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X-ORIGINAL-URL:https://loisaida.org
X-WR-CALDESC:Events for Loisaida Inc.
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DTSTART:20140101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20150410T200000
DTEND;TZID=UTC:20150410T220000
DTSTAMP:20160311T231400Z
CREATED:20150410T231229Z
LAST-MODIFIED:20160311T231400Z
UID:10000026-1428696000-1428703200@loisaida.org
SUMMARY:SALVAGE *WORLD PREMIERE*
DESCRIPTION:Details \n\n\n\nFlux Theatre Ensemble presents: SALVAGE\nby August Schulenburg\ndirected by Heather Cohn \nWORLD PREMIERE\nOPENING NIGHT FRIDAY\, APRIL 10 – 8:00pm \nPREVIEWS APRIL 8 & 9 – 8:00pm* \n*NO PERFORMANCES APRIL 15 OR APRIL 24 \nSalvage is a drama about Noma and Akiko\, two government officials searching for precious objects through what’s left of a post-catastrophe New York City. When their manager Dennis hires Mandy\, a veteran from America’s many wars\, the searchers discover things that make them question their mission\, and whether it’s time to let their city go. \nSalvage will be presented by Flux Theatre Ensemble at The Loisaida Center (710 East 9th St on Ave C) April 8 – 25\, Monday through Saturday at 8pm.\n______\nBeginning with Salvage\, no financial transaction is required to attend a Flux performance. Instead\, Flux will use a “Living Ticket.” In their commitment to financial transparency\, Flux will share their operating budget and leave it to each audience member to donate as they see fit. \nGet Tickets Now!
URL:https://loisaida.org/event/salvage-world-premiere/
LOCATION:The Loisaida Inc. Center\, 710 East 9th Street\, New York\, NY\,  10009\, United States
CATEGORIES:2015,Artists in Residence
ORGANIZER;CN="The Loisaida Inc. Center":MAILTO:info@loisaida.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150418T143000
DTEND;TZID=UTC:20150418T163000
DTSTAMP:20150417T024828Z
CREATED:20150407T024231Z
LAST-MODIFIED:20150417T024828Z
UID:10000081-1429367400-1429374600@loisaida.org
SUMMARY:Taller de Plena Mayagüezana - 2nd Round
DESCRIPTION:PLENA MAYAGÜEZANA WORKSHOP – 2nd Round –\nCOME JOIN US TO LEARN THIS UNIQUE VERY OLD STYLE OF PLENA!\nAPRIL 4TH – MAY 16TH\n12:00 – 2:30 PM\nAGES YEARS 18 + \nThis second series of workshops will consist of six sessions.These sessions will work on basic aspects of the plena mayaguezana\, such as: \n– Tuning of the hand drums (panderos) and proper care-taking of the leather head-drum. Afinacion de panderos y explicacion sobre el curao de los cueros \n– Basic rhythm patterns of the main base hand-drum (pandereta hermana) \n– Basic rhythm patterns of the second hand-drum (pandereta prima) \n– Relationship between the prima and hermana drums. \n– Specific hand techniques: ahogo\, llorao\, chachareo\, tono\, esplayao\, caballo\, golpe brocha/guiro\, camapeneo \n– Relationship and similitude to bomba rhythms. \n– Palitos/clave \n– Maraca \n– Structure of some plena riffs and verses. \nFor more info and tickets \n		HERE
URL:https://loisaida.org/event/taller-de-plena-mayaguezana-2nd-round-2/
LOCATION:The Loisaida Inc. Center\, 710 East 9th Street\, New York\, NY\,  10009\, United States
ATTACH;FMTTYPE=image/jpeg:https://loisaida.org/wp-content/uploads/2015/03/plenatorium-promo-web-01.jpg
ORGANIZER;CN="The Loisaida Inc. Center":MAILTO:info@loisaida.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150421T180000
DTEND;TZID=UTC:20150421T200000
DTSTAMP:20150415T184643Z
CREATED:20150415T184643Z
LAST-MODIFIED:20150415T184643Z
UID:10000090-1429639200-1429646400@loisaida.org
SUMMARY:NuyoCuba: Poetics & Diaspora
DESCRIPTION:Tuesday\, April 21\, 2015\, 6:00pm – 8:00pm.\n2 hrs ·  \n(a panel plus performance) \nfeaturing Alberto Abreu Arcia\, Aja Monet\, and Rich Villar\, moderated by Urayoán Noel. \nBorn in 1961 in Cardenas\, Matanzas province\, a heartland of African culture in Cuba\, Alberto Abreu is a novelist\, essayist\, and social critic on such topics as race and identity and LGBT issues. He is a member of ARAAC\, the Cuban civil rights organization.	