Teófilo Torres es: Pateco en Loisaida

Thespian Maestro, TEOFILO TORRES, performs about post-hurricane María crisis in specially commissioned X-mas show. One night only @ LOISAIDA CENTER.


NEW YORK, NY, DECEMBER 15, 2017 – Puerto Rico’s most treasured monologist, Teófilo Torres, whose acting career spans over 40 years ––will perform at Loisaida Cultural Center on December 28th with his new creation: Pateco el Sepulturero (Pateco the Gravedigger).

Pateco’s character is borrowed from an old Puerto Rican folk tale. Legend has it that in 1899, after the deathly devastation of hurricane San Ciriaco, so many people died in the island -both during and in the hurricane’s aftermath- that dead bodies were left piling up at the gate of a local cemetery. The gravedigger was called Pateco, it is said. From then on, after someone has passed away, the people in the island have been known to say that ‘Pateco took them under’, ‘a fulano se lo llevó Pateco’.

Torres’ take on Pateco comes back to life in 2017, this time after hurricane María devastated Puerto Rico, to take to the grave those “dead bodies” and zombies now piling up all over the island. Torres’ Pateco character is portrayed as a half-drunk, half-political pundit, that has found a new devotion to singing jíbaro folk music “Décimas”. He is a jokester, however a complicated character that takes a swing at killing us (the audience) softly with his rhymes, and makes us aware of the current political and fiscal crisis facing the Caribbean island.

You can find more information online at loisaida.org/events

Loisaida Inc. has produced many performances throughout this year, some that recasts the current fiscal crisis of Puerto Rico, and more recently others hosting visual artists, musicians and academics interpreting through their work the impact on Puerto Rican communities in the wake of the 2017 hurricane season. Loisaida keeps the creative diaspora stemming from the Caribbean island to present a forward-looking merger of eco-urbanism and art-based community making.
                                                                                   


Teófilo Torres (born 6 March 1954 in Ponce, Puerto Rico) is a Puerto Rican actor, director and professor of theatre. He has acted for both television as well the big screen, and has performed in Puerto Rico and internationally.



Teófilo Torres (born 6 March 1954 in Ponce, Puerto Rico) is a Puerto Rican actor, director and professor of theatre. He has acted for both television as well the big screen, and has performed in Puerto Rico and internationally.

WORDS & IMAGES – Intensive Workshop for Youth


Eventbrite - The Poetics of Live Writing / Escritura-Acto


WORDS & IMAGES

FREE Intensive two day workshop for youth ages 15+ with Casa Cruz de la Luna Theater Company

Saturday, April 16 and Sunday April 17:  1:00P.M.-5:00P.M

Ages 15+

Come and explore how bodies in space create theatrical pictures that can be linked in many ways to spoken and projected words. This workshop combines Brazilian director Augusto Boal´s notions of image theatre with “escritura acto” (computerized writing projected live), a practice we have developed at Casa Cruz de la Luna Theatre. Using the texts generated by the participants some of the exercises will take the form of individual poetry presentations or collective performative sketches.

Instruction will be conducted in English but participants can work in whatever language they choose,.

Saturday April 16 and Sunday April 17: 1:00P.M.-5:00P.M.

Facilitated by Casa Cruz de la Luna Company members: Aravind E. Adyanthaya, Alejandra Maldonado and Christopher Cancel.

Requisites:

-Targeted for ages 15-18 years old
-Participants should be able to attend the full two sessions
-Wear clothes comfortable for movement. Bring pen or pencil and notebook.

This workshop is free, but space is limited!

WORDS & IMAGES – Intensive Workshop for Youth


Eventbrite - The Poetics of Live Writing / Escritura-Acto


WORDS & IMAGES

FREE Intensive two day workshop for youth ages 15 – 18 with Casa Cruz de la Luna Theater Company

Saturday, April 16 and Sunday April 17:  1:00PM – 5:00PM

Ages 15 -18

Come and explore how bodies in space create theatrical pictures that can be linked in many ways to spoken and projected words. This workshop combines Brazilian director Augusto Boal´s notions of image theatre with “escritura acto” (computerized writing projected live), a practice we have developed at Casa Cruz de la Luna Theatre. Using the texts generated by the participants some of the exercises will take the form of individual poetry presentations or collective performative sketches.

Instruction will be conducted in English but participants can work in whatever language they choose.

Saturday April 16 and Sunday April 17: 1:00P.M.-5:00P.M.

Facilitated by Casa Cruz de la Luna Company members: Aravind E. Adyanthaya, Alejandra Maldonado and Christopher Cancel.

Requisites:

-Targeted for ages 15-18 years old
-Participants should be able to attend the full two sessions
-Wear clothes comfortable for movement. Bring pen or pencil and notebook.

This workshop is free, but space is limited!

