The Loisaida Festival’s 4th Annual Theater Lab

 The Loisaida Festival’s 4th Annual Theater Lab

Co-produced by MEZCOLANZA NYC & Loisaida Inc.


Brief description of participants and their performance, visual, theatrical or musical pieces:


1. Teresa Hernández / Performance / 15 min

Title: (A) parecer  

About the piece: Performance-space intervention and body. Appearance is a human condition that reveals the uniqueness of each in the encounter with the-othrx. Ten years ago he works with a woman dressed in a black suit. She has named her-the walker. She goes out and walks in and out, complains, reveals in she a-seem what she lives.

About the artist: Stage performer. Actress, dancer, creator-interpreter, author and director of her own texts, self-management activist. She has spent more than twenty-five years research and practice from the frontiers of dance, theater and performance. Looking for other ways of doing, narrating and being on stage, starting with the integral study of the body, space, and its own text. Their themes surround; Identities as shifting and complex lands; Art and it´s established canons, violence and power with its multiple faces and bifurcations. Precariousness is a fundamental part of its ethics. Hernández’s career has been recognized by the United States Artists Foundation under the discipline of Theater Arts. (USA Role Fellow-2011). She is the second Puerto Rican on the island to receive such distinction, being the only one in the field of theater. She holds a master’s degree in “Management and Cultural Management” from the University of Puerto Rico, Río Piedras precinct.


2. Kairiana Núñez / Performance / 10 min

Title: La basquetbolista

About the piece: Set in a basketball game’s tight quarter, a Puerto Rican basketball player has to row hard against the opposite team’s defense in the presence of a referee that unfairly penalizes her and does not call the true fault.

About the artist: Actress taurine and Puerto Rican. Graduated from the Drama Department of the University of Puerto Rico, Río Piedras Campus, (2009). He began his career in 1996 with Pedro Santaliz, and later became a founding member of the theater group in the streets Jóvenes del 98 under the direction of Maritza Pérez Otero. Later he continued his training with Puerto Rican teachers and artists Rosa Luisa Márquez, Teresa Hernández, Viveca Vázquez, among others. In Argentina, she trained at Sportivo Teatral with Mirta Bogdasarian and Ricardo Bartís (2011-2013, Buenos Aires), and was part of the Quinto Piso Theater Companies, directed by Daniel Godoy, and El Rizoma Collective (2011-2016, Buenos Aires) . In 2017 he returns to Puerto Rico, where despite the imbalance, she bets on continuing to grow artistically, professionally, Ideologically and humanely.


3. Mickey Negrón / Performance / 18 min

Title: Transgressed Body

About the piece: An emigrant, homosexual, transvesti. Strength in the voices of the minority.

About the artist: Mickey Negrón Puerto Rican artist. Artistic director of the Asuntos Efímeros art platform. Enthusiastic writer. Free thinker. Nonconforming gender. Cultural manager. Singer. Moving. Student who never finishes. Fan of pop singers and frustrated athlete. It just premiered as a critic. Currently works an artistic residence at the Center of Fine Arts to be presented in August 2017 and coordinates the second edition of Quiebre: International Performance Festival in Puerto Rico.


4. Yan Christian Collazo / Performance / 15 min

Title: Untitled 

About the piece: Character that intervenes in the intermediates, comments the pieces, is ally of the public. Uses a half mask makes jokes about the current situation on the island in relation to the floating islands that we are all talking about individualism, migration and the condition of the migrant.

About the artist: Yan Christian Collazo: Actor, poet, creator, dancer. Puerto Rican. He holds a Bachelors degree in Drama with a second concentration in Foreign Languages ​​specialized in Italian. Studied at “Universitá Cattólica del Sacro Cuore” in Milan, Italy; Specialized in poetry and Italian literature. He took workshops with Latin American theater groups including Malayerba from Ecuador and Yuyachkani from Peru. De Clown with maestro Luis Oliva of Puerto Rico, David Martínez Sánchez of Spain and with the group “Pig Iron Theater Company” of Philadelphia. In 2012, he was part of the group La Pata de Cabra, acting in the play ‘Cortadito or Capuchino’, directed by his teacher Rosa Luisa Márquez. The Festival of Theater of the Institute of Puerto Rican Culture was invited. He obtained an MFA in Ensemble Based Theater. He was selected to participate in the “Mad River Festival” along with the company of the school “Dell’Arte International School of Physical Theater. He has been invited to the “2017 River Theater Festival” in Blue Lake, CA and to “California Summer School for the Arts” in Los Angeles, CA. After completing his short tour with his thesis, he will move to New York with a view to forming a multidisciplinary theater group and establishing a working and collaboration bridge between Puerto Rico, New York, California and the world.


