Loisaida Inc.

La Lucha Continua The Struggle Continues: 1985 & 2017 - Exhibition Open
2017-07-21 12:00 - 18:00, 2017-07-22 12:00 - 18:00, 2017-07-27 12:00 - 18:00, 2017-07-28 12:00 - 18:00, 2017-07-29 12:00 - 18:00 UTC | The Loisaida Inc. Center, 710 East 9th Street, New York, NY, 10009, United States
Exhibition Details:
Title: La Lucha Continua The Struggle Continues: 1985 & 2017
Exhibition Dates: April 8 – June 30 , 2017
Viewing Hours:
Thursday, Friday, Saturday
Noon to 6:00 pm
and by appointment.
Organizer:
Artmakers Inc.
For more info and media queries: Jane Weissman, ArtmakersNYC@aol.com, (212) 989-3006
Host Venue:
Loisaida Inc. Center
(646) 726-4715
710 East 9th Street, Lower East Side
New York, NY 10009 United States
+ Google Map

Email: info@loisaida.org

Solo Exhibition: Juan Bautista Climent-Palmer
2017-09-07 18:00 - 20:00, 2017-09-14 13:00 - 18:00, 2017-09-15 13:00 - 18:00, 2017-09-16 13:00 - 18:00, 2017-09-21 13:00 - 18:00, 2017-09-22 13:00 - 18:00, 2017-09-23 13:00 - 18:00, 2017-09-28 13:00 - 18:00 and 1 more date

Fantasy Island: Opening Reception
2017-10-05 19:00 - 21:00
For Shey Rivera Ríos and Huáscar Robles, Hurricane María is an atmospheric manifestation compounded by the fiscal crisis troubling Puerto Rico’s urban landscape. The installation and performance Fantasy Island is an experience that explores how tourism and consumer culture sell a “fantastical” luxury lifestyle, a tropical paradise twisting crisis into “opportunity”. A door opens into a real estate office selling dreams of luxury and reconstruction and the viewer delves into a dizzying spell of animated gifs, performance and altars.
For Fantasy Island, Rivera transformed Loisaida’s space into a real estate office surrounded by a black and white grid that envelops visitors while monitors flash GIFs that borrow aesthetics from the vaporwave movement. In one image, a hand waves a wad of cash to a “Puerto Rico” neon sign while icons of the Virgin Mary and a ram, both cultural symbols of Puerto Rico’s syncretism and colonial history, spin in an enticing, dizzying spell. Viewers are also inspired to reflect on how natural disasters such as the path of hurricanes affecting not only Puerto Rico but also our Caribbean neighbors maybe twisted into “opportunity” after the crisis subsides.
For the Loisaida Center, a cultural enterprise with deep roots in the Nuyorican and Latinx New York community, Fantasy Island stretches the island to New York and its Puerto Rican and Caribbean diaspora as it hits common issues they all grapple with.
The opening reception will include a special performance.
Throughout the fall, and beyond, the Loisaida Inc. Center’s programming will provide opportunities to pledge support to the relief and recovery efforts in the Caribbean.

Exhibition Closing: Juan Bautista Climent-Palmer
2017-10-07 13:00 - 18:00

Fantasy Island: Exhibition Open
2017-10-12 13:00 - 17:00
Fantasy Island by: Sheyla Rivera

For Shey Rivera Ríos and Huáscar Robles, Hurricane María is an atmospheric manifestation compounded by the fiscal crisis troubling Puerto Rico’s urban landscape. The installation and performance Fantasy Island is an experience that explores how tourism and consumer culture sell a “fantastical” luxury lifestyle, a tropical paradise twisting crisis into “opportunity”. A door opens into a real estate office selling dreams of luxury and reconstruction and the viewer delves into a dizzying spell of animated gifs, performance and altars.
For Fantasy Island, Rivera transformed Loisaida’s space into a real estate office surrounded by a black and white grid that envelops visitors while monitors flash GIFs that borrow aesthetics from the vaporwave movement. In one image, a hand waves a wad of cash to a “Puerto Rico” neon sign while icons of the Virgin Mary and a ram, both cultural symbols of Puerto Rico’s syncretism and colonial history, spin in an enticing, dizzying spell. Viewers are also inspired to reflect on how natural disasters such as the path of hurricanes affecting not only Puerto Rico but also our Caribbean neighbors maybe twisted into “opportunity” after the crisis subsides.
For the Loisaida Center, a cultural enterprise with deep roots in the Nuyorican and Latinx New York community, Fantasy Island stretches the island to New York and its Puerto Rican and Caribbean diaspora as it hits common issues they all grapple with.
The opening and closing reception will include a special performance.

