Words & Images – Intensive Workshop for Youth

Loisaida Inc. presents:

WORDS & IMAGES

FREE Intensive two day workshop with Casa Cruz de la Luna Theater Company

Saturday, April 16 and Sunday, April 17:  1:00P.M.-5:00P.M


Eventbrite - WORDS & IMAGES


Ages 15 – 18

Come and explore how bodies in space create theatrical pictures that can be linked in many ways to spoken and projected words. This workshop combines Brazilian director Augusto Boal´s notions of image theatre with “escritura acto” (computerized writing projected live), a practice we have developed at Casa Cruz de la Luna Theatre. Using the texts generated by the participants some of the exercises will take the form of individual poetry presentations or collective performative sketches.

Instruction will be conducted in English but participants can work in whatever language they choose.

Saturday April 16 and Sunday April 17: 1:00P.M.-5:00P.M.

Facilitated by Casa Cruz de la Luna Company members: Aravind E. Adyanthaya, Alejandra Maldonado and Christopher Cancel.

Requisites:

-Targeted for ages 15-18 years old

-Participants should be able to attend the full two sessions

-Wear clothes comfortable for movement. Bring pen or pencil and notebook.


This workshop is free, but space is limited. Register Today!

Meet and Greet – Johnny Colón

Loisaida Inc. presents:

The Johnny Colón School of Music @ Loisaida Inc. Center


Eventbrite - Johnny Colon School of Music at Loisaida


Music theory lessons for the younger set by the boogaloo music legend Johnny Colon. Divided into three groups ages; 8-10, 11-14 & 15-18. Bilingual friendly (Spanish, English)


Latin music legend and renown music teacher Johnny Colón revives the tradition of his famous uptown music school, now downtown at the Loisaida Center. An dynamic hands-on weekly series of ongoing music classes focused on Latin rhythms and sounds directly under the instruction of vocalist, multi-instrumenatlist, arranger and musical director Johnny Colón.

About Johnny Colón

Johnny Colón, was born in New York City to parents of Puerto Rican heritage. He is the director of the Johnny Colon Orchestra, founder of the legendary East Harlem Music School and widely recognized as a major and legendary contributor to the popular boogaloo sound of the 1960s. 

Colón, a versatile vocalist, multi-instrumenatlist, arranger and musical director, became one of Latin music’s leading impresarios at the forefront of the new “Latin Boogaloo” sound when he formed the first Johnny Colon Orchestra in the mid 1960’s. He first found success in the world of salsa with his 1966 debut album”Boogaloo Blues” in 1966, which became a classic, selling over 3,000,000 copies worldwide, and which continues to be an anthem for this period on Latin music history. Colón’s hit “Boogaloo Blues” came out during a time of transition in the Latin music scene of New York years before there was such a thing as “salsa,” when the mambo craze was over and Puerto Ricans were coming of age in the city and the “Nuyorican” culture was emerging. As many of their peers went off to fight in Vietnam, some of New York’s younger Puerto Ricans were losing interest in Latin music and beginning to identify more with R&B hits in English than with the music of their roots. Johnny recorded several other notable tunes over the years, releasing five albums over the period 1967-72.

In 1968, with public funding and much of his own money, Colón founded the East Harlem Music School and offered free lessons to the community. His impact as a music instructor for more than three decades may be even greater than the effect of his recordings. Students like the singer Tito Nieves, percussionists Jimmy Delgado and Robin Loeb, bass player Rubén Rodríguez, and singer Marc Anthony would all go on to become stars in salsa and contemporary Latin music. By the mid-1990s, Colón was struggling to secure funding to maintain the school open. In 2004, unable to keep a permanent space for his school, Colón was given the opportunity to bring his brand of music education to New York City public schools. Today, as well as teaching in schools around the city, Colón has begun giving music classes to patients at drug treatment centers. He’s found a new location for his school at The Loisaida Inc. Center.

– Meet and Greet on Saturday, March 19 at Loisaida Inc. 710 East Ninth Street, New York, NY 10009

Stay tuned!


 

2016 Community Screenprinting Workshops

 HSC logo                                                      The Loisaida Center logo


Hester Street Collaborative                 &                          The Loisaida Center

   proudly presents:


 Water-Base Screen Printing Workshop 2016


8 sessions – YOU CHOOSE EITHER: Tuesday classes or Thursday classes;

Monday, 7:00pm – 9:30pm 

Thursday, 7:00pm – 9:30pm

FREE!