He was coordinator of Virgilio Piñera Narrative Workshop\, held in the city of Matanzas. In 1988\, he published a volume of short stories The big world. His essay Virgilio Piñera: a man\, an island received in 2000 the Enrique José Varona UNEAC Prize. His La Gaceta de Cuba (2003) received mention in the X Prize . He organized the selection and preparation of Zero hour\, an anthology of Matanzas stories which was released in 2005. That same year his book The Writing Games received the Dador Award from the Cuban Book Institute . He also received the Casa de las Américas Prize in 2007. (from http://www.afrocubaweb.com/abreu.htm)\n—— \nAja-Monet is a Cuban-Jamaican poet originally from East NY\, Brooklyn. At 19 years old\, she was the youngest to ever win the Grand Slam Champion title of the Lower East side’s legendary Nuyorican Poet’s Café in 2007. Her work is classically surrealist\, engaging altogether Hip Hop\, Soul\, and literary audiences. \nShe dedicates her time and energy working with inner-city adolescence\, providing performance poetry workshops and opportunities. Aja Monet received her B.A. from Sarah Lawrence College and an MFA in Creative Writing from the School of the Art Institute of Chicago. \nAja Monet’s first book of poems\, The Black Unicorn Sings\, was independently published with Penmanship books (2010). She recently collaborated with poet/musician Saul Williams to edit a book of poetry due out on MTV Books/Simon & Schuster Publishing in Fall 2012 called\, Chorus. She is currently working on a book of science-fiction and new music. (from https://www.facebook.com/poetajamonet/info?tab=page_info)\n—– \nRich Villar is a writer\, performer\, editor\, activist\, and educator originally from Paterson\, New Jersey. His first collection of poems\, Comprehending Forever\, won the Editor’s Choice from the Willow Books Literature Awards in 2013\, and it was published by Willow the following year. He is a two-time Pushcart Prize nominee for both his prose and his poetry\, and his work has been published in several journals\, including Beltway Poetry Quarterly\, Rattapallax\, and Black Renaissance Noire. \nHe served as a founding director\, host\, and co-curator for Acentos\, a grassroots project fostering the Latino/a voice in American letters. From 2003-2012\, through its workshops\, panels\, reading series\, and public programming\, Acentos allowed Latino/a poets at all skill levels to connect with multicultural audiences as well as their peers\, in the one of the most historic Latino enclaves in the nation\, the South Bronx. He has been quoted on Latino/a literature and culture by HBO\, The New York Times\, and the Daily News. On the radio\, he has been heard on WBAI 99.5 FM in New York\, and on the long-running NPR newsmagazine “Latino USA.” \nSince 2008\, he has served as a curator for La Casita at Lincoln Center Out Of Doors\, appearing twice as the show’s emcee. He has been a frequent performer\, host\, and curator at the iconic Nuyorican Poets’ Cafe\, and he has contributed poems and performances to various theater spaces\, including Actors Stock NYC\, and Luna Stage in West Orange\, NJ. (from https://literatiboricua.wordpress.com/about/)
URL:https://loisaida.org/event/nuyocuba-poetics-diaspora/
LOCATION:The Loisaida Inc. Center\, 710 East 9th Street\, New York\, NY\,  10009\, United States
ATTACH;FMTTYPE=image/jpeg:https://loisaida.org/wp-content/uploads/2015/04/nuyocuba-poetics-01.jpg
ORGANIZER;CN="The Loisaida Inc. Center":MAILTO:info@loisaida.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150425T143000
DTEND;TZID=UTC:20150425T163000
DTSTAMP:20150407T024320Z
CREATED:20150407T024320Z
LAST-MODIFIED:20150407T024320Z
UID:10000073-1429972200-1429979400@loisaida.org
SUMMARY:Taller de Plena Mayagüezana - 2nd Round
DESCRIPTION:2nd Round – PLENA MAYAGÜEZANA WORKSHOP \nCOME JOIN US TO LEARN THIS UNIQUE VERY OLD STYLE OF PLENA! \n  This second series of workshops will consist of six sessions.These sessions will work on basic aspects of the plena mayaguezana\, such as:  \n – Tuning of the hand drums (panderos) and proper care-taking of the leather head-drum.  Afinacion de panderos y explicacion sobre el curao de los cueros \n – Basic rhythm patterns of the main base hand-drum (pandereta hermana) \n – Basic rhythm patterns of the second hand-drum (pandereta prima) \n – Relationship between the prima and hermana drums.  \n – Specific hand techniques: ahogo\, llorao\, chachareo\, tono\, esplayao\, caballo\, golpe brocha/guiro\, camapeneo \n – Relationship and similitude to bomba rhythms.  \n – Palitos/clave \n – Maraca \n – Structure of some plena riffs and verses.   \n6 CLASS WORKSHOP \nEVERY SATURDAY FROM APRIL 4TH – MAY 16TH \n 12:00 – 2:30 PM \nNO WORKSHOP APRIL 11th \nAGES YEARS 18 + \nFor more info and tickets  \n		HERE
URL:https://loisaida.org/event/taller-de-plena-mayaguezana-2nd-round-3/
LOCATION:The Loisaida Inc. Center\, 710 East 9th Street\, New York\, NY\,  10009\, United States
ORGANIZER;CN="The Loisaida Inc. Center":MAILTO:info@loisaida.org
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