El Semillero Benefit Event

Semillero ia logo


Join us for Loisaida’s First Benefit !

You are invited to a launch celebration of

 El Semillero – The Seedbed

a makerspace community hub for cultivating our skills & ourselves.

Featuring:

D’MARQUESINA

Joe Louis/Surrealist Bohemia

Silent Auction curated by Ryan John Lee & Katharine J. Wright

Local Cusine & Beverage + MORE!

Purchase tickets to our first benefit event:





Artist

We are here for you! As an artist-level contributor, you can gain access to the fundraiser celebration, enjoy libations and eats from local vendors, and exercise your right to party to the sounds of DJ D’Marquesina.





Seedling

Make us grow! Dig in at the seedling level and your contribution gives you all of the “Artist” level benefits, plus an autographed print by photographer Máximo Rafael Colón.





Germinator

You are truly making us blossom! At this level, recieve all of the “Artist” level benefits, plus the first six Germinators get a pair of tickets to their choice of either Shakespeare in the Park’s Othello, Twelfth Night, orThe Public’s run of Quiara Alegría Hudes’ Miss You Like Hell. All other Germinators will receive a signed limited edition print by artist Adrián “Viajero” Román.



ReconstruirMX@Loisaida

Please join us on January 13th, 2018 for a night of music, dance, tamales and the celebration of the artistic spirit in the rebuilding efforts of communities impacted by the 2017 earthquakes in Mexico. Performances by Sandra Soto Silva, The Josh Craig and more.

In November of 2017 an art benefit was held  at 41 Cooper Gallery for communities devastated by earthquakes in Mexico. Through the raffling of over 100 artworks generously donated by local and international artists we were able to fundraise  $13,000 USD in support of the relief and rebuilding efforts of the artist collective Los Carpintruenos, the Museo Comunitario del Valle de Xico, and Centro Cultural Bacaanda.

While we began organizing partly due to our familial ties to Mexico and with the intention of making a gesture of support and camaraderie across borders, these efforts have been an urgent reminder to connect with international artistic communities; the need to stay connected, share stories and ideas, and cultivate long lasting relationships that transcend locality and lived experiences.

In December we visited Los Carpintruenos and the Museo Comunitario del Valle de Xico, whose work and energy is truly impressive and inspiring. The purpose of the upcoming event at Loisaida is to share the stories of these artistic communities and their impassioned work as well thank our extended NYC community for their ongoing support.


Los Carpintruenos, whose name combines carpinteros (carpenters) and truenos (thunder), is a group of seven volunteers whose mission is to generate effective, quick, and direct aid in the construction of houses and temporary refuges in both a long- and short-term capacity to regions affected by the earthquake. Los Carpintruenos met while assisting with carpentry, demolition, reconstruction, and rescue work in the area around calle de Gabriel Mancera, Mexico City’s post-earthquake “ground zero”. Buoyed by a sense of purposeful collective energy, they decided to stay in touch as they continued to assist with rebuilding efforts throughout the capital. More recently, they have expand their work beyond Mexico City, transporting supplies to the towns of Jojutla and El Jicarero in the state of Morelos and to this date successfully built 16 wooden houses for individuals and families left homeless.

Museo Comunitario del Valle de Xico located in Valle de Chalco, on the outskirts of Mexico City, the Museo Comunitario del Valle de Xico was built on an ex-hacienda dating to 1529. The Museum now houses an impressive collection of pre-Columbian objects and safeguards the archaeological remains of the Valle de Xico. In response to the earthquake, the museum has partnered with organizations in the region to deliver supplies directly to affected populations. To date, they have sent out three brigades and with our support they are now establishing medical outposts to assist those with medical needs.

Centro Cultural Bacaanda is a project founded by the Visual Artist Cristian Pineda Flores in May of 2006 in Juchitán of Saragossa, Oaxaca. It is an artistic proposal that unites the efforts and ideas of artists in diverse disciplines to create dynamics of exchange, formation, contemporary artistic production and cultural diffusion in the state of Oaxaca, especially in the region of the Isthmus. After the September 7 earthquake—which destroyed hundreds of houses in Juchitán—architects, engineers, people dedicated to the field of construction with experience, organized to support those that lost their homes and everything there.