Ages 16+


Overview:

For a 2nd year, Hester Street Collaborative happy to announce that we are partnering with the Loisaida center to offer FREE Screen-printing workshops for immigrant, Asian and Latino communities on the Lower East Side. All skill levels are welcome, ages 16 and up.

The workshop series will reflect the neighborhood tradition of art activism and cultural preservation. Art will be the vehicle that unites members of Asian and Latino immigrant communities to discuss, create and build the artistic capacity necessary for socio-cultural change. Our goal is to create opportunities to develop important artistic skills while sharing across differences that would not otherwise be possible. 

Workshops will be focused on current social justice issues – from immigrant rights to climate change to cultural identity. We will work with participants to increase their understanding of the built environment, expose them to art/design careers, develop age-specific art/design skills, and actively improve their neighborhood’s quality of life.


Register here:Eventbrite - Community Screen Printing Workshop 2016


2016 Plenatorium Ensemble Workshops

Loisaida Inc. presents:

Plenatorium Ensemble Workshops (Pandero, Güiro & Plena Dance)


Register today: Eventbrite - Plenatorium Ensemble Workshops


Package includes: 4 Sessions, 1 Final presentation – 1pm, Four Saturdays, One Friday March 5 – March 26, 2016. at Loisaida Inc. Center. Transgenerational (ages 15+), bilingual friendly (Spanish, English)


Workshop schedule as follows:

Saturday, March 5th: Class 1
one (1) hour of pandero instruction (basic seguidor, punteador & requinto),
one (1) hour of güiro instruction (basic rhythm & technique)
and one (1) hour of plena ensemble.

Saturday, March 12th: Class 2
one (1) hour of pandero accompaniment instruction (seguidor, punteador & requinto for ensemble),
one (1) hour of güiro accompaniment instruction (rhythm & technique for ensemble)
and one (1) hour of plena ensemble.

Saturay, March 19th: Class 3
one (1) hour ensamble and
one (1) hour of basic plena dance instruction

Friday, March 25th: Class 4
two (2) hours of ensamble and
two (2) hours of plena dance instruction

Saturday, March 26th: FINAL
plena Dance/Social with live plena ensemble


 

Feminism 101 – Introduction to Feminist Thinking

Loisaida Inc. presents:

Introduction to Feminism Workshop (GROUP DISCUSSION)

2 Sessions – 1pm-3pm, Two Saturdays, February 27 and March 5, 2016
FREE, mixed gender, transgenerational (ages 15+), bilingual friendly (Spanish, English)

Moderated by: Las Marias Project


RSVP: Eventbrite - Feminism 101: Group Discussion & Workshop


Did anyone ever tell you to “act like a lady” or “be a man”? Has anyone ever expected you can’t do something simply because of your gender? Or do you think women are often judged by their looks?

Feminism is about defending equality for men and women. It helps us reflect on conflicts we might see in society and within ourselves, as well as articulate motives and solutions. It’s about thinking things through, considering community and being proactive. Learning about feminism will help you be more fair towards both women and men, and respect others.

The workshops are a non-academic introduction to the ideas of feminism. Over the course of these two sessions we will talk about some basic feminist ideas (like “objectification” or “patriarchy”) and figure out what these mean to us by using our collective intelligence: talking about our own experiences and those of the group. Other topics discussed will include: feminism (what is it exactly?), gender roles, masculinity in crisis, and feminism around the world.

In our workshops we will all learn about feminist thinking, talk about our own experiences and think of ways in which we can advocate for gender justice.

Snacks will be served.
Questions? Email us at hellolasmarias@gmail.com or check out our website at www.lasmariasproject.com

The New Rican Spirit

photo by: Jose Carrero
New Rican Village Alumni Reunion, Round-Table and Reception
(celebrating the Young Lords cultural legacy to the Lower East Side)

The purpose of this activity is to:

1. Recognize the Lower East Side neighborhood legacy of the Young Lords Party.

2. Honor the 25th anniversary of the passing of Eddie Figueroa, the founder of the New Rican Village Cultural Arts center, whose battle with cancer ended in 1990.

3. Offer an opportunity for peer organizations to celebrate a community instrumental in creating an innovative Latin@ arts spirit and institution within New York City.
The New Rican Spirit-A Celebration of the New Rican Village Cultural Arts Center, Eddie Figueroa, and ¡Presente! The Young Lords in New York

Starting with the Young Lords Party’s (YLP) official announcement at Tompkins Square Park in 1969, the ¡Presente! exhibition highlights the important activism spearheaded by the YLP as it operated within the context of the Lower East Side.