5. Awilda Rodríguez Lora / Theater Lab MC / Contemporary Dance / 19 min 

Title: Untitled

About the piece: Contemporary dance movement piece that accounts for its status as a migrant who absorbed American culture and made it theirs.

About the artist: Awilda Rodríguez-Lora is a performance choreographer and cultural entrepreneur. Born in Mexico, raised in Puerto Rico, and working in-between North and South America and the Caribbean, Rodríguez Lora’s performances traverse multiple geographic histories and realities. In this way, her work promotes progressive dialogues regarding hemispheric colonial legacies, and the unstable categories of race, gender, class, and sexuality. Rodríguez Lora is currently a host/coordinator at La Rosario in Santurce (Puerto Rico) where she is creating, researching, and producing her life project, La Mujer Maravilla, while developing new strategies for the sustainability of live arts in Puerto Rico. After more than ten years of work as a fully independent artist, she is committed to further studying how artistic economies can be harnessed to support alternative forms of life rooted in communality, creativity, and social justice. laperformera.org.


6. Jeanne D Arc / Dance / Flamenco / 15 min

Title: Untitled

About the piece: Contemporary dance & Flamenco intertwined with poems of protest by Federico García Lorca

About the artist: Jeanne D Arc Casas (1984) was born in Aibonito, Puerto Rico. He holds a bachelor’s degree in Individualized Studies from the Faculty of Humanities of the University of Puerto Rico, Río Piedras Campus. In 2011 she earned a master’s degree in performance and choreography at the University of New Mexico, Albuquerque where she was a Moderna and Flamenco dance instructor. Since January 2012 is part of the company Soledad Barrio y Noche Flamenca. She has made a large number of tours in the United States, Canada and Argentina Europe and the East. It also teaches lessons in modern dance, contemporary dance and body movement in different schools and universities. Recently Jeanne D ‘Arc Houses participated in the program of residential artifacts of the Fine Arts Center Luis A. Ferré de Santurce, PR where shows the show Hij @ s de la Bernarda directed by the teacher Rosa Luisa Márquez.


7. Poncili Creación Artist Collective/ Performance / Art Installation  

About their piece: During the month of May Poncili Creación will be studying the Loisaida community and its mural history in order to produce a performance piece that speaks about the short comings that the community has faced in the past and still face today.

Inspired by Loisaida, Poncili Creación will create several of their unique sculptures based on Loisaida’s murals and community. Using different elements they will create a performance to be presented at the Theater Lab.

About the artists: Poncili Creación conceptualizes and designs interactive experiences for all ages. The company has been conspiring for over half a decade, in which they have shared their work with several countries throughout their international tours to the United States, Latin America and the Caribbean. Their creation technique consists of several disciplines which lead them to create complex structures that resemble different forms through different mechanisms and means of creation. These objects, often humanized, can induce placebos and metaphorical experiences to the spectating mind that often goes from passive interaction to active observation, in the attempt of decoding what happens and transforms before their eye. They currently reside in Puerto Rico and dedicate their time to the study of objects and reality.


8. Yaraní del Valle & Gabo Lugo / Music  / Performance / 20 min

Title: Pura’s Lágrimas

About the piece: Musical project developed by Yaraní del Valle and Gabo Lugo that fuses pop music with electronic sound supports and stage theatricality.aims to comment and provoke conversations about identity, gender inequality, her experience as an immigrant and the devastating effects of colonialism, the political condition that Puerto Rico has been a victim of for more than a century.

