshop CantoMundo (cantomundo.org/) to read from their work in solidarity with ongoing protests and mobilizations in and around Ferguson, Missouri, and the College of Ayotzinapa in Iguala, Mexico.Many of the poets reading are also participating in #CantoMundoLongestNight, a social-media offering of poems in honor of the countless black and brown bodies slain by state-sanctioned violence.

Darrel Alejandro Holnes is from Panama City and the former Canal Zone of Panamá. His poetry has been published in Poetry Magazine, The Best American Experimental Writing, Callaloo, The Caribbean Writer, The Potomac, MEADE, Lambda Literary, Assaracus, Weave Magazine, The Feminist Wire, The Paris American, Kweli, featured on The Best American Poetry blog, and elsewhere in print and online. He is the co-author of PRIME: Poetry & Conversations (Sibling Rivalry Press, 2014). He is a proud CantoMundo and Cave Canem fellow. darrelholnes.com

Yesenia Montilla is a New York City poet with Afro-Caribbean roots & CantoMundo Fellow. Her poetry has appeared in the literary journals: 5 AM, Adanna, Wideshore and others. She received her MFA from Drew University in Poetry and Poetry in Translation. Her first collection of poetry The Pink Box is forthcoming from Willow Books in Fall 2015.

Born to a Mexican mother and Jewish father, Rosebud Ben-Oni is a CantoMundo Fellow and the author of SOLECISM (Virtual Artists Collective, 2013). Her work is forthcoming or appears in POETRY, The American Poetry Review, Arts & Letters, Bayou, Puerto del Sol, among others. Rosebud is an Editorial Advisor for VIDA: Women in Literary Arts (vidaweb.org). Find out more at 7TrainLove.org

CantoMundo fellow Urayoán Noel is the author of the critical study In Visible Movement: Nuyorican Poetry from the Sixties to Slam (University of Iowa, 2014) and several books of poetry in English and Spanish, including EnUncIAdOr (Editora Emergente, 2014) and the forthcoming Buzzing Hemisphere/Rumor Hemisférico (University of Arizona). Born in San Juan, Puerto Rico, he lives in the Bronx and teaches at NYU.

 

*The views and opinions expressed on this event are soley those of the participating poets, scholars and other contributors. These views and opinions do not necessarily represent those of Loisaida Inc., Acacia Network and staff, and/or any/all contributors to this event.

 

2014, Children Friendly, Dance/Movement, Music, Performance, Residencies, Theater, Workshops, X-Change Express

My Body My World

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My Body, My World

with actress and dancer, Veraalba Santa

Saturday, November 22nd
1:30 – 3:00pm

In “My body, My world” we will explore how our bodies move and react to our immediate and imaginary surroundings using fun and energetic movement exercises and music.

Ages 8-12

Veraalba Santa is currently an artist in residence at the Loisaida Center and part of Caborca Theatre Company.