Fantasy Island – Exhibition Performances

For Shey Rivera Ríos and Huáscar Robles, Hurricane María is an atmospheric manifestation compounded by the fiscal crisis troubling Puerto Rico’s urban landscape. The installation and performance Fantasy Island is an experience that explores how tourism and consumer culture sell a “fantastical” luxury lifestyle, a tropical paradise twisting crisis into “opportunity”. A door opens into a real estate office selling dreams of luxury and reconstruction and the viewer delves into a dizzying spell of animated gifs, performance and altars.

For Fantasy Island, Rivera transformed Loisaida’s space into a real estate office surrounded by a black and white grid that envelops visitors while monitors flash GIFs that borrow aesthetics from the vaporwave movement. In one image, a hand waves a wad of cash to a “Puerto Rico” neon sign while icons of the Virgin Mary and a ram, both cultural symbols of Puerto Rico’s syncretism and colonial history, spin in an enticing, dizzying spell. Viewers are also inspired to reflect on how natural disasters such as the path of hurricanes affecting not only Puerto Rico but also our Caribbean neighbors maybe twisted into “opportunity” after the crisis subsides.

For the Loisaida Center, a cultural enterprise with deep roots in the Nuyorican and Latinx New York community, Fantasy Island stretches the island to New York and its Puerto Rican and Caribbean diaspora as it hits common issues they all grapple with.

StormWater performance:

For Shey Rivera Ríos and Huáscar Robles, Hurricane María is an atmospheric manifestation compounded by the fiscal crisis troubling Puerto Rico’s urban landscape. The installation and performance Fantasy Island is an experience that explores how tourism and consumer culture sell a “fantastical” luxury lifestyle, a tropical paradise twisting crisis into “opportunity”.

Shey Rivera:  

Ixchel performance. Video projection and audio of poem.

Pick 5 poems from Hienas y Los buitres.

La jíbara bruja performance, with reading from “Naty and my chaotic stench”

Huáscar Robles performs:

“Héroes del estéreo”

“Salt and wine”

“Pupilas y gaviotas”

“Drenched”

“Las manos del campo”

Video projections: Sharks, Hurricane, Beach floor and photos of the devastation, sent by friends and family.

Audio files: Cocoon poem, Coquis by Fofe, Rain storm


Exhibition Viewing Hours: Thursday, Friday and Saturday from 1:00 pm – 5:00 pm and by appointment.


Throughout the fall, and beyond, the Loisaida Inc. Center’s programming will provide opportunities to pledge support to the relief and recovery efforts in the Caribbean.

 

ECOLOGICAL CITY-ENGAGEMENT/PLANNING MEETINGS

Next Meeting: Wednesday November, 15
When: 6:30-8:00 pm
Where: Loisaida Center – 710 East 9th Street (between Avenue C & D)

OPEN CALL – ARTISTS
Visual Artists, Dancers, Performers, Musicians & Poets
present and collaborate with community creating artistic works exploring climate resiliency, water and ecological sustainability
Please send links to past or current and proposed works related to ecological sustainability themes to mail@earthcelebrations.com (Subject Line – “OPEN CALL – ECOLOGICAL CITY” ) by November 15, 2017.

Fantasy Island: Panel Discussion

Puerto Rico’s economic spiral has spread uncertainty on the island. A 120 billion debt in bonds and pension responsibilities has been deemed un-payable while a U.S. Fiscal Supervision Board suggests further austerity measures. About 170 schools have closed and a third of the island’s real estate is unoccupied. Puerto Ricans keep fleeing en masse while foreigners move in, altering the urban and cultural landscape.

Artists, scholars, activists, and other thought leaders from various sectors are in conversation throughout the diaspora with the intention of creating awareness and dialogue that can generate solutions. How can art further push to inform socially responsible urban development and shed light on inequitable real estate practices that cause displacement and economic disparity? What about this cult to tourism and its implications on the field?

This panel discussion will focus on the role of the arts in community development, the economic crisis in Puerto Rico, its implications and parallels with other cities/countries, tourism economy, real estate development, and disaster capitalism.