Exhibition Viewing Hours: Thursday, Friday and Saturday from 1:00 pm – 5:00 pm and by appointment.

Throughout the fall, and beyond, the Loisaida Inc. Center’s programming will provide opportunities to pledge support to the relief and recovery efforts in the Caribbean.

Fantasy Island: Panel Discussion
2017-10-21 17:00 - 19:00
Puerto Rico’s economic spiral has spread uncertainty on the island. A 120 billion debt in bonds and pension responsibilities has been deemed un-payable while a U.S. Fiscal Supervision Board suggests further austerity measures. About 170 schools have closed and a third of the island’s real estate is unoccupied. Puerto Ricans keep fleeing en masse while foreigners move in, altering the urban and cultural landscape.
Artists, scholars, activists, and other thought leaders from various sectors are in conversation throughout the diaspora with the intention of creating awareness and dialogue that can generate solutions. How can art further push to inform socially responsible urban development and shed light on inequitable real estate practices that cause displacement and economic disparity? What about this cult to tourism and its implications on the field?
This panel discussion will focus on the role of the arts in community development, the economic crisis in Puerto Rico, its implications and parallels with other cities/countries, tourism economy, real estate development, and disaster capitalism.
Speakers:
F. JAVIER TORRES ArtPlace America

Latest Blog Post: Reflecting on the Interstate’s Impact on an American City
F. Javier Torres is the Director of National Grantmaking at ArtPlace America. In his role he is responsible for building a comprehensive set of demonstration projects that illustrate the many ways in which arts and culture can strengthen the processes and outcomes of the planning and development field across the United States. Thanks to ArtPlace he has travelled across 48 states in the last 3 years and visited a wide variety of community contexts. This travel has expanded his interest in the networks and knowledge sets necessary to sustain creative placemaking as a practice over time.
Prior to his role at ArtPlace, Javier was Senior Program Officer for Arts and Culture at the Boston Foundation where he led an exploration of the role of culture as a tool for transformation, sustainability, and as central to the development of vibrant communities. Javier spent six years as the Director of Villa Victoria Center for the Arts, a program of IBA, a community based multi-disciplinary arts complex that operates as a regional presenter and local programmer for Latino arts. Currently, he is a board member for Grantmakers in the Arts and an advisory board member for the Design Studio for Social Intervention. He has previously served as a board member for the National Association of Latino Arts and Cultures, MASSCreative, was a member of the MA Governor’s Creative Economy Council and Chair for the Boston Cultural Council.

ED MORALES Journalist and Writer

https://edmorales.net/
Ed Morales is a journalist who has investigated New York City electoral politics, police brutality, street gangs, grassroots activists, and the Latino arts and music scene. He has been a Latin music Newsday columnist and longtime Village Voice contributing writer whose work has appeared in Rolling Stone, The New York Times, Miami Herald, San Francisco Examiner, The Los Angeles Times, The Guardian, Jacobin, and The Nation. He was a contributing editor to NACLA Report on the Americas a frequent contributor of op ed columns for The Progressive Media Project.
Ed Morales is currently writing Latinx: The New Force in American Politics and Culture, a definitive view of how Latin@s matter in the US’s race debate, to be published by Verso Press in Spring of 2018. In March 2002, he published his first book, Living in Spanglish on St. Martin’s Press/LA Weekly Books. A second book, The Latin Beat: From Rumba to Rock, was published on Da Capo Press in 2003. Morales is also a poet whose work has appeared in Aloud: Voices From the Nuyorican Poets Café (Henry Holt, 1993) and various small magazines, and whose fiction has appeared in Iguana Dreams (HarperCollins, 1992), and Boricuas (Ballantine, 1994).
He has participated in residencies as a member of Nuyorican Poets Café Live, touring as a spoken-word performer in several cities throughout the East Coast, in California, Florida, Texas, Denmark, and Washington, D.C. Morales has also appeared on CNN, Hispanics Today, Urban Latino, HBO Latino, CNN Español, WNBC-TV’s Visiones, WABC’s Tiempo BBC television and radio, and the Fox Morning News in Washington D.C.
Ed Morales is currently an adjunct professor at Columbia University’s Center for the Study of Ethnicity and Race, and occasionally appears as a host on WBAI-FM.

SHEY RIVERA RIOS is the Artistic Director of AS220.