The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


The Poetics of Live Writing / Escritura-Acto


Eventbrite - The Poetics of Live Writing / Escritura-Acto


Escritura Acto/The Poetics of Live Writing

with Casa Cruz de la Luna Theater Company

Focusing on “escritura acto”-or the act of live computerized writing projected onstage- this workshop will develop  a consciousness of the performer as another medium (medio, mediumnidad) interacting physically and energetically with other mediums (actors, spectators, objects, apparatuses, locations, programs) in performance.  Exercises will explore the different mechanisms for generating tension through escritura acto, such as:  disjunction (writing one content while speaking another); precognition (playing with expectations on how words and sentences are going to be completed): body kinetic responses to the writing as it is being produced; and the movement of texts through translation / dictation / reading /copying chains. The lab process will culminate in a presentation open to the public on the last day of class.

Requisites:

-18 years and older (we will also have a workshop for younger participants, stay tuned)

-Participants should be able to attend the 6 sessions since the work is cumulative and leading to a final performance.

-Participants will be asked to memorize short texts as assignments.

-Especially useful for theatre makers; performance, visual and sound artists; writers; students focused on literature and/or the performing arts; and people interested in transmedia narratives

Facilitator:  Aravind E. Adyanthaya

This workshop is free, but space is limited!


Company Profile:

English: Casa Cruz de la Luna. Originally based in an old house in the historical district of the town of San Germán in the Southwest of Puerto Rico, Casa Cruz de la Luna, has as its mission the continuous study of the limits of the theatrical experience. Founded in 1998 by Aravind Enrique Adyanthaya, the group has engaged in experimental stagings of classical works by Jorge Luis Borges, Cervantes, García Lorca, Oscar Wilde and  Maeterlinck, as well as the development of new plays by Puerto Rican authors such as José “Pepe” Liboy, Mayra Santos Febres, Carlos Canales, Jaime Carrero, Fátima Santana, Lina Nieves Avilés and Manuel Ramos Otero.

Since 2012,  the company has begun to establish a second home-base in New York City, collaborating in joint projects with  New York Theatre Workshop, Theatre for the New City, The Organization of Puerto Rican Artists (OP Art), LA TEA at the Clemente Soto Vélez Center, Pregones/PRTT and now The Loisaida Inc.Center.

Website: Click here.

Spanish: CASA CRUZ DE LA LUNA se fundó en 1997 con la visión de proveer un ámbito de movimiento para las artes y las humanidades en el área suroeste de la Isla. En el 1998 empieza a funcionar desde su base en la Calle Luna, Esquina de la Cruz en el distrito histórico del pueblo de San Germán. Su actividad se ha extendido desde actividades educativas y de presentación hasta la creación de una compañía profesional de teatro experimental. Desde el 1999, la Casa ha crecido como foro donde discursos sobre arte, sociedad y teoría se materializan a través de conferencias, exposiciones, talleres, proyectos de investigación y puestas escénicas. La inauguración de la Casa como galería (1999), la organización de la Biblioteca Marcos A. Ramírez (2001-3) y la participación de la compañía de teatro en giras y proyectos internacionales (desde el 2000) han servido de puntales para nuestra labores presentes y aspiraciones futuras.


For more information contact (646) 757-0522,

email info@loisaida.org, or visit loisaida.org.
Follow The Loisaida Inc. Center on Facebook and Twitter


*SALVAGE WORLD PREMIERE* 04/10/2015

photograph / graphic design by Isaiah Tanenbaum

The Loisaida Center & Flux Theatre Ensemble presents:

SALVAGE

by August Schulenburg
directed by Heather Cohn

featuring the debut of Flux’s LIVING TICKET


WORLD PREMIERE

OPENING NIGHT FRIDAY, APRIL 10 – 8:00pm

PREVIEWS APRIL 8 & 9 – 8:00pm

NO PERFORMANCES APRIL 15 OR APRIL 24

Flux Theatre Ensemble will present the World Premiere of August Schulenburg’s (Jane the Plain with Flux) Salvage, April 8 – 25 at The Loisaida Center (710 E 9th St on Ave C). The production will be directed by Heather Cohn (NYIT Award-nominated production of Sans Merci with Flux) with Assistant Director Emily Hartford (Jane the Plane with Flux) and will feature Sol Crespo (DEINDE with Flux), Rachael Hip-Flores (Once Upon A Bride There Was a Forest with Flux), Mike Mihm* (Ajax in Iraq with Flux), and Isaiah Tanenbaum* (Jane the Plain with Flux). The creative team will include Sound Design by Janie Bullard (2014 USITT/LDI Rising Star Award Winner, NY Theatre Now 2013 Person of the Year; 2014 NYIT Nominee for Jane the Plain), Scenic Design by Will Lowry (Once Upon a Bride There Was a Forest with Flux), Costume Design by Becky Byers (asst. on Jane the Plain, Sans Merci, and Honey Fist with Flux), Lighting Design by Kia Rogers (2014 NYIT Award for Jane the Plain), and Props Design by Alisha Spielmann (Jane the Plain with Flux). The Production Stage Manager will be Jodi M. Witherell.

*Appears courtesy of Actors’ Equity Association.

Salvage is a drama about Noma and Akiko, two government officials searching for precious objects through what’s left of a post-catastrophe New York City. When their manager Dennis hires Mandy, a veteran from America’s many wars, the searchers discover things that make them question their mission, and whether it’s time to let their city go.