Speakers:

F. JAVIER TORRES  ArtPlace America

f. javier torres

Latest Blog Post: Reflecting on the Interstate’s Impact on an American City

F. Javier Torres is the Director of National Grantmaking at ArtPlace America. In his role he is responsible for building a comprehensive set of demonstration projects that illustrate the many ways in which arts and culture can strengthen the processes and outcomes of the planning and development field across the United States. Thanks to ArtPlace he has travelled across 48 states in the last 3 years and visited a wide variety of community contexts. This travel has expanded his interest in the networks and knowledge sets necessary to sustain creative placemaking as a practice over time.

Prior to his role at ArtPlace, Javier was Senior Program Officer for Arts and Culture at the Boston Foundation where he led an exploration of the role of culture as a tool for transformation, sustainability, and as central to the development of vibrant communities. Javier spent six years as the Director of Villa Victoria Center for the Arts, a program of IBA, a community based multi-disciplinary arts complex that operates as a regional presenter and local programmer for Latino arts. Currently, he is a board member for Grantmakers in the Arts and an advisory board member for the Design Studio for Social Intervention. He has previously served as a board member for the National Association of Latino Arts and Cultures, MASSCreative, was a member of the MA Governor’s Creative Economy Council and Chair for the Boston Cultural Council.

 

ED MORALES  Journalist and Writer

ed morales

https://edmorales.net/

Ed Morales is a journalist who has investigated New York City electoral politics, police brutality, street gangs, grassroots activists, and the Latino arts and music scene.  He has been a Latin music Newsday columnist and longtime Village Voice contributing writer whose work has appeared in Rolling Stone, The New York Times, Miami Herald, San Francisco Examiner, The Los Angeles Times, The Guardian, Jacobin, and The Nation. He was a contributing editor to NACLA Report on the Americas a frequent contributor of op ed columns for The Progressive Media Project.

Ed Morales is currently writing Latinx: The New Force in American Politics and Culture, a definitive view of how Latin@s matter in the US’s race debate, to be published by Verso Press in Spring of 2018. In March 2002, he published his first book, Living in Spanglish on St. Martin’s Press/LA Weekly Books. A second book, The Latin Beat: From Rumba to Rock, was published on Da Capo Press in 2003. Morales is also a poet whose work has appeared in Aloud: Voices From the Nuyorican Poets Café (Henry Holt, 1993) and various small magazines, and whose fiction has appeared in Iguana Dreams (HarperCollins, 1992), and Boricuas (Ballantine, 1994).

He has participated in residencies as a member of Nuyorican Poets Café Live, touring as a spoken-word performer in several cities throughout the East Coast, in California, Florida, Texas, Denmark, and Washington, D.C.  Morales has also appeared on CNN, Hispanics Today, Urban Latino, HBO Latino, CNN Español, WNBC-TV’s Visiones, WABC’s Tiempo BBC television and radio, and the Fox Morning News in Washington D.C.

Ed Morales is currently an adjunct professor at Columbia University’s Center for the Study of Ethnicity and Race, and occasionally appears as a host on WBAI-FM.

 

SHEY RIVERA RIOS is the Artistic Director of AS220.

shey

 

With a professional background in administration, Rivera is also a performance and installation artist, musician and writer. At AS220, she focuses on community engagement, cross-sector partnerships, and strategic planning, alongside a team of program leaders. Rivera was part of the founding team of Festival de la Palabra in San Juan, Puerto Rico, in 2010 (the largest literature festival in Puerto Rico, still ongoing), and reactivated the historic Museum House Concha Melendez in San Juan with literary arts programming. She is an Intercultural Leadership Institute (ILI) Fellow, Brown University Public Humanities Fellow, and alumni of the Leadership Institutes hosted by the National Association of Latino Arts and Culture (NALAC) and the National Association of Media Arts and Culture (NAMAC). Rivera is a Certified NonProfit Accounting Professional (CNAP) and has also served on multidisciplinary art grant panels for the National Endowment of the Arts (NEA), NALAC, and Rhode Island State Council on the Arts. Rivera serves in Congressman Jim Langevin’s Art & Culture Advisory Committee and Providence Mayor Elorza Art & Culture Transition Team. She also serves in the Downtown Improvement District and Providence Parks Conservancy Advisory Committees, as the Dept of Art, Culture+Tourism’s Public Art Committee and Providence Cultural Equity Initiative’s Cultural Think Tank. She has been a speaker at Tulane University, University of Puerto Rico, New Bedford Museum of Art, RISD Museum, Philadelphia Mural Arts, and national conferences on art spaces and community development, including Alliance of Artist Communities, Pittsburgh’s Community Development Summit, Congress of New Urbanism, and NALAC, among others.  http://sheyrivera.com