About the artist: Yaraní Del Valle Piñero is a Puerto Rican actor, singer, dancer, educator, cultural promoter, and activist based in New York City. Her interdisciplinary approach to artistic creation has led her to train and to collaborate with theater directors, choreographers, musicians, filmmakers, writers, and educators as a performer, co-creator and/or curriculum developer. Some of her projects include CHAMACAS,  ChicaPReneursSeniors In Motion and Pura’s Lágrimas and latest co-founder of Caicú, a nonprofit organization that serves as a cultural platform to empower Puerto Rican artists beyond geographical barriers.


9. Lizbeth Román / Music / 40 min

About the piece: Original music that fuses the Caribbean bohemian with multiple rhythms and a Lyric of the everyday that joins the poetic with the street jargon.

About the artist: Lizbeth Román is a Puerto Rican songwriter, theater and singer. With her scenic force accompanied by the porosity and intensity of her voice, Lizbeth has established herself in the independent scene with her original music that fuses the Caribbean and bohemian vibe with multiple rhythms and a lyric of the everyday that connects the poetic with the street jargon.


10. Alejandro Aldarondo  / Art Installation / Site-Specific

Title: Durational

About the piece: Site-specific art installation uses threads or strings that seeks to trace our multiple routes. Uniting as a collective, migrants from here and there. Respecting our qualities and differences, exalting the reasons of movement of each one, looking for a common place from which to leave, is born this installation of threads that looks for the earth and wants to take root. 

About the artist: Visual artist Puerto Rican, is dedicated to build facilities with textiles and thread in open spaces. Design and make clothes. Artist / installer, performer, designer, costume designer and dancer. He has a bachelors degree in Interdisciplinary Studies illustration and Drama. Associate Degree in Fashion Design. Has worked on several projects for: Wire / Mezzanine · PR / NYC / The great fantastic circus  and the fashion event: Bohemian Sunset.


About TheaterLab co-producers:

MEZCOLANZA NYC 2017 – 12th Edition

Mezcolanza is a cultural platform born in 2013 in the city of Buenos Aires produced by Helen Ceballos. It gathers short pieces of artists and multi-disciplinary collectives in order to maintain a live and open stage for the processes and creations of emerging artists in different cities around the world. We aim to erase distances and expose pieces of author, which account for the social reality that is lived in our changing environments. To date, Mezcolanza has hosted over 250 artists among the cities of Buenos Aires, New York and San Juan de Puerto Rico. On this occasion, Mezcolanza visits the city of New York for the third time and celebrates its twelfth edition. We have convened 14 multidisciplinary artists. These artists work in theater, performance, movement, music, improvisation, construction, musical composition, costume making, sculptures, sound and video art. In this edition of the Festival Loisaida and within the framework of the Theater Lab. Mezcolanza presents the urban interventions of 14 outstanding artists from the local and international scene of Puerto Rico, Latin America and the United States, interlacing the scenic discourses of these creative artists with their status as permanent immigrants.


BECOME A SPONSORREGISTER AS A VENDOR

Come Paint With Us!

COME PAINT A MURAL WITH YOUR COMMUNITY!

Painting extravaganza opened to the community. Artistic experience not necessary. Participants are not required to attend all of the sessions, only hands and creativity needed to help complete this project!

@ FIRST STREET GREEN ART PARK
EAST 1ST STREET AND HOUSTON

33 E 1st St, New York, NY 10003

This event has passed, thank you to all of you that made it possible!



Open Community Mural Painting Weekend

An endeavor hoping to pay tribute to the 30th anniversary of the twenty-six La Lucha Continua murals raised in 1983 by the community mural collective Artmakers Inc. to address six of some of the compelling political issues of the time, issues such as: gentrification, police brutality, immigration, women’s issues, and opposition to U.S. interventions in Central America and apartheid in South Africa. In contrast with much of the art being produced in the neighborhood at the time for the mainstream art market, this was created for the people, a “neighborhood-directed” effort as described in NYTimes.