One of the institutions that came out of this era was the New Rican Village Cultural Arts Center (NRV) established by Lower East Young Lord member, Eddie Figueroa. The NRV, is an overlooked and under-appreciated Loisaida cultural arts institution that was as an aesthetic laboratory for a working-class, Puerto Rican/Latin@ avant-garde arts community since it opened in 1976 through its closing in 1979 (it continued to exist in other locations throughout New York City).

This art collective’s goals fostered a social surrealism that sought to transform both aesthetic forms and neighborhoods. The inter-arts community of musicians, poets, painters, actors, dancers, sculptors, and visual artists at the New Rican Village envisioned the importance of building community art spaces and political sovereignty by establishing and building an independent, community-based arts institution and also contributing to a Latin@ cultural arts scene within New York City, helping establish a Latin@ Cultural Left that was emerging among various Puerto Rican/Latino cultural arts centers at the time. Finally, the NRV helped to foster a New Rican Renaissance that celebrated a marginalized identity, and also translate the zeitgest of resistance and aesthetic and intellectual exploration into various art forms.

This event would not be possible without the co-sponsorship support of: Lower Eastside Girls Club, AllCare Provider Services, Inc.Clemente Soto Velez Cultural and Education Center,Latino Studies Department at Fordham UniversityCarlos Aponte, Lisa Baltazar, Arnaldo Cruz-Malavé,Pepe Flores, Libertad Guerra, Ana Ramos,Wilson Valentín-Escobar.

Sonidos Primarios

Saturday, October 10th

Loisaida Inc and Plenatorium Project present a double feature:

12:30pm

Sonidos Primarios: a hands-on discussion and presentation by artists who produce kid-friendly cultural content featuring an album of traditional Puerto Rican music for children by Viento de Agua, a Grammy Nominated bomba and plena contemporary band dedicated to de production of new music and projects as well as teaching the traditional rhtyms… Bring the kids! $5 suggested donation

Come share with Grammy-nominee and percussion master Tito Matos about the experience and details of recording a kid’s musical record. Tito and his group Viento de Agua have just released a children’s songs record, Sonidos Primarios, and he comes to share the experience and to perform a few of the songs from the record. He will be joined in the discussion by the members of the band Aclopaditos, who have vast experience in teaching and recording for children. Acopladitos will also perform a few songs for the enjoyment of all. Bring your little ones!

Following the presentation:
2:30pm

‘The New Latinos’ – screening and guided discussion featuring Tito Matos and Tato Torres.

Join us in the viewing of ‘The New Latinos’, episode 4 of The Latino Americans documentary series. This 60 minutes episode, that dwells on the experience of the Caribbean migration (Cuban, Dominican and Puerto Rican) to the United States, will be followed by a hands-on-drums one hour discussion reflecting on the musical aspects of these diasporic groups; the discussion will specifically revolve around the preservation, innovations, and hybridization of the musical traditions of these three groups after their arrival to the continental United States. The hands-on-drums discussion will be led by Grammy Award nominee, the maestro Tito Matos, and Tato Torres, founder, singer and leader of the group YERBABUENA. This viewing and talk are part of the Loisaida, Inc. Center’s Plenatorium Project initiative and part of the American Library Association/NEH Grant The Latino Americans, LA500.

Sponsored by The National Endowment for the Humanities and the American Library Association with Acopladitos and Viento de Agua

We refused to cave In

Sept. 24th, 2015 – “We refused to cave In”: Gender, Race, Class, and Decolonial Intersectionality in the Young Lords’ Liberation Politics

+++++++++++++++++++++++++++++++++++++++++++++++++

Darrel Wanzer-Serrano
Assistant Professor, The University of Iowa

Based on a chapter from The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015), this talk engages the process by which the Young Lords shifted from an organization rooted in the idea that “machismo” could be “revolutionary” to one that rejected machismo as a product of a racist/sexist/imperialist/capitalist system. The Young Lords advanced a nuanced and cutting-edge critique of the intersectionality of oppression and extended their analysis from the internal workings of the organization to society at large. The transformation ushered in by this “revolution within the revolution” was not instantaneous, however. Rather, there was significant struggle within the organization that first led to policy and leadership changes. Once the Young Lords advanced the rejection of machismo in their official platform, it opened space for the emergence of a gay and lesbian caucus and coalitional politics with lesbian, gay, and trans* activists, like Sylvia Rivera. Their intersectional perspective was central, I argue, to a kind of decolonial critical politics that eschewed a focus on rights in preference for attentiveness to and claims for liberation. In this framework, which is also advanced by most scholars of de/coloniality, liberation is an alternative to emancipation—the latter of which relies on claims to recognition that fortify the legitimacy of the modern/colonial system. Liberation, then, seeks a liberty delinked from classical liberalism, mindful of affiliations and fraternal connections, and guided by an ethic of decolonial love, even as colonial wounds can never fully heal.