 

Moderator: HUASCAR ROBLES writes and makes art about technology and culture.

He has published with The New York TimesChicago Tribune’s HoyMetro San Juan and other publications in United States, Puerto Rico and Brazil. He was a correspondent in Haití and  published Puertos príncipes: temblemos todos, a journal and photo book on Haiti after the earthquake. He is currently an Op-Ed contributor to Puerto Rico’s El Nuevo Día. 

The Country Under My Skin, Los silencios de Santurce, Portraits of Marassa, are some of his photo and multimedia performances in the U.S. and Puerto Rico as well as the documentary The Invisible Coast, on Haitian merchants’ struggle on Puerto Rico’s Loíza town.

He has participated with The Dart Center’s Ochberg Fellowship (2009), Center for Justice and Journalism’s Urban Fellowship (2009), AS220’s Artist in Residence, and Brunetto’s School cultural exchange in Brazil (2006). His collection Country Under My Skin as acquired by Rhode Island’s Historical Society’s Permanent Gallery.  Robles has an M.F.A. from New York University.

 

 

 

 

Fantasy Island – Exhibition Open

For Shey Rivera Ríos and Huáscar Robles, Hurricane María is an atmospheric manifestation compounded by the fiscal crisis troubling Puerto Rico’s urban landscape. The installation and performance Fantasy Island is an experience that explores how tourism and consumer culture sell a “fantastical” luxury lifestyle, a tropical paradise twisting crisis into “opportunity”. A door opens into a real estate office selling dreams of luxury and reconstruction and the viewer delves into a dizzying spell of animated gifs, performance and altars.

For Fantasy Island, Rivera transformed Loisaida’s space into a real estate office surrounded by a black and white grid that envelops visitors while monitors flash GIFs that borrow aesthetics from the vaporwave movement. In one image, a hand waves a wad of cash to a “Puerto Rico” neon sign while icons of the Virgin Mary and a ram, both cultural symbols of Puerto Rico’s syncretism and colonial history, spin in an enticing, dizzying spell. Viewers are also inspired to reflect on how natural disasters such as the path of hurricanes affecting not only Puerto Rico but also our Caribbean neighbors maybe twisted into “opportunity” after the crisis subsides.

For the Loisaida Center, a cultural enterprise with deep roots in the Nuyorican and Latinx New York community, Fantasy Island stretches the island to New York and its Puerto Rican and Caribbean diaspora as it hits common issues they all grapple with.

The opening and closing reception will include a special performance.


Exhibition Viewing Hours: Thursday, Friday and Saturday from 1:00 pm – 5:00 pm and by appointment.


Throughout the fall, and beyond, the Loisaida Inc. Center’s programming will provide opportunities to pledge support to the relief and recovery efforts in the Caribbean.

 

Ecokit Puerto Rico

 

We are Puerto Rican artists living in New York who have collaborated extensively with eco-conscious nonprofit organizations, journalists and media.

In the wake of Hurricane Maria we conducted a quick assessment of needs and have assembled a list of immediate relief items focusing on portability, reuse, waste reduction and effectiveness in off grid situations.

We took this terrible situation as an opportunity to rebuild in sustainable ways, especially given the dilapidated & dangerous state of the island’s waste management which has produced toxic ashes in now hurricane stricken areas.


Visit EcoKitPuertoRico.org

You can help by fulfilling orders here. These resources will be delivered and shipped from our Center directly to trusted sources on the island.


How it works: 
  • Place an order for items on the ‘NEEDS LIST’ page

  • Ship items to our pick up center:

         Eco-Kits Duffle Help

         Loisaida Inc. Center

         710 East 9th Street

         New York, NY 10009​

  • Sorted items are immediately given to our volunteer travelers.