The mural will be designed and painted by a small group of volunteers called upon by members from each organization; led by artist Sam Wisneski of the Thrive Collective. This collaboration represents a joint effort in calling on members from a surrounding community to speak to their own experiences, thus amplifying the voices of the community by offering up the podium, or in this case rather the paintbrush, to the people. More than a simple retelling of history, this mural can portray our present through past voices.

As the director of The Loisaida Center, Libertad Guerra posits,
“This exhibition is more than an excavation of the past or an exploration of the social, political and cultural context in which the murals were created. It is also a lens aimed at today’s Loisaida, focusing on how the neighborhood and the issues have changed, directing the eye to the future.”

Two from the original twenty-six pieces are still visible at La Plaza Cultural to this day.  Though much of the image from this piece by Susan Ortega has all but withered, the slogan “La Lucha Continúa” remains a powerful reminder to locals in the neighborhood and a reflection of our present through an historical lens.

Production for the commemorative mural coincides with the “La Lucha Continua The Struggle Continues: 1985 & 2017” exhibition currently on display at Loisaida Center.

FREE Community Screen Printing Workshops

mauricio_trenard

The Loisaida Center logo

The Loisaida Center

   proudly presents:

 Community Screen Printing Workshops 


Workshop begun: Wednesday, March 8th

10 sessions – 1 day a week for three months

All sessions on Wednesdays

from 7:00 pm – 9:00 pm 

FREE! Ages 18+


 Overview:

This program aims to bring art and creative place-making opportunities to Asian and Latino immigrant communities in the city of New York. The program introduces participants to a new art form and a vocabulary that can be used to strengthen and communicate to others their understanding of their environment. This program will expose participants to careers in art and design, developing skills and abilities that have transformative for individual growth and development, community beautification and belonging, and cross-cultural understanding. Art will be the vehicle that unites members of Asian and Latino immigrant communities to discuss, create and build the artistic capacity necessary for socio-cultural change. Our goal is to create opportunities to develop important artistic skills while sharing across differences that would not otherwise be possible.

Instructor Profile:

Professional artist Mauricio Trenard, will lead workshops for the project. He has lead design/build workshops for HSC and El Puente since 2010 and has 15 years of experience teaching art in Cuba. Since arriving in the U.S. in 2000, Mauricio has created commissions for the NYC Dept. of Education, Groundswell Community Mural Project and Fifth Avenue Committee. He uses public art as an indispensable tool to show and explore aspects of social reality of interest to him and the community in which he works. His work is in private collections in Europe, Mexico and the U.S. His illustrations for Dance, Nana, Dance received the 2009 Aesop Award.


Students will learn:

• The methodology, techniques and procedures of water base screen-printing for printing.

t-shirts, posters and others on similar types of material;

• How to utilize all equipment, tools, and supplies to produce a quality screen-printed product.

• How to translate their ideas into images – specifically, students will be encouraged to

explore issues of immigrant identity, community, and difference.


Objectives:

• To engage students in the process of exploring their individual artistic vision by

developing personal imagery;

• To create an art project generated by using iconography, social and cultural community

issues;

• To appreciate the enrichment that art brings to his/her own life experience and the

possibilities for career development;

• To create a basic artist portfolio with the work performed during the work shop;

• To develop self-motivation, self-direction and a strong work ethic;

• To think critically, work creatively and collectively across difference.


The Program

Our medium will be water-base screen printing with an emphasis on photo emulsion processes.Students will be exposed to various techniques for making silkscreen prints, will gain basic mastery of these processes, and by the end of the program, will develop a series of their own single, and multiple color edition prints. Students will be encouraged to investigate their own interests and concepts in terms of content and image making in the process of printing. Themes of cultural history and preservation, art and activism, and immigrant identity will all be explored.

Workshop Timeline:
Unit 1: Introduction to Screen Printing
Unit 2: Image Preparation
Unit 3: Screen Preparation
Unit 4: Reclaiming the Screen
Unit 5: Screen Printing Operation
Unit 6: Substrates and Inks

Unit 7: Presenting and communicating to the broader community


The 30th Loisaida Festival

A celebration is coming:

The Loisaida Festival has been historically celebrated on the Sunday before Memorial Day, this year is on:

    Sunday, May 28th fom 12:00pm – 5:00pm

2017’s theme is Immigration where we’ll be recognizing and celebrating the Im/migrant experience in the Lower East Side – The Gateway to America, and celebrating the Latin American Immigrant and their contributions to this community, city and country.