About the book:

The book summary and a blurb by Andrés Torres can be found on the Temple Press website here: http://www.temple.edu/tempress/titles/2346_reg.html

The publicity manager at Temple is Gary Kramer and can be reached at gkramer@temple.edu.

Author/Speaker Long Bio:

Darrel Wanzer-Serrano (PhD, Indiana University) is Assistant Professor of Rhetoric and Public Advocacy in the Department of Communication Studies, and founding member of the Latina/o Studies Minor Advisory Board, at the University of Iowa. His research is focused on the intersections of race, ethnicity, and public discourse, particularly as they relate to formations of coloniality and decoloniality in the United States. He recently completed a project on the New York Young Lords with the first scholarly monograph on the organization, The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015). He also edited The Young Lords: A Reader (New York University Press, 2010), a sourcebook of primary texts on the group; and he has published numerous articles on the organization and other topics. Darrel is currently working on a new book project, tentatively titled Possession: Crafting Americanity in Congressional Debates over Puerto Rico’s Status, which examines the formation of coloniality and the rhetoric of Americanity within the first twenty years of US entanglement with Puerto Rico.


Ferguson/Ayotzinapa: CantoMundo Poets Read and Respond

The Loisaida Center

Monday, December 15, 6-8pm


Ferguson/Ayotzinapa: CantoMundo Poets Read and Respond

featuring: Yesenia Montilla, Darrel Alejandro Holnes, Rosebud Ben-Oni, and Urayoán Noel

This event brings together New York-based current and former fellows of the national Latina/o poets workshop CantoMundo (cantomundo.org/) to read from their work in solidarity with ongoing protests and mobilizations in and around Ferguson, Missouri, and the College of Ayotzinapa in Iguala, Mexico.Many of the poets reading are also participating in #CantoMundoLongestNight, a social-media offering of poems in honor of the countless black and brown bodies slain by state-sanctioned violence.

Darrel Alejandro Holnes is from Panama City and the former Canal Zone of Panamá. His poetry has been published in Poetry Magazine, The Best American Experimental Writing, Callaloo, The Caribbean Writer, The Potomac, MEADE, Lambda Literary, Assaracus, Weave Magazine, The Feminist Wire, The Paris American, Kweli, featured on The Best American Poetry blog, and elsewhere in print and online. He is the co-author of PRIME: Poetry & Conversations (Sibling Rivalry Press, 2014). He is a proud CantoMundo and Cave Canem fellow. darrelholnes.com

Yesenia Montilla is a New York City poet with Afro-Caribbean roots & CantoMundo Fellow. Her poetry has appeared in the literary journals: 5 AM, Adanna, Wideshore and others. She received her MFA from Drew University in Poetry and Poetry in Translation. Her first collection of poetry The Pink Box is forthcoming from Willow Books in Fall 2015.

Born to a Mexican mother and Jewish father, Rosebud Ben-Oni is a CantoMundo Fellow and the author of SOLECISM (Virtual Artists Collective, 2013). Her work is forthcoming or appears in POETRY, The American Poetry Review, Arts & Letters, Bayou, Puerto del Sol, among others. Rosebud is an Editorial Advisor for VIDA: Women in Literary Arts (vidaweb.org). Find out more at 7TrainLove.org

CantoMundo fellow Urayoán Noel is the author of the critical study In Visible Movement: Nuyorican Poetry from the Sixties to Slam (University of Iowa, 2014) and several books of poetry in English and Spanish, including EnUncIAdOr (Editora Emergente, 2014) and the forthcoming Buzzing Hemisphere/Rumor Hemisférico (University of Arizona). Born in San Juan, Puerto Rico, he lives in the Bronx and teaches at NYU.

 


*The views and opinions expressed on this event are soley those of the participating poets, scholars and other contributors. These views and opinions do not necessarily represent those of Loisaida Inc., Acacia Network and staff, and/or any/all contributors to this event.