  • Eco-kits get picked up at airports in Puerto Rico by our contacted community coordinators and delivered to the following list of grass-roots organizations:

    Iser Caribe is our fiscal sponsor, a non profit ecological organization based in Mayagüez, Puerto Rico.

    Loisaida Inc. Center, extending its support to the Puerto Rican community is housing our drop-off and pickups in its Lower East Side Location.

    Creatives Mean Business, supporting with communications, and design needs.

    Beneficiary Organizations in Puerto Rico, these organizations are the grass-roots recipients so far of the Pre-Assembled Kits:

    Taller Salud
    Casa Ruth
    ASPPRO
    Overseas Press Club
    Comedores Sociales de Puerto Rico
    Centro de Periodismo Investigativo
    Asociación de Foto Periodista de Puerto Rico
    Casa Pueblo
    Boys & Girls Club of Puerto Rico
    Boricuá: Asociación Boricua de Agricultura Ecológica
    Farmer Foot Brigades
    Colectivo Vueltabajo
    Colectivo AgroEcologico Guayabacherry
    Galeria Betances
    Ridge to Reefs
    Biblioteca Juvenil de Mayaguez
    Planeta Feliz

Garbagia Universe

Concept:

Building on last year’s successful Garbagia Island, Loisaida Inc. Center will expand this summer into Garbagia Universe. Acting on the continued need to build public historical awareness of cultural immigrant history, and consistent with Loisaida’s commitment to urban place keeping, the project refashions cultural practices of Downtown Latino/a/xs from Carmen Pabón, Jorge Brandon, Bimbo Rivas, Pedro Pietri, Petra Santiago and beyond, to contemporary realities. This second cycle will expand to include and explore the pedagogy and practice of the Latin American modernist, Joaquín Torres García, who lived in New York’s Downtown, and who was the subject of investigation of one of our artist-in-residence, and teaching artists for this cycle, Juan Bautista Climent.

This version will offer three component workshops where participants can hone their skills and realize their final products in a performative exposition. These include sewing and costume making, sculptural and conceptual art, and performance production, over the span of three weeks in August and September.

Description:

1st week: Sewing and Textiles Workshop by Daniela Fabrizi

In this first week, after finding an object and having an introductory inspirational meeting about the universe with images and references, we will be building a specialty costume. Together we will create a more universal idea of what fabric means. We will be looking on how to make fabric from “junk”, while learning basic techniques on sewing and alterations, crafting textile patterns and building this piece that will keep developing on the second stage of the project, adding sculptural pieces, all this while reflecting and developing a character for its 3rd week stage. The garment will be the final product of each participant artist, and will be presented as part of the Fashion Show the day of the event.

While creating this costume we will work on creative stimulation, repurpose of materials that can become/are also fabric, and with invited artist Sonia Peña we will have 1 to 2 hours workshops each day to learn mending and alterations, not only this will help to the development of their costume but while creating it they will learn basics but practical and useful techniques for everyday life.

Workshops will include:
Alterations/Mending: From buttons, zippers, hems to decorative hand stitches.
Patterns and Sewing: Basic machine sewing, introduction and reading of a pattern.
Textile Design: Lets make textiles and design patterns creating consciousness about color, composition and mix media. This will be where we explore with different materials, ways of mixing color and texture while learning the ideal tools to use.
Character Development: Out of all of this aspects, we will start an exploration of the first stages of a character, using the costume as a tool to understand and give information about these creature through color, texture and shape. The idea is to give the first step into what will be an ongoing work until Performance Workshop Week where it will be finally worked in
detail and developed.

2nd week: Sculpture Workshop by Juan Bautista Climent

This workshop will focus on the development of sculptural elements that add visual force and meaning to the garments made in the first Garbagia Universe workshop provided, they are made mostly of recycled materials.

Day 1: Universal Symbols and Drawing
We will study traditional clothing from different indigenous cultures in Latin America, Africa, and Asia, containing symbols of the universe (such as the Sun, Mother Earth, Planets, Stars, etc.). We will have a brief review of the ideas of universal symbols of Joaquín Torres García, previously learned in Loisaida Center during the Constructivism Month in July. With these visual and theoretical sources as inspiration, participants should sketch their own sculptural designs, contemplating that they will be designed with recycled materials.