Salvage will be presented by Flux Theatre Ensemble at The Loisaida Center (710 East 9th St on Ave C) April 8 – 25, Monday through Saturday at 8pm, with no performances on Wednesday April 15 or Friday April 24.


Beginning with Salvage, no financial transaction is required to attend a Flux performance. Instead, Flux will use a “Living Ticket.” In their commitment to financial transparency, Flux will share their operating budget and leave it to each audience member to donate as they see fit.

Get Tickets Now!



photograph / graphic design by Isaiah Tanenbaum


AUGUST SCHULENBURG (Playwright) is a founding Creative Partner of Flux and current Artistic Director.  With Flux, he directed Ajax in Iraq (NYITA nomination), A Midsummer Night’s Dream, and the Food:Souls Goldsboro and Volleygirls.  As an actor with Flux, he has played Dr. X in Hearts Like Fists, Ezekiel in 8 Little Antichrists (NYITA nomination), and the Professor in Rue. As a playwright, his work with Flux includes Riding the Bull, Rue, Other Bodies, The Lesser Seductions of History, Jacob’s House, DEINDE and Honey Fist.

August’s plays include Carrin Beginning, Kidding Jane, Rue, Riding the Bull, Good Hope, Other Bodies, Honey Fist, Dark Matter, Jacob’s House, DEINDE, Dream Walker, Denny and Lila, Dark Matter, Jane the Plain and The Lesser Seductions of History. His plays have been produced and developed at the Lark Play Development Center, Bay Area Playwrights Festival, Ensemble Studio Theatre, Chelsea Playhouse, Theater for the New City, Portland Stage Company, Dayton Playhouse, Colonial Players, Pennsylvania Shakespeare Festival, Contemporary Stage Company, Abingdon Theater Company, Gideon Productions, New Amerikan Theatre, Penobscot Theatre, Impetuous Theater Group, Decades Out, Soundtrack Series, Reverie Productions, Wolf 359, Blue Box Productions, Piper McKenzie, Boomerang Theatre Company, Adaptive Arts, Hall High School, Nosedive Productions,  MTWorks, Purple Repertory, Valley Repertory Company, The Brick Theater, CAPS LOCK Theatre, Chameleon Theatre Circle, Retro Productions, Elephant Run District, and TheatreLAB and Flux Theatre Ensemble. He is a member of the Propulsion Lab for Mission to (dit)Mars. His work has also been published in the New York Theater Review, Stage and Screen, Indie Theater Now, Midway Journal, NoPassport Press and in two issues of Carrier Pigeon. He also writes for film and television with MozzleStead Productions.

Visit him online at augustschulenburg.wordpress.com

HEATHER COHN (Director) is a co-founder and Producing Director of Flux Theatre Ensemble. Directing credits for Flux include: Kristen Palmer’s Once Upon A Bride There Was a Forest, Johnna Adams’ Sans Merci (NYITA nomination, Best Original Script), August Schulenburg’s DEINDE, Erin Browne’s Menders, August Schulenburg’s The Lesser Seductions of History (nominated for Outstanding Direction, NYITA) and Other Bodies (FringeNYC Excellence Award for Direction) and numerous staged readings. Outside of Flux: Assistant Director to Austin Pendleton on Johnna Adams’ Gidion’s Knot (59E59); David Stallings’ Dark Water (MTWorks – NYITA for

Outstanding Original Script; nomination for Outstanding Production) and The Stranger to Kindness (Outstanding Overall Production of a One-Act, Planet Connections Theatre Festivity Awards, also nominated for Outstanding Direction Award); Mariah MacCarthy’s For the Good of the Child (Gideon Productions); Rosie The Retired Rockette and Blood (EstroGenius Festival); and numerous staged readings for companies such as: Rattlestick, The Lark, Cherry Lane, The Brick, Mission to Ditmars, On the Square Productions, MTWorks, Resonance Ensemble, Jewish Plays Project, The Platform Group and CAPS LOCKS THEATRE. Member – Women’s Project Producers’ LAB (2008-2010). Heather is a graduate of Vassar College.

FLUX THEATRE ENSEMBLE produces transformative theatre that explores and awakens the capacity for change. As an ensemble-artist driven company, Flux believes that long-term collaboration and rigorous creative development can unite artists and audiences to build a creative home in New York.

Flux is the proud recipient of two NYC Fringe Festival Awards (2007 Village Voice Audience Favorite Award for Riding the Bull; 2008 Outstanding Direction Award for Other Bodies) and an eighteen-time New York Innovative Theatre Award nominee between 2008-2014, including wins for The Angel Eaters Trilogy, Ajax in Iraq, and Jane the Plain. In 2011 The New York Innovative Theatre Awards also awarded the prestigious Caffé Cino Fellowship Award to Flux for “consistently producing outstanding work.” Flux received a Citation for Excellence in Off-Off Broadway Theatre from the Independent Theater Bloggers Association and was named one of nytheatre.com’s 2014 “People of the Decade.”

www.fluxtheatre.org