2015, Bilingual, Books, Education, Events, New York History

We refused to cave In

Posted on by Alejandro

Sept. 24th, 2015 – “We refused to cave In”: Gender, Race, Class, and Decolonial Intersectionality in the Young Lords’ Liberation Politics

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Darrel Wanzer-Serrano
Assistant Professor, The University of Iowa

Based on a chapter from The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015), this talk engages the process by which the Young Lords shifted from an organization rooted in the idea that “machismo” could be “revolutionary” to one that rejected machismo as a product of a racist/sexist/imperialist/capitalist system. The Young Lords advanced a nuanced and cutting-edge critique of the intersectionality of oppression and extended their analysis from the internal workings of the organization to society at large. The transformation ushered in by this “revolution within the revolution” was not instantaneous, however. Rather, there was significant struggle within the organization that first led to policy and leadership changes. Once the Young Lords advanced the rejection of machismo in their official platform, it opened space for the emergence of a gay and lesbian caucus and coalitional politics with lesbian, gay, and trans* activists, like Sylvia Rivera. Their intersectional perspective was central, I argue, to a kind of decolonial critical politics that eschewed a focus on rights in preference for attentiveness to and claims for liberation. In this framework, which is also advanced by most scholars of de/coloniality, liberation is an alternative to emancipation—the latter of which relies on claims to recognition that fortify the legitimacy of the modern/colonial system. Liberation, then, seeks a liberty delinked from classical liberalism, mindful of affiliations and fraternal connections, and guided by an ethic of decolonial love, even as colonial wounds can never fully heal.

About the book:

The book summary and a blurb by Andrés Torres can be found on the Temple Press website here: http://www.temple.edu/tempress/titles/2346_reg.html

The publicity manager at Temple is Gary Kramer and can be reached at gkramer@temple.edu.

Author/Speaker Long Bio:

Darrel Wanzer-Serrano (PhD, Indiana University) is Assistant Professor of Rhetoric and Public Advocacy in the Department of Communication Studies, and founding member of the Latina/o Studies Minor Advisory Board, at the University of Iowa. His research is focused on the intersections of race, ethnicity, and public discourse, particularly as they relate to formations of coloniality and decoloniality in the United States. He recently completed a project on the New York Young Lords with the first scholarly monograph on the organization, The New York Young Lords and the Struggle for Liberation (Temple University Press, 2015). He also edited The Young Lords: A Reader (New York University Press, 2010), a sourcebook of primary texts on the group; and he has published numerous articles on the organization and other topics. Darrel is currently working on a new book project, tentatively titled Possession: Crafting Americanity in Congressional Debates over Puerto Rico’s Status, which examines the formation of coloniality and the rhetoric of Americanity within the first twenty years of US entanglement with Puerto Rico.

2015, Bilingual, Dance/Movement, Events, Performance, Photography, Style, Visual Art

Collective Group Show

Posted on by Alejandro

en casa afuera

June 12- 19

Opening Reception and Performances June 12 at 6:00 pm.

A live exhibit which will bring together new young artists— Mckenzie Angelo, Anthony Rosado, Jonathan Gonzalez, Yoira Santos, Adam Echahly, Lamar Stephens, Adam Rhodes, Chazz Bruce, and Stephanie Mota.

 

Curatorial Statement 

en casa afuera –

Think gentrification is completely erasing the hirstory and identities of native New York residents? Think again. Amidst new developments, increasing rents, empty storefronts, newcomers in LES, Crown Heights, Washington Heights, Harlem, & Bushwick, artists are finding ways to claim their stake in the areas, tethering the old soul of these communities. A group of such artists are coming to Loisaida, Inc.’s Center, one of the remaining physical spaces serving the LES and NYC Latino and independent community, to present a series of interactive works paying tribute to the Home(s).

en casa afuera, a live exhibit which will run from June 12th to June 19th, brings together new young artists from the metropolitan New York and New Jersey region spanning the ages of mid 20’s-30’s.— Mckenzie Angelo, Anthony Rosado, Jonathan Gonzalez, Yoira Santos, Adam Echahly, Lamar Stephens, Adam Rhodes, Chazz Bruce, and Stephanie Mota. They came together to investigate the intersections of home and displacement, as well as the potential for art making to reflect and revision these relations. Loisaida Inc., as the performance hub, may then be the home or shelter that localizes this web of creative results.

The process of what initially began as a series of conversations on the shifting dynamics of New York City, the forces that will it, and what is authentic in these urban amalgamations, developed into a need to generate around these lofty queries – what is home? and what remains as the physical departs from what we know it to be? (whether by a stripping of possession or decay.) Lastly, what does this process of transition look like, feel like, for us?

Visitors and members of the community, old and new, are encouraged to the engage in and think about the daily rituals of Home(s). The series of installations range from the symbolic to the banal. One of the works, a collage in the main hallways shows a Nuyorican’s response to gentrification while another shares with audiences the everyday objects our communities use to pamper themselves. Together, all works zoom in and out of the experience of a changing neighborhood.

en casa afuera represents and shines light onto the complex process of change and gentrification in NYC, and celebrates the histories that are passed on from generation to generation and carried everywhere. Above all, they encourage artists and guests to preserving our stories and our communities will follow.

When asked what Loisaida means for them the group responded:
“Loisaida has been an iconic place-maker for both its residents and the world at large. It architecturally houses the pride and cultural breadth of a community, while transcending the energetic embodiment of LES – a location/identity in flux. These dynamics are at the heart of our creative interests and explorations en casa afuera.”