Day 2: Objects in our neighborhood are objects in the Universe
Participants will be challenged to find at least one object that has been discarded within the Lower East Side area, which they consider to be of visual or conceptual value, or which may have this value with appropriate interventions with other artistic materials. Participants will learn the basic techniques of paper mache to combine it with recycled objects.

Day 3: Time to Work
Development of Sculpture, recycled materials and paper mache.

Day 4: Color as forms in the Universe
This day, participants will learn basic concepts of color, but understanding it as tone and form, as taught in the constructivist doctrine of Joaquín Torres García.

Day 5: Final Details
Completion of sculptures. The participants will add the pieces made to their clothes.

3rd week: Performance Workshop by Zuleyka Alejandro & final presentation.

During the last week of Garbagia Universe Program the participants will have the opportunity todevelop their character in a collaborative manner. Performance, body movement and character workshops will be held in order to develop the Performance for the event. After creating their fabric and sculptural pieces during the first weeks of the Project, it will be a time to put it in action the creations.

Outcome:

Participants developed a socio-political approach and learned about crucial contributors to the history of the LES through active participation. Directed with a pedagogical perspective into recreating what important key people (yet invisible to the mainstream narrative) did for our neighborhood. This created awareness into reusing waste and reconstructing its concept into resource. Also pointing out the use of communal spaces for the benefit of the community.

We empowered participants to be active in their communities. The art workshops are beneficial for trans-generational bonding, mental health, motor skills and cognitive development in younger participants. Infusing the creative act with social contemporary issues at stake in the neighborhood and the larger world of many residents, creates empathy, conviviality and a sense of urgency to make a difference.

Garbagia Universe Show pictures (check back soon):


Press release:
(In progress) Garbagia Universe Show
Sept. 9th, 2017 – 6:00 pm at La Plaza Cultural de Armando Pérez Community Garden.

NEW YORK, NY, SEPTEMBER 10, 2017 – Tbd.

Pedagogical Benefits:

Participants developed a socio-political approach and learned about crucial contributors to the history of the LES through active participation. Directed with a pedagogical perspective into recreating what important key people (yet invisible to the mainstream narrative) did for our neighborhood. This created awareness into reusing waste and reconstructing its concept into resource. Also pointing out the use of communal spaces for the benefit of the community.

We empowered participants to be active in their communities. The art workshops are beneficial for trans-generational bonding, mental health, motor skills and cognitive development in younger participants. Infusing the creative act with social contemporary issues at stake in the neighborhood and the larger world of many residents, creates empathy, conviviality and a sense of urgency to make a difference.

Garbagia Island 2016 original trailer:



Loisaida’s Summer Program is made in collaboration with La Plaza Cultural and with your support, thank you.

Make it Verde!

MAKE IT VERDE!

DATE & TIME:
  • Saturday, June 24, 2017 10:00 am to 1:00 pm
LOCATION:

On the High Line at 14th St.

In partnership with the Friends of the High Line, join us for a day of dancing, music, and creating with recycled materials. Portions of this program will be offered in Spanish and English.

This program is geared towards children ages 0-12.

RSVP for this program beginning June 7. To be notified, please join our mailing list.

High Line members may pre-register for this event beginning on June 2.

Not yet a member? Join today.

If you’re an existing member and lost your card, send us an email.


Schedule of events:

10 – 11 AM: Storytime for children ages 0-5 years old by Poncili Creacion

10 AM – 1 PM: Ongoing activities: mobile garden with a Friends of the High Line gardener, worm bin exploration, and mural art project led by Poncili Creacion

11:30 AM: Performance by Poncili Creacion

12:00 PM: Performance by Poncili Creacion (repeat)

12:30 PM: Performance by The Brandon Project

All children must be accompanied by a caregiver at all times.

This program is held rain or shine.


SUPPORT

High Line Families is supported, in part, with public funds from the New York City Department of Cultural Affairs in partnership with the New York City Council.

© 2000–2017 Friends of the High Line