How do we give contours to an art history that remains unwritten, scattered across archives, and siloed in scholarship? How can we begin to reconnect the struggle for civil rights across all artists of color and their fight for inclusion in our cultural institutions? How can we being to reflect on the complexity of artists of color and their unique experience, political actions, and art production as part of the art history in American? In the exhibition, Documents of Resistance: Our Time, Mexican-American artist, Antonio Serna is hoping to take us down a visual path to consider these and many other questions in regards to the important but often overlook contributions of artist of color.