BECOME A SPONSORREGISTER AS A VENDOR

Our Voices Ring Loud Town Hall!

Our voices ring loud town hall meeting: Wednesday, March 1st at 6:00 pm.
The Clemente Soto Velez Cultural & Educational Center – 107 Suffolk St, New York, NY 10002
 
Loisaida & The NYC Cultural Plan – Our Voices Ring Loud Town Hall Meeting! Loisaida Inc. leads the local cultural planning project, in partnership with the Clemente Soto Vélez Cultural & Educational Center and Teatro SEA that will ensure that Latino arts organizations, cultural workers, and residents in Lower Manhattan are heard and their recommendations included in the City’s 10 year cultural plan. Loisaida Inc. was chosen from a competitive pool of applicants as one of the winning proposals to conduct community engagement and feed-back activities around the City’s cultural planning process, which will wrap up in the late spring of 2017.
Be Heard! Participate!


This Loisaida-led Project to Help Inform New York City’s Cultural Plan is Funded by:

New York City Cultural Agenda Fund in The New York Community Trust.

Walled Worlds

Loisaida Inc. and Atomic Culture are proud to present:

Walled WorldsBorder Publics, Cultural Activism and Urban Planning.


Panel: Thursday, February 9th at 6:00 pm.
Loisaida Inc. – 710 East 9th Street New York, NY 10009

Renowned scholars, artists, cultural activists and critics–Ricardo DominguezTeddy CruzFonna Forman and Ed Morales–ccome together to discuss their distinct yet cross-cultural perspectives on the intersections of arts and culture, activism and policy, and forced migration and community building, utilizing examples of neighborhoods including the Lower East Side.

We will consider how might our cultural activism, advocacy, and participatory planning begin working to create stronger collaborative movements and build solidarity within and beyond our multiple communities?

In the face of political uncertainties, we will also consider what tactics and strategies work to strengthen cultural equity advocacy, to influence policy and to advance equity principles as part of what should be enshrined in NYC’s cultural plan. A report-back on the discussion will be included as a set of recommendations to the New York City Council’s 10 year Cultural Plan.

FREE

Please RSVP, limited capacity!


Ours to Lose: When Squatters Became Homeowners in New York City

Loisaida Inc. and the Greenwich Village Society for Historic Preservation are proud to present:

Ours to Lose: When Squatters Became Homeowners in New York City


The Lower East Side in the 1980s and 90s was home to a radical squattingmovement that
blended urban homesteading and European-style squatting in a way never before seen in the
United States.

Ours to Lose takes a close look at a diverse group of Lower East Side squatters who occupied abandoned city-owned buildings in the 1980s, fought to keep them for decades, and eventually began a long, complicated process to turn their illegal occupancy into legal cooperative ownership.

In this multimedia event Starecheski will use oral histories to explore the complicated
relationships between homesteading and squatting on the Lower East Side, and in American
history.


Amy Starecheski is co-director of the Oral History Master of Arts program at Columbia
University. She received a PhD in cultural anthropology from the CUNY Graduate Center, where
she was a Public Humanities Fellow. In 2016 she was awarded the “Will the Next Margaret
Mead Please Stand Up?” Prize for public anthropological writing.


Check out video of the talk below:



Commissioner Lorelei Salas Wants to Hear from You


Commissioner Lorelei Salas
Wants to Hear from You


The Department of Consumer Affairs (DCA) is committed to protecting and enhancing
the daily economic lives of New Yorkers.


TIME: 3:00 p.m.

DATE: Tuesday, January 17, 2017

PLACE: The Loisaida Center 710 East 9th Street New York, NY 10009

Your feedback is important to us, so please join us during DCA Commissioner Salas’ visit to share your stories.


For more information, visit: nyc.gov/dca
For all DCA events, visit nyc.gov/dca. Click “Media,” then “Events.”
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@NYCDCA