With a professional background in administration, Rivera is also a performance and installation artist, musician and writer. At AS220, she focuses on community engagement, cross-sector partnerships, and strategic planning, alongside a team of program leaders. Rivera was part of the founding team of Festival de la Palabra in San Juan, Puerto Rico, in 2010 (the largest literature festival in Puerto Rico, still ongoing), and reactivated the historic Museum House Concha Melendez in San Juan with literary arts programming. She is an Intercultural Leadership Institute (ILI) Fellow, Brown University Public Humanities Fellow, and alumni of the Leadership Institutes hosted by the National Association of Latino Arts and Culture (NALAC) and the National Association of Media Arts and Culture (NAMAC). Rivera is a Certified NonProfit Accounting Professional (CNAP) and has also served on multidisciplinary art grant panels for the National Endowment of the Arts (NEA), NALAC, and Rhode Island State Council on the Arts. Rivera serves in Congressman Jim Langevin’s Art & Culture Advisory Committee and Providence Mayor Elorza Art & Culture Transition Team. She also serves in the Downtown Improvement District and Providence Parks Conservancy Advisory Committees, as the Dept of Art, Culture+Tourism’s Public Art Committee and Providence Cultural Equity Initiative’s Cultural Think Tank. She has been a speaker at Tulane University, University of Puerto Rico, New Bedford Museum of Art, RISD Museum, Philadelphia Mural Arts, and national conferences on art spaces and community development, including Alliance of Artist Communities, Pittsburgh’s Community Development Summit, Congress of New Urbanism, and NALAC, among others. http://sheyrivera.com

Moderator: HUASCAR ROBLES writes and makes art about technology and culture.

He has published with The New York Times, Chicago Tribune’s Hoy, Metro San Juan and other publications in United States, Puerto Rico and Brazil. He was a correspondent in Haití and published Puertos príncipes: temblemos todos, a journal and photo book on Haiti after the earthquake. He is currently an Op-Ed contributor to Puerto Rico’s El Nuevo Día.
The Country Under My Skin, Los silencios de Santurce, Portraits of Marassa, are some of his photo and multimedia performances in the U.S. and Puerto Rico as well as the documentary The Invisible Coast, on Haitian merchants’ struggle on Puerto Rico’s Loíza town.
He has participated with The Dart Center’s Ochberg Fellowship (2009), Center for Justice and Journalism’s Urban Fellowship (2009), AS220’s Artist in Residence, and Brunetto’s School cultural exchange in Brazil (2006). His collection Country Under My Skin as acquired by Rhode Island’s Historical Society’s Permanent Gallery. Robles has an M.F.A. from New York University.

Fantasy Island: Performances
2017-11-11 19:00 - 22:00
StormWater performance:
For Shey Rivera Ríos and Huáscar Robles, Hurricane María is an atmospheric manifestation compounded by the fiscal crisis troubling Puerto Rico’s urban landscape. The installation and performance Fantasy Island is an experience that explores how tourism and consumer culture sell a “fantastical” luxury lifestyle, a tropical paradise twisting crisis into “opportunity”.
Shey Rivera:
Ixchel performance. Video projection and audio of poem.
Pick 5 poems from Hienas y Los buitres.
La jíbara bruja performance, with reading from “Naty and my chaotic stench”
Huáscar Robles performs:
“Héroes del estéreo”
“Salt and wine”
“Pupilas y gaviotas”
“Drenched”
“Las manos del campo”
Video projections: Sharks, Hurricane, Beach floor and photos of the devastation, sent by friends and family.
Audio files: Cocoon poem, Coquis by Fofe, Rain storm

Mercado de Puerto Rico
2017-11-17 16:00 - 20:00

Teófilo Torres es: Pateco en Loisaida
2017-12-28 20:00 - 21:00
Thespian Maestro, TEOFILO TORRES, performs about post-hurricane María crisis in specially commissioned X-mas show. One night only @ LOISAIDA CENTER.

NEW YORK, NY, DECEMBER 15, 2017 – Puerto Rico’s most treasured monologist, Teófilo Torres, whose acting career spans over 40 years ––will perform at Loisaida Cultural Center on December 28th with his new creation: Pateco el Sepulturero (Pateco the Gravedigger).
Pateco’s character is borrowed from an old Puerto Rican folk tale. Legend has it that in 1899, after the deathly devastation of hurricane San Ciriaco, so many people died in the island -both during and in the hurricane’s aftermath- that dead bodies were left piling up at the gate of a local cemetery. The gravedigger was called Pateco, it is said. From then on, after someone has passed away, the people in the island have been known to say that ‘Pateco took them under’, ‘a fulano se lo llevó Pateco’.

Torres’ take on Pateco comes back to life in 2017, this time after hurricane María devastated Puerto Rico, to take to the grave those “dead bodies” and zombies now piling up all over the island. Torres’ Pateco character is portrayed as a half-drunk, half-political pundit, that has found a new devotion to singing jíbaro folk music “Décimas”. He is a jokester, however a complicated character that takes a swing at killing us (the audience) softly with his rhymes, and makes us aware of the current political and fiscal crisis facing the Caribbean island.
You can find more information online at loisaida.org/events
Loisaida Inc. has produced many performances throughout this year, some that recasts the current fiscal crisis of Puerto Rico, and more recently others hosting visual artists, musicians and academics interpreting through their work the impact on Puerto Rican communities in the wake of the 2017 hurricane season. Loisaida keeps the creative diaspora stemming from the Caribbean island to present a forward-looking merger of eco-urbanism and art-based community making.

Teófilo Torres (born 6 March 1954 in Ponce, Puerto Rico) is a Puerto Rican actor, director and professor of theatre. He has acted for both television as well the big screen, and has performed in Puerto Rico and internationally.

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Teófilo Torres (born 6 March 1954 in Ponce, Puerto Rico) is a Puerto Rican actor, director and professor of theatre. He has acted for both television as well the big screen, and has performed in Puerto Rico and internationally.

Soul of a City - Exhibition Ongoing
2018-01-19 18:00 - 2018-03-18 20:00
Katharine Wright, in conjunction with neighborhood photographer, Ryan John Lee have curated an auction wall to benefit the initiatives of Loisaida Inc. The wall showcases local and international artists, emergent and established artists, all representations of the DIY, immigrant ethos here in Loisaida. Check out the artwork below.

Silent Auction Now Live!

Loisaida Inc. is proud to present Ryan John Lee. Contact us to view exhibition by appointment. Lee is a photographer/filmmaker based in New York City. He is a longtime resident of the Lower East Side. The soul of a city is manifested through its inhabitants: the newspaper sellers, subway riders, pavement pounders, and window shoppers. These seemingly banal routines and daily chores are what feed a city’s energy and identity. Soul of a City represents a collection of these everyday moments I’ve been fortunate enough to capture. Some are humorous or touching, while others are heartbreaking. In these photographs, I’ve aimed to transform the ordinary into something more magical and highlight the calm within the chaos of the urban landscape.

The Native Caribbean Heritage Preservation Project - Exhibition
2018-03-23 18:30 - 2018-03-30 20:30
2018 Loisaida Artistic Residency Recipient, Anthony Rosado presents:

The Native Caribbean Heritage Preservation Project – Exhibition
Friday, March 23 from 7:00 pm – 9:00 pm through Friday March 30, 2018

Exhibition Description:
Ní’Tiñao means “relative; friend; progenitor” in Kalinago, and is eponymous with the Taíno peoples of the Caribbean. Rosado’s work focuses on historical, indigenous Caribbean definitions of identity and the influence of their values, spirituality, horticulture, and language today, as well as our relation to these definitions right here in Loisaida.
Rosado’s exhibition aims to refute euro-colonial claims that the Ní’Tiñao were a divided peoples who went extinct. Via art and storytelling, we exist.
Objective:
In effort to honor Arawak Tainx ancestors of the Caribbean while providing their scions with the legitimacy and empowerment of cultural identity, The Testourmonials Project will research, draft, and present an Arawak Tainx Heritage Day that intends on one day being celebrated annually and internationally. As Founder and Artistic Director of The Testourmonials Project I will develop a campaign and build a case to support city-wide, national, and international commemoration of the Arawak Tainx Heritage.
Visitors of my Open Studio Residency will have access to traditional and modern practices cultivated by Arawak Tainx ancestry. Through partnership with The Loisaida Center, the “Arawak Tainx Heritage Day” will ensure unity and mobility for intersectional needs of Tainx progenies. Unity will be present during a hands-on workshop, community discussion, performance showing, and exhibition. The intersectional needs of Tainx descendants will be revealed via interviews with revolutionaries actively preserving the Arawak Tainx culture. Your participation on this journey, which will continue long after the Residency’s end, is the vital mobility produced from our advocacy against erasure of Arawak Tainx traditions.
The project aims to research, archive, and memorialize the herstory, history, principles, spirituality, practices, and core values of the indigenous peoples of the Caribbean. Following research, the “Tainx Heritage Day – Celebration Model” will be drafted. This model will be shared with organizations indigenous to the Arawak Tainx peoples via online survey and interviews, as well as the aforementioned workshop and community discussion. The model will consequently be redrafted considering review by active members of the Arawak Tainx community and their modern day practices. Once the model is complete, a proposal will be drafted and campaign launched to consider the “Arawak Tainx Heritage Day” an annual city-wide, then state-wide, thereafter country-wide, and finally internationally recognized holiday. The holiday will be presented during Summer 2018 via promotion during events, workshops, festivals, and more hosted by organizations who supported the holiday’s culmination.

The Testourmonials Project will host an exhibition at Loisaida Inc. Center opening Monday, March 26 – 30, 2018. The exhibition will be relaying information, sources, reflections, visual art, commissioned photography, and an installation to share the research.

About Anthony Rosado:

Dome Building Workshop
2018-05-06 14:00 - 16:00
Dome Building Workshop
A project by: Matthew Mottel in collaboration with Loisaida Inc.
Sunday, May 6 from 2:00 pm to 4:30 pm (estimated time)

Overview:
The history of dome building on the LES goes back to when CHARAS built domes in collaboration with Buckminster Fuller in 1972/73. Syeus Mottel documented this effort in his photo-journalism book CHARAS THE IMPROBABLE DOME BUILDERS , first published in 1974 and now re published in 2017 by Song Cave Press & Pioneer Works.
Through a collaborative project between Loisaida Inc., La Plaza Cultural de Armando Perez and DIAP (Digital Intermedia MFA program at City College), artist and researcher Matthew Mottel (Syeus Mottel’s son) will build 2 geodesic domes (one at La Plaza and the other at the Loisaida Inc. Center’ courtyard) as an interactive art installation. In interviewing Carlos “Chino” Garcia as part of his research, Matthew was told that the domes CHARAS built functioned as both recreational activity spaces and as experimental examples of how to build disaster relief housing in non urban areas. The same functions apply now. The dome at La Plaza Cultura, will be seen from the street, with high visibility. This will bring people to the other dome in the courtyard and exhibition happening at Loisaida Center, which will feature a more detailed documentation of the original events of 1972-73.
This work highlights the achievements of CHARAS and hopefully expands the pressure on the NYC mayoral office to follow through on their promise to re-acquire El Bohio for the Loisaida community.
The week of the exhibition opening, many public performances, talks and workshops will transpire in both the Loisaida Center dome, and at La Plaza Cultural. These events will be influenced by the type of programming that happened during the 20+ years of events and exhibitions of El Bohio before being pushed out of its iconic and historic location on 9th Street, formerly known as P.S. 64.

Resources:
The Improbable Dome Builders
Matthew’s essay on the book.
The video that will be screened during the exhibition opening; CHARAS IS ALIVE ON SPACESHIP EARTH – Wednesday, May 9 at 6:00 pm

Schedule, Programming & Activities:

Saturday, May 5 at 6:00 pm – Archive exhibition of the 1972/73 CHARAS Geodesic Dome opens during Fiestas de Cruz at Loisaida Center.
Sunday, May 6 at 2:00 pm – Dome Building Workshop where participants will assist in the building of a 12′ geodesic dome. There will also be a special screening of archival footage from Bucky Fuller.
Wednesday, May 9 at 6:00 pm – Geodesic Domes unveiled with exhibition at Loisaida Center and La Plaza Cultural with performance by poet Edwin Torres.
Thursday, May 10 at 12:00 pm – Exhibition hours at Loisaida Center.
Friday, May 11 at 6:00 pm – Exhibition hours at Loisaida Center + Oral history project of the Lower East Side featuring interview with Chino Garcia by the Greenwich Village Society for Historic Preservation, with documentary screening of Matthew Mottel’s video CHARAS IS ALIVE ON SPACESHIP EARTH at 6:00 pm.
Saturday, May 12 at 12:00 pm – Exhibition hours at Loisaida Center + performances in the afternoon thru evening at La plaza Cultural and Loisaida Center Courtyard.

CHARAS IS ALIVE ON SPACESHIP EARTH: Reception + Performances
2018-05-09 18:00 - 20:00
CHARAS IS ALIVE ON SPACESHIP EARTH: Reception + Performances

A project by: Matthew Mottel in collaboration with Loisaida Inc., La Plaza Cultural de Armando Perez and DIAP (Digital Intermedia MFA program at City College

Overview:
The history of dome building on the LES goes back to when CHARAS built domes in collaboration with Buckminster Fuller in 1972/73. Syeus Mottel documented this effort in his photo-journalism book CHARAS THE IMPROBABLE DOME BUILDERS , first published in 1974 and now re published in 2017 by Song Cave Press & Pioneer Works.
Through a collaborative project between Loisaida Inc., La Plaza Cultural de Armando Perez and DIAP (Digital Intermedia MFA program at City College), artist and researcher Matthew Mottel (Syeus Mottel’s son) will build 2 geodesic domes (one at La Plaza and the other at the Loisaida Inc. Center’ courtyard) as an interactive art installation. In interviewing Carlos “Chino” Garcia as part of his research, Matthew was told that the domes CHARAS built functioned as both recreational activity spaces and as experimental examples of how to build disaster relief housing in non urban areas. The same functions apply now. The dome at La Plaza Cultura, will be seen from the street, with high visibility. This will bring people to the other dome in the courtyard and exhibition happening at Loisaida Center, which will feature a more detailed documentation of the original events of 1972-73.
This work highlights the achievements of CHARAS and hopefully expands the pressure on the NYC mayoral office to follow through on their promise to re-acquire El Bohio for the Loisaida community.
The week of the exhibition opening, many public performances, talks and workshops will transpire in both the Loisaida Center dome, and at La Plaza Cultural. These events will be influenced by the type of programming that happened during the 20+ years of events and exhibitions of El Bohio before being pushed out of its iconic and historic location on 9th Street, formerly known as P.S. 64.

Resources:
CHARAS The Improbable Dome Builders (((THE FUTURE IN ACTION)))
Through the lens of avant-garde architectural theory, the CHARAS Lower East side community group and Buckminster Fuller’s assistant, Michael Ben Eli construct a geodesic dome on an unused plot of land in the shadow of the Manhattan bridge in 1972-1973. The CHARAS members built the geodesic dome to control their own destiny.
CHARAS: The Improbable Dome Builders resonates in 2018. Ever present are the needs of affordable housing, the occupation of public/unused space for civic use, and the participation of communities to take self determined action when governmental institutions forgo their public duty.
CHARAS THE IMPROBABLE DOME BUILDERS: (((THE FUTURE IN ACTION) produced by Matthew Mottel includes archival interviews and photography from 1972/73 by Syeus Mottel with CHARAS members Chino Garcia and Karen Becker. In October 2017, Sal Becker and Chino Garcia, return to the dome construction site on the Lower East Side to reflect on their achievements and speak about the purpose of their dome building activity.
Matthew Mottel’s essay on the book.
The video that will be screened during the exhibition opening; CHARAS IS ALIVE ON SPACESHIP EARTH – Wednesday, May 9 at 6:00 pm

Schedule, Programming & Activities:

Saturday, May 5 at 6:00 pm – Archive exhibition of the 1972/73 CHARAS Geodesic Dome opens during Fiestas de Cruz at Loisaida Center.
Sunday, May 6 at 2:00 pm – Dome Building Workshop where participants will assist in the building of a 12′ geodesic dome. There will also be a special screening of archival footage from Bucky Fuller.
Wednesday, May 9 at 6:00 pm – Geodesic Domes unveiled with exhibition at Loisaida Center and La Plaza Cultural with performance by poet Edwin Torres.
Thursday, May 10 at 12:00 pm – Exhibition hours at Loisaida Center.
Friday, May 11 at 6:00 pm – Exhibition hours at Loisaida Center + Oral history project of the Lower East Side featuring interview with Chino Garcia by the Greenwich Village Society for Historic Preservation, with documentary screening of Matthew Mottel’s video CHARAS IS ALIVE ON SPACESHIP EARTH at 6:00 pm.
Saturday, May 12 at 12:00 pm – Exhibition hours at Loisaida Center + performances in the afternoon thru evening at La plaza Cultural and Loisaida Center Courtyard.

CHARAS IS ALIVE ON SPACESHIP EARTH
2018-05-09 18:00 - 2018-05-11 21:00
CHARAS IS ALIVE ON SPACESHIP EARTH

A project by: Matthew Mottel in collaboration with Loisaida Inc., La Plaza Cultural de Armando Perez and DIAP (Digital Intermedia MFA program at City College

Overview:
The history of dome building on the LES goes back to when CHARAS built domes in collaboration with Buckminster Fuller in 1972/73. Syeus Mottel documented this effort in his photo-journalism book CHARAS THE IMPROBABLE DOME BUILDERS , first published in 1974 and now re published in 2017 by Song Cave Press & Pioneer Works.
Through a collaborative project between Loisaida Inc., La Plaza Cultural de Armando Perez and DIAP (Digital Intermedia MFA program at City College), artist and researcher Matthew Mottel (Syeus Mottel’s son) will build 2 geodesic domes (one at La Plaza and the other at the Loisaida Inc. Center’ courtyard) as an interactive art installation. In interviewing Carlos “Chino” Garcia as part of his research, Matthew was told that the domes CHARAS built functioned as both recreational activity spaces and as experimental examples of how to build disaster relief housing in non urban areas. The same functions apply now. The dome at La Plaza Cultura, will be seen from the street, with high visibility. This will bring people to the other dome in the courtyard and exhibition happening at Loisaida Center, which will feature a more detailed documentation of the original events of 1972-73.
This work highlights the achievements of CHARAS and hopefully expands the pressure on the NYC mayoral office to follow through on their promise to re-acquire El Bohio for the Loisaida community.
The week of the exhibition opening, many public performances, talks and workshops will transpire in both the Loisaida Center dome, and at La Plaza Cultural. These events will be influenced by the type of programming that happened during the 20+ years of events and exhibitions of El Bohio before being pushed out of its iconic and historic location on 9th Street, formerly known as P.S. 64.

Resources:
CHARAS The Improbable Dome Builders (((THE FUTURE IN ACTION)))
Through the lens of avant-garde architectural theory, the CHARAS Lower East side community group and Buckminster Fuller’s assistant, Michael Ben Eli construct a geodesic dome on an unused plot of land in the shadow of the Manhattan bridge in 1972-1973. The CHARAS members built the geodesic dome to control their own destiny.
CHARAS: The Improbable Dome Builders resonates in 2018. Ever present are the needs of affordable housing, the occupation of public/unused space for civic use, and the participation of communities to take self determined action when governmental institutions forgo their public duty.
CHARAS THE IMPROBABLE DOME BUILDERS: (((THE FUTURE IN ACTION) produced by Matthew Mottel includes archival interviews and photography from 1972/73 by Syeus Mottel with CHARAS members Chino Garcia and Karen Becker. In October 2017, Sal Becker and Chino Garcia, return to the dome construction site on the Lower East Side to reflect on their achievements and speak about the purpose of their dome building activity.
Matthew Mottel’s essay on the book.
The video that will be screened during the exhibition opening; CHARAS IS ALIVE ON SPACESHIP EARTH – Wednesday, May 9 at 6:00 pm

Schedule, Programming & Activities:

Saturday, May 5 at 6:00 pm – Archive exhibition of the 1972/73 CHARAS Geodesic Dome opens during Fiestas de Cruz at Loisaida Center.
Sunday, May 6 at 2:00 pm – Dome Building Workshop where participants will assist in the building of a 12′ geodesic dome. There will also be a special screening of archival footage from Bucky Fuller.
Wednesday, May 9 at 6:00 pm – Geodesic Domes unveiled with exhibition at Loisaida Center and La Plaza Cultural with performance by poet Edwin Torres.
Thursday, May 10 at 12:00 pm – Exhibition hours at Loisaida Center.
Friday, May 11 at 6:00 pm – Exhibition hours at Loisaida Center + Oral history project of the Lower East Side featuring interview with Chino Garcia by the Greenwich Village Society for Historic Preservation, with documentary screening of Matthew Mottel’s video CHARAS IS ALIVE ON SPACESHIP EARTH at 6:00 pm.
Saturday, May 12 at 12:00 pm – Exhibition hours at Loisaida Center + performances in the afternoon thru evening at La plaza Cultural and Loisaida Center Courtyard.

Chino Garcia Oral History and Screening of CHARAS is Alive on Spaceship Earth
2018-05-11 18:00 - 21:00
Chino Garcia Oral History and Screening of CHARAS is Alive on Spaceship Earth
Friday, May 11, 6:00pm
Loisaida Inc. Center, 710 E 9th Street

presented as part of Lower East Side History Month

GVSHP‘s Oral History Project helps to preserve memories of the Village and East Village. Our newest release features Carlos “Chino” Garcia, co-founder of the East Village’s CHARAS El Bohio Cultural and Community Center.
Chino will join us in conversation with Bonnie Sue Stein, Executive and Artistic Director of GOH Productions. They will discuss Chino’s life and activism, from youth and migrant communities in the 1950s to the education-focused Real Great Society, the founding of CHARAS in the 1970s, and more.
CHARAS first built domes in collaboration with Buckminster Fuller in 1972. Artist and scholar Matthew Mottel will present his short documentary about CHARAS based on archival footage ofSeyus Mottel (his father), working on the Improbable Dome Builders.
This event is fully accessible.
Free. Reservations Required.

Register here.

Last One Standing - Premier *SOLD OUT*
2018-05-25 18:00 - 21:00
DESCRIPTION

Loisaida Inc., producers of the annual Loisaida Festival, are pleased to host the significant event in honor of one of the most iconic pillars of the Puerto Rican, Nuyorican, and Latinx community, Adela Fargas, founder of the restaurant Casa Adela.
Filmakers Gary Cruz and William Rosario from Yagrumo Productions documented Adela’s life for the last four years culminating in their latest documentary “Last One Standing”. They have immortalized the trajectory of this beloved Loisaida Icon.
The reception will feature a special performance from local musician and organizer, David Soto as Daso Y El Grupo Cemi and an acoustic set by Juan Pagan.
Doors open at 6:30pm and the screening begins promptly at 7:45pm.

DATE AND TIME

Fri, May 25, 2018
6:30 PM – 10:00 PM EDT
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LOCATION

710 E 9th St
710 East 9th Street
New York, NY 10009

Exhibition Closing: CHARAS is Alive on Spaceship Earth
2018-06-27 18:00 - 21:00
Please join us for the closing reception of the exhibition:
CHARAS is Alive on Spaceship Earth
with special performances from Art Jones, Krisia Ayala and Yuko Otomo.

Art Jones will create live audio/video mix featuring the animated sights and sounds of NYC’s utopian future-past, projected onto artist Krisia Ayala’s installation. Both artists will use the dome as a sculpture to be activated through their own creative interventions.
Yuko Otomo: a visual artist & a bilingual poet (poetry & haiku). She also writes art criticism, essays & does translation. In visual art, she has been concentrating herself on the study of “pure abstraction” & has created a body of work covering over 3 decades. Her work has been shown in various gallery spaces; such as Tribes Gallery, Anthology Film Archives Courthouse Gallery, ABC No Rio, Brecht Forum, Gallery 128, Knitting Factory & Vision Festival. As a poet/writer, she has read her work in venues such as St. Marks’s Poetry Project, Bowery Poetry Club, Issue Project Room, Brooklyn Botanic Garden, Nuyorican Poet’s Café etc. She also has read in Germany, France & Japan. She has been published in many magazines & literary publications such as Recluse, 6×6, Long Shot, Appearances, The Unbearables Assemblage Magazine, Downtown Anthology, Senritsu & others. Her books include “ Garden: Selected Haiku” (Beehive Press), “Small Poems”, “The Hand of the Poet” (by Ugly Duckling Presse). She also has a huge volume of critical writing on art such as “On Artist & Studio”, “On Artuad: Writing & Drawing”.
Krisia Ayala: Puerto Rican born and New York City based teaching artist, interested in digital mixed media art, print design and sound installations. Her works on paper range from artist books to large format prints. Ayala has focused her artistic research into developing visuals inspired by migratory issues. Her biggest motivation is to explore and illustrate the similarities between avian and human migration, intending to blur the lines that differentiate the human and avian migratory experience. Instagram: Krisia.ayalart

Lying Lydia - Open Reading
2018-07-22 19:00 - 21:00
Loisaida Inc. and Caborca Theatre present:
Lying Lydia
Open Reading

New work by the Loisaida Inc. Center’s 2014 artists in residence –CABORCA.
Written and directed by Javier Antonio González and featuring Laura Butler Rivera, Yaremis Félix, and Tania Molina, Lying Lydia is a piercing look at our civilization’s targeting of women, colonies, and the truth. In the mold of Churchill and Fornes, Lying Lydia is a mysterious and darkly funny chamber work featuring masterful performances from some of Caborca’s veteran actors, as well as an original soundscape by Keenan Hurley.

Truth may have died in the disaster. Two women are confined and forced to paint the landscape that may have once been. One of them is Margaret. The other is Lying Lydia, so called because everything she says is a lie. How do you know? Listen, you can hear her thinking. Like they said you would.
LOISAIDA INC. CENTER
710 E 9th Street, Manhattan
Free Admission
7pm

About Caborca:
Hailing from Puerto Rico, US America and beyond, Caborca makes sprawling, adventurous works in theatre and film. Combining epic auteurship with a tuned ensemble of actors and a flux of collaborators, we bridge language, background and media, inviting our audience, guest artists and members alike, to delve into the pleasure of seeing anew.
Caborca steals its name from the novel The Savage Detectives, by Roberto Bolaño, in which a magazine of the same name is the official organ of visceral realism.

Opinions like those expressed while in a panel, event or presentation, performance or through artwork are expressed by the author in his personal capacity and are the author’s own. They do not necessarily reflect the views of Loisaida Inc. its affiliates